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REVOLUTION_International_Vol 54

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with an integrated bracelet. While the Integral also comes in ceramic, titanium and<br />

rose-gold versions, my favourite has to be the titanium piece with pavé diamonds,<br />

which, for a “bling” watch, is both great value [US$68,400 before taxes] and one<br />

of the best-looking around.<br />

Similarly, I love the energy of the Zenith team helmed by CEO Julien Tornare<br />

and Product Chief Romain Marietta. Together, they’ve made Zenith the new<br />

king of limited editions. Now before you start grumbling that limited editions are<br />

a marketing trick, let me point out that all successful brands work the limitededition<br />

angle masterfully. Yes, that includes when the regular production watch<br />

is both totally ungettable and selling for 2.5 times retail on the secondary market.<br />

The thing with Zenith is that their limited editions have been remarkably good.<br />

(Full disclosure: I launched my own limited-edition A3818 Cover Girl Revival with<br />

them earlier.) Check out the Revival Lupin edition, the Bamford Edge of Space for<br />

Mr Porter, and the A386 editions made for my friend Aurel Bacs at Phillips. One<br />

of the more obscure — but to my mind most stunning — Zenith collaborations is<br />

an albino-dial El Primero Chronomaster for the collectors’ community Collective<br />

Horology. And while the Defy 21 Carl Cox made with the legendary DJ is targeted<br />

to appeal to a very specific customer with its carbon-fiber case interlayered with<br />

luminous material so that it glows in the dark, it’s still very cool. Conversely, I can’t<br />

think of anyone who wouldn’t love the micro-blasted titanium Defy 21 beauty that<br />

is Zenith’s second mashup with Land Rover. My point is that Zenith is winning<br />

over hearts and minds by reaching out and enlarging<br />

their community with these collaborations, and<br />

they’re doing it with some damnably amazing watches.<br />

There is a reason that Bvlgari announced in early<br />

February that it would be pulling out of Baselworld.<br />

Part of it was that they were worried about health<br />

issues related to mounting fears about the COVID-19<br />

pandemic. At the same time, they were clearly saying<br />

that the LVMH Group watch exhibition was so<br />

successful that they felt secure in skipping Baselworld. Of<br />

course, they will probably execute other types of events in<br />

their key markets and, as you can see from the cover of this<br />

magazine, the watches they are launching over the rest of<br />

the year are an indication that they’re in no way letting up<br />

on the acceleration toward defining themselves as the most<br />

innovative watch brand around.<br />

With the creation of the Octo Finissimo, which I<br />

consider to be the single most innovative and important<br />

designs in horology in the last 10 years, Bvlgari have defined<br />

themselves as extraordinary innovators. By continuing<br />

to make incredible ultra-thin, record setting, beautifully<br />

designed and totally unique watches that represent a merger<br />

of competences, including case making, dial making,<br />

movement making and even bracelet making (a real rarity),<br />

they have cemented their reputation as the most innovative<br />

brand around. The inaugural Dubai watch exhibition has<br />

given a huge first-mover advantage to Bvlgari, Hublot and<br />

Zenith, and as a group LVMH have elevated themselves<br />

to be the single most game-changing entity in the<br />

watchmaking today.<br />

THE MODERNIST 51

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