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paul simon playboy interview

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<strong>paul</strong> <strong>simon</strong> – 1984 <strong>playboy</strong> <strong>interview</strong> small black beetles: the overkill<br />

to shine" was half a joke, because she was upset one day<br />

when she had found two or three gray hairs on her head.<br />

Playboy: How do you feel about the song today?<br />

Simon: Totally detached. I don't feel that Bridge Over<br />

Troubled Water even belongs to me. When I think about it<br />

now, I think first of an elevator. it makes me laugh - it's nice<br />

to have any song that you write played in an elevator. It's<br />

not as good a feeling, though, as walking down the street<br />

and hearing somebody sing a song of yours. That, I think, is<br />

the best feeling for a songwriter.<br />

Playboy: Do you ever fear that your success - even the fact<br />

that you travel mostly in taxis and limousines - means that<br />

your experiences necessarily differ from those of the<br />

people who buy your records?<br />

Simon: No; I still feel very much in touch with my<br />

background and my childhood. On a certain level, I'm still<br />

thinking, Not bad for a kid from Queens. And so are my<br />

friends, I suspect. Mike Nichols is thinking, Not bad for a<br />

little boy from Berlin, which is where he was born. Lorne is<br />

thinking, Hey, pretty good for a guy from Toronto. Michael<br />

Jackson must think, Pretty damned good for a guy from<br />

Gary, Indiana. you don't forget. Now, Harper Simon - I don't<br />

know if he'll be able to make the statement. he's starting<br />

from a different place.<br />

Playboy: What about Carrie? She had something like<br />

Harper's situation, being the child of famous parent.<br />

Simon: You know what she says? "Most of the movie-stars'<br />

kids I know are fucked up or dead. They killed themselves.<br />

I survived. And that makes me a success in life." She's<br />

right. Of course, she's also a success in her career.<br />

Playboy: Going back again, were you aware as you wrote<br />

Bridge Over Troubled Water that Simon and Garfunkel were<br />

likely to break up?<br />

Simon: Definitely. That's essentially why I wrote So Long,<br />

Frank Lloyd Wright. For most people, it was about Frank<br />

Lloyd Wright. Even Artie didn't know what I was talking<br />

about. But it was directly about us: "So long, Frank Lloyd<br />

Wright." Artie had been an architecture student. "I can't<br />

page 28

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