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REVOLUTION_International_Vol 54

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STELLA BY STARLIGHT<br />

I remember a Rolex Passion Meeting<br />

in Maastricht many years ago. As is<br />

the custom at such events, there was<br />

a centerpiece table that was used as a<br />

show-and-tell platform upon which<br />

collectors set out their treasures. There<br />

were the usual line-ups of MilSubs,<br />

Comex, Newmans and Submariners<br />

of every vintage from 1950s Big<br />

Crowns to 1970s Maxi dials. It was the<br />

era of the explosion in international<br />

interest in vintage Rolex, which was<br />

almost entirely focused on steel sports<br />

watches. And then somebody opened a<br />

watch roll of Stella-dialed Day-Dates<br />

and so the bar was set for precious<br />

metal Rolex; a sector that steadily<br />

grows even until today.<br />

The Stella dials were introduced in the 1800 plexi-glass<br />

series Day-Dates and Rolex continued using them well<br />

into the sapphire-era 18000 series watches of the 1980s.<br />

The dials were available in a kaleidoscope of bright colors.<br />

At the time this was a bold move for Rolex, who were seen<br />

as conservative in many ways. The rich colored dials were<br />

created by building up layers of laquer to give a high-gloss<br />

finish. In the early days of internet 1.0, people would often<br />

refer to these dials as enamel or porcelain, but they were<br />

neither. There are so many different colors made, often the<br />

same color but in different shades. Take green for example.<br />

There were three shades — ‘Forest’, ‘Peppermint’ and<br />

‘Seafoam’. Stella dials were made with both applied baton<br />

markers and the classic “eight plus two” diamond set<br />

hours. Which is the most rare is a matter of opinion, but<br />

there is no argument that they are all beautiful dials.<br />

STONE AGE<br />

One of the most challenging manufacturing<br />

processes for watch brands is the production of<br />

stone dials. Working with stone is difficult as it<br />

is incredibly hard and the resulting finished piece<br />

is very thin. This leads to a large failure rate with the<br />

brittle stone slivers being very prone to cracking. One of<br />

the appealing aspects of stone dials, however, is the unique<br />

nature of each one. I spoke about this in the last installment<br />

of this series regarding the Daytona. The Day-Date used<br />

considerably more types of stone for its dials and I’m not<br />

sure anybody, other than Rolex, could compile a thoroughly<br />

exhaustive list of all the stones used in the Day-Date.<br />

However, what follows is about as close as it is possible to<br />

get with full access to the Rolex archive.<br />

This page<br />

ADay-Date<br />

1803 Stella Dial<br />

monikered the<br />

“Incredible Hulk”,<br />

usinggreenlacquer<br />

that was applied<br />

layer upon layer<br />

to give it that<br />

glossy finish.<br />

The 1803<br />

“Doraemon”<br />

Stella dial was<br />

named for the<br />

Japanese cartoon<br />

character which<br />

was highly popular<br />

during the era.<br />

Opposite<br />

The 1803<br />

“Firefighter” Stella<br />

dial. The vermillion<br />

tone of the dial<br />

reminds one of the<br />

bakelite material<br />

that was a common<br />

use in homewares.<br />

152 VINTAGE

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