NoMateria 2020 | Balance
NoMATERIA 2020 | Balance
Diseño Industrial de Venezuela. Industrial Design in Venezuela.
Una muestra online del trabajo de los diseñadores venezolanos. 28 objetos que hablan de la escala en el diseño, de los materiales, de los procesos de producción y de las prácticas.
-
An online exhibition of the work of Venezuelan designers. 28 objects that speak of scale in design, materials, production processes and practices.
-
Curada por / Curated by Ignacio Urbina Polo
www.ignaciourbina.com
-
Producido por / Produced by
www.di-conexiones.com
NoMATERIA 2020 | Balance
Diseño Industrial de Venezuela. Industrial Design in Venezuela.
Una muestra online del trabajo de los diseñadores venezolanos. 28 objetos que hablan de la escala en el diseño, de los materiales, de los procesos de producción y de las prácticas.
-
An online exhibition of the work of Venezuelan designers. 28 objects that speak of scale in design, materials, production processes and practices.
-
Curada por / Curated by Ignacio Urbina Polo
www.ignaciourbina.com
-
Producido por / Produced by
www.di-conexiones.com
Ramp, 2019Proyecto / Project: Marcos Coronel (PICO Colectivo)Investigador y Artista Residente / Researcher and resident artist: Soc. Alfredo Pineda.Equipo de proyecto / Project team: Bárbara de Sousa, Janetza Medina.Construcción: Técnicos y talleristas invitados por CASINO_ Ecosistema de EconomíasCulturales, junto a múltiples skaters y activistas urbanos de la ciudad.Construction: Technicians and workshops invited by CASINO_ Ecosistema de EconomíasCulturales, together with multiple skaters and urban activists from the city.www.picocolectivo.org.ve | @picocolectivoCaracas, Venezuela«Una adición en techo inspirada en la forma de las maquinas «corbusereanas». Pop-up5ta fachada.Primera operación para equipar el techo, a partir de una rampa skateboarding. Unaprotuberancia en la cubierta, que desdobla la calle, como espacio lógico para patinar.Forma parte de una serie de operaciones encargadas de dotar progresivamente, lasinstalaciones de un edificio vandalizado en el centro de Caracas, para su reconversiónen espacio cultural. Ramp es la estructura primogénita de la unidad deportiva dentrode este conjunto. Hacia el norte el Ávila y hacia el Sur las torres de Parque Central.La estereotómica del aparato busca generar una percepción de objeto tan liviano, queteóricamente flota. No representa ninguna carga adicional relevante para el edificio.Un plano doblado que apenas alcanza a abordar el suelo.Toda la pieza se apoya de la losa de techo existente sin socavar su superficie. La basede la curva entra en contacto con la estructura del edificio, por medio de una forma desujeción -simplemente apoyada-, cómo una viga que reposa trabada sobre las ménsulasde dos columnas, y logra permanecer inmóvil en sitio por su propio peso. Un esqueletocolaborante provisionalmente configura la silueta determinada. El radio y el recorridodeseados, son celosamente pre-dimensionados. La catenaria debe ser perfecta. Unerror de valores inhabilita el ángulo para patinar de manera natural.Está hecho a partir de una cáscara de concreto reforzado de 10 cm de espesor, con unagrilla interior formada por nervios de acero de ½ pulgada, en dos direcciones cada 20cm. Estabilizadores de metal en los bordes terminados, y un recubrimiento de proteccióncon lámina acanalada de acero galvanizado».
