Ann by Holland Taylor

Sally Edmundson
SALLY EDMUNDSON (Ann Richards)
returns to TheatreSquared as Ann
Richards after making her T2 debut
earlier this spring. Stages Theatre in
Houston has been her artistic home
as an actor and director, where her
favorite roles include: Ann (Ann
Richards), Driving Miss Daisy (Daisy),
Auntie Mame (Mame), Full Gallop
(Diana Vreeland—one woman show),
Steel Magnolias (MLynn), Elizabeth/
REX (Elizabeth I), and most recently,
Salt, Root and Roe (Anest). Regional
credits include Anest in Salt, Root and
Roe (Upstream Theatre, St. Louis);
Elizabeth I in Elizabeth/REX (Pacific
Repertory Theatre, Carmel, Calif.);
the world premiere of Homefires as
June and Lend Me a Tenor as Diana
(Arkansas Repertory Theatre); Beatrice
in Much Ado About Nothing and
Lady Macbeth in Macbeth (Virginia
Shakespeare Festival). She holds
a B.A. in French/Italian from the
University of Texas at Austin and a
B.F.A. in theatre from the University
of St. Thomas. She also completed
the BADA/Yale University Summer
Classical Training Program in Oxford,
England, and the Kristin Linklater
Theatre Speech Workshop in Boston.
Et ma folie—Institut de Francais
(Villefranche-sur-Mer), the Sorbonne
(Paris) post-graduate work in French.
Kim McKean
KIM MCKEAN (Director) is a theatre
and film director based in El Paso,
Texas making her TheatreSquared
directorial debut. She recently directed
Love and Information at Trap Door
Theatre in Chicago, and is directing and
curating ReUnión rEvolución: A Latinx
New Works Festival in El Paso in Spring
2020. Other directing credits include:
The Humans, Lydia, The Importance of
Being Earnest, Monsters We Create,
Gruesome Playground Injuries, Closer,
and Bench Seat. Her short film, The
Arrangements, was nominated for Best
of the Borderscene at the Borderscene
Film Festival. She received multiple
national awards, including Outstanding
Director of a Play from the Kennedy
Center American College Theatre
Festival for her production of Lydia
by Octavio Solis. In addition to her
directing work, McKean serves as
an assistant professor of theatre at
University of Texas at El Paso. She
received a B.A. in theatre from the
University of Wisconsin–Madison
and an M.F.A. from the University of
California, Irvine.
ASHLEIGH BURNS (Scenic Designer)
is the resident scenic charge and
props artist at TheatreSquared, having
previously designed Every Brilliant
Thing and serving on the scenic
design team for Once. After receiving
her M.F.A. in scenic design from the
University of Arkansas in 2013, she
returned to T2 in her current role. Her
favorite T2 shows of the past nine
years include Mauritius, Underneath
the Lintel, Peter and the Starcatcher,
Vietgone, Fun Home, and The Humans.
JENNIFER MCCLORY (Costume
Designer) has costumed over 70
productions in theater, opera,
television, and film in the Northwest
Arkansas area. This is her first show
to design at TheatreSquared where
she is the current wardrobe supervisor.
Favorite projects include Dark Sisters
(Opera Fayetteville); Man of La Mancha
(Inspire Theatre) and Go, Dog, Go
(Trike Theatre/Walton Arts Center).
She holds degrees in creative writing
and literature from the University of
Arkansas and is a published novelist in
addition to her work in theater.
MEGAN REILLY (Lighting Designer)
returns to TheatreSquared having
last designed A Christmas Carol and
the workshop production of 10,000
Balconies. Minneapolis design credits
include immersive design for Cabal
(Walking Shadow Theatre Company);
projections for Orange and Hooded or
Being Black For Dummies (Mixed Blood
Theatre), Buyer & Cellar (Hennepin
Theatre Company); lighting for While
You Were Out (Red Eye Theatre);
The Sparrow (Live Action Set). Texas
credits include Willy Wonka (Magik
Theatre); Ghost Quartet (Penfold
Theatre); and several shows for
Street Corner Arts, Penfold Theatre
Company, Salvage Vanguard, Trouble
Puppet, Glass Half Full, Hidden Room;
lighting for Mary Poppins and Beauty
and the Beast (Prescott Park Arts
Festival); Jesus Christ Superstar
(Firehouse Center for the Arts); lighting
for the popup immersive experience
The Night Café (Green Door Labs/
Stark Productions, Sommerville MA).
Internationally she has designed
in Dublin for Collaborative Artists
Company and the Edinburgh Fringe
Festival. She is a scholar and published
writer on the subject of ethics in
immersive theatre and holds an MFA
from the University of Texas at Austin.
SAM CLAPP (Sound Designer) makes
his TheatreSquared debut. A musician
and sound artist, he recently sound
designed Sugar in Our Wounds (First
Floor Theater); Killing Game (A Red
Orchid Theatre); Love & Information
and The Killer (Trap Door Theatre);
and The Ruse of Medusa and Phoebe
in Winter (Facility Theatre); as well
as the weekly architecture podcast
Interstitial. He holds a master's degree
in sound arts & industries from
Northwestern University.
BRODIE JASCH (Properties Manager)
is the resident props master at T2,
where his previous credits include
Shakespeare in Love, The Legend
of Georgia McBride, Every Brilliant
Thing, The Wolves, Miss Bennet:
Christmas at Pemberley, Vietgone,
Peter and the Starcatcher, Around
the World in 80 Days, and more than
20 other productions. His regional
credits include An Evening with
Groucho (Heritage Theater Festival);
Big Maybelle: Soul of the Blues (Bay
Street Theater); and Unto These Hills
(Cherokee Historical Association). He
holds a BA in theatrical design and
technology from Castleton University.
JERRY L. JENSEN (Stage Manager)
joined TheatreSquared in 2016, where he
has served as production assistant and
for the past two seasons, as assistant
stage manager. Favorite T2 shows
include Peter and the Starcatcher, All
the Way, The Champion, The Hound of
the Baskervilles, and Once. Other credits
include Man of La Mancha (Inspire
Theatre); Deathtrap (Citadel Theatre); Les
Mis and The Odd Couple (Pioneer Theatre
Company). A native of Utah, he holds