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paul simon playboy interview

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<strong>paul</strong> <strong>simon</strong> – 1984 <strong>playboy</strong> <strong>interview</strong> small black beetles: the overkill<br />

Playboy: Did you feel sad about it?<br />

Simon: It's too bad, because everybody wanted to have<br />

two guys who had their differences and split up and then<br />

came back together and resolved them and lived happily<br />

ever after. It was really a bitch to say, "Well, we didn't'<br />

really get back together." The truth is, we were always able<br />

to sing and blend well together; that's our gift. And that was<br />

always a turn-on for both of us. But aside from that, we're<br />

really two different guys. As much as we wanted to be a<br />

partnership, we're not.<br />

Playboy: Much of this comes down to your<br />

protectiveness about what you've written. How have you<br />

managed to find the popsong form- which seems on the<br />

face of it fairly limited - continuously challenging?<br />

Simon: It's not at all limited. It's the universe. I see a<br />

correlation between short stories and songs, because of<br />

their length and for what they're meant to evoke. What<br />

the song form has that the short-story form doesn't is<br />

melody. Melodies are inexplicable; they're magic. Combine<br />

certain words with melodies and it all becomes very<br />

moving. Separate the words and the melodies and it's not<br />

so moving.<br />

Playboy: Can the lyrics stand alone?<br />

Simon: Maybe on this new album, where the lyrics are my<br />

best. It's hard to say. I have very little comparative basis for<br />

judging, because although I was able to study music with<br />

teachers, I never studied lyric writing. I read poetry, and I<br />

read other lyricists. But they were never writing in the style<br />

or the form that I was interested in. They were very clever<br />

rhymers, but I don't find that to be most intriguing. To<br />

me, the person who wrote the most moving lyrics was Bob<br />

Dylan, in the early days. Boots of Spanish Leather, Girl from<br />

the North Country. Don't Think Twice, It's All Right. Blowin' in<br />

the Wind. It's funny to hear myself saying that. It may be<br />

the first generous thing I've ever said about Bob Dylan. In<br />

the early days, I was always too angry about being<br />

compared with him. And then, he's hard to be generous<br />

to, because he's so ungenerous himself. I never felt<br />

comfortable with him. He didn't come at you straight. It's<br />

page 12

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