“An addition to the ceiling inspired by the shape of the ‘’ Corbusier ‘’ machines. Pop-up5th facade.First operation to equip the roof, starting from a skateboarding ramp. A bump on thedeck, which unfolds the street, as a logical space to skate.It is part of a series of operations in charge of progressively equipping the facilities ofa vandalized building in the center of Caracas, for its conversion into a cultural space.Ramp is the first-born structure of the sports unit within this ensemble. Towards thenorth Ávila and towards the south the towers of Parque Central.The stereotomics of the device seeks to generate a perception of an object so light thatit theoretically floats. It does not represent any additional relevant load for the building.A folded plane that barely reaches the ground.The entire piece rests on the existing roof slab without undermining its surface. The baseof the curve comes into contact with the structure of the building, through a form ofsupport -simply supported-, like a beam that rests locked on the corbels of two columns,and manages to remain immobile in place by its own weight. A collaborating skeletonprovisionally configures the determined silhouette. The desired radius and path arejealously pre-dimensioned. The catenary must be perfect. A value error disables theangle to skate naturally.It is made from a reinforced concrete shell 10 cm thick, with an inner grid formed by ½inch steel ribs, in two directions every 20 cm. Metal stabilizers on the finished edges,and a protective coating with corrugated galvanized steel sheet.”
- Page 76: Silla Wood + Wrap, 2020
- Page 79 and 80: “This product was generated as on
- Page 82 and 83: Aralc, 2019Bernardo Mazzei@bernardo
- Page 84: Aralc, 2019
- Page 87 and 88: “The Tressa side table was design
- Page 90 and 91: Cuatro Eléctrico #32, 2019Luis Col
- Page 92: Cuatro Eléctrico #32, 2019
- Page 96 and 97: Vitrina CA&FE - Huertas, 2018José
- Page 98: Vitrina CA&FE - Huertas, 2018
- Page 101 and 102: “The design of the Clamp Hanger s
- Page 104 and 105: Residuo, 2019Stefanie Suárezwww.be
- Page 106: Residuo, 2019
- Page 109 and 110: “The Mimic Swim Paddles were desi
- Page 112 and 113: Raquetas de playa Premium, 2020Juan
- Page 114: Raquetas de playa Premium, 2020
- Page 117 and 118: “Designing the city at other scal
- Page 120 and 121: N4, 2018César Mendoza, Francesco P
- Page 122: N4, 2018
- Page 125 and 126: “Stereotank’s design was select
- Page 130: Ramp, 2019
- Page 133 and 134: “El Cubo de Caracas is the result
- Page 137 and 138: Emergencia del COVID-19 / COVID-19
- Page 139 and 140: Imagen que circuló en los medios e
- Page 141 and 142: Válvula sobre la máscara N95, pat
- Page 143 and 144: HappyShield.Diseño de código abie
- Page 145 and 146: Sistemas visuales con nuevas narrat
- Page 147 and 148: Carrito Efe / Efe push cartRio Chic
“An addition to the ceiling inspired by the shape of the ‘’ Corbusier ‘’ machines. Pop-up
5th facade.
First operation to equip the roof, starting from a skateboarding ramp. A bump on the
deck, which unfolds the street, as a logical space to skate.
It is part of a series of operations in charge of progressively equipping the facilities of
a vandalized building in the center of Caracas, for its conversion into a cultural space.
Ramp is the first-born structure of the sports unit within this ensemble. Towards the
north Ávila and towards the south the towers of Parque Central.
The stereotomics of the device seeks to generate a perception of an object so light that
it theoretically floats. It does not represent any additional relevant load for the building.
A folded plane that barely reaches the ground.
The entire piece rests on the existing roof slab without undermining its surface. The base
of the curve comes into contact with the structure of the building, through a form of
support -simply supported-, like a beam that rests locked on the corbels of two columns,
and manages to remain immobile in place by its own weight. A collaborating skeleton
provisionally configures the determined silhouette. The desired radius and path are
jealously pre-dimensioned. The catenary must be perfect. A value error disables the
angle to skate naturally.
It is made from a reinforced concrete shell 10 cm thick, with an inner grid formed by ½
inch steel ribs, in two directions every 20 cm. Metal stabilizers on the finished edges,
and a protective coating with corrugated galvanized steel sheet.”
Change language