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EDITOR’S<br />
NOTE<br />
his is probably the fourth time that I’ve sat<br />
down and rewritten this letter. No, really.<br />
When I first put pen to paper, as it were,<br />
things were a lot different in the world than<br />
they are now. Words like “quarantine”<br />
and terms like “shelter in place” were not<br />
part of the daily lexicon, to say nothing of “coronavirus”<br />
and “COVID-19”. The biggest concern that we in the<br />
media had was trying to convince our significant others<br />
that two weeks straight in Switzerland at the end of April<br />
was a good thing (this owing to the 2020 dates for Watches<br />
& Wonders and Baselworld’s now canceled shows).<br />
Needless to say, we now have much bigger fish to fry.<br />
And so, here I sit at my dining table, sheltering<br />
in place with my family, as I try to make sense of a<br />
microscopic organism that has completely upended life as<br />
we know it on a global scale. All around us governments<br />
are scrambling to devise systems and methodologies<br />
to mitigate the spread of the virus and offer care to the<br />
afflicted — with varying degrees of success — which makes<br />
an industry such as ours seem somewhat superfluous.<br />
But is it?<br />
On the surface, yes. This is a business predicated<br />
on an obsolete paradigm for marking the passage of<br />
time, and one that depends on the oh-so-human<br />
propensity to wallow in nostalgia for its very survival.<br />
To wit, mechanical wristwatches are the ultimate<br />
indulgence given their high cost relative to the limited<br />
functionality that they offer. Think about it, in today’s<br />
world we’re surrounded by time: it’s blinking at us from<br />
our nightstands and on train platforms; it’s in our cars;<br />
it’s on our computers and phones… Indeed, time is all<br />
but impossible for us to escape from. And yet, if you’re<br />
reading this, against all odds you still find value in the<br />
lump of metal that earnestly ticks away on your wrist.<br />
As the founding member of the global watch<br />
enthusiasts’ collective, RedBar Group, I’m intimately<br />
acquainted with the power of community that our<br />
shared passion engenders. What was once a solitary<br />
hobby has transformed into something much, much<br />
bigger. It has brought people together the world<br />
over, and in its own way, our love of these miracles<br />
of miniaturized mechanical devices has done the<br />
impossible — it has slowed time down and allowed us<br />
to take valuable moments out of our days to reflect on<br />
the very nature of this most ephemeral of constructs.<br />
And so, I entreat each and every one of you to<br />
continue to read the pages of the magazines that you<br />
subscribe to, log onto the forums you are members of,<br />
support your favorite blogs (and even your not-sofavorite<br />
ones), and above all, continue to reach out and<br />
connect with your fellow collectors. Hell, if you haven’t<br />
already blown your budget on toilet paper and hand<br />
sanitizer, go ahead and buy that fine timepiece that you’ve<br />
been eyeing. Watches represent an intersection of art,<br />
science and engineering that has few, if any, equivalents<br />
in modern society, and that’s worth preserving.<br />
And remember, while it may be obsolete, there’s a<br />
vitally human quality to the watch industry’s continued<br />
tilting against the windmills of progress. It would truly be a<br />
shame if, in the midst of this crisis, we lost sight of this.<br />
And so, I entreat you to enjoy your time reading the<br />
pages of this, our April 2020 issue. Inside you’ll find<br />
insightful reviews, intimate interviews, and the amazing<br />
photography and art direction that have been the hallmarks<br />
of Revolution from the very beginning.<br />
Be safe, be happy, and above all, keep Celebrating The<br />
Machine With A Heartbeat!<br />
Adam Craniotes, Editor-in-Chief<br />
adam@revolutionmagazines.com<br />
craniotes<br />
LIAM O’DONNELL