360 GRADI MAGAZINE (English Version)
360 GRADI Magazine, a bi-monthly Second Life Magazine. Flickr Group to post your images: https://www.flickr.com/groups/360gradi/ 360 GRADI Magazine, a bi-monthly Second Life Magazine. Flickr Group to post your images: https://www.flickr.com/groups/360gradi/
JARLