english cameo glass in the corning museum of glass

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Inspiration, signed "G. Woodall," has the following acid-etched marks under the base: "THOMAS WEBB & SONS / GEM / CAMEO" and "THEO- DORE B. STARR / NEW / YORK." The second mark indicates that the vase was made for the American market. FIG. 43. George Woodall's Inspiration.
Page 1 and 2: ENGLISH CAMEO GLASS THE CORNING MUS
Page 3 and 4: Cover: Moorish Bathers. England, Am
Page 6 and 7: CONTENTS Preface 7 Introduction 11
Page 8 and 9: THIS SHORT BOOK has two objectives:
Page 10 and 11: FIG. 3. The Stourbridge area. Roman
Page 12 and 13: FIG. 4. Vase (unfinished) carved by
Page 14: covered at the upper left. The plaq
Page 17 and 18: The hand tools were very simple. Ac
Page 20 and 21: FIG. 13. John Northwood's drawing o
Page 23 and 24: The three tazzas are decorated with
Page 26: .mi gwtwri; itrntu yr-rrrrnvrrri CA
Page 29 and 30: The Portland Vase continued to fasc
Page 32 and 33: IN SPITE OF Richardson's outstandin
Page 34 and 35: FIG. 28. The Great Tazza, carved by
Page 36: Ivory," for example, was gilded, pa
Page 39 and 40: George and Thomas Woodall left scho
Page 41 and 42: On January 20, 1912, a local newspa
Page 43: A WOODALL MISCELLANY FIG. 38. Georg
Page 47: 11 m m FIG. 42. A Maid of Athens, b
Page 51 and 52: FIG. 46. Flora, by Thomas and Georg
Page 53: FIG. 48. Lamp base, probably carved
Page 56 and 57: George Woodall remained at Thomas W
Page 58 and 59: BY THE END of the 19th century, mos
Page 60 and 61: All objects are in The Corning Muse
Page 62 and 63: 26. Frederick Carder, about 1921. R
Page 64: 1. Quoted by Charles R. Hajdamach,

english cameo glass in the corning museum of glass

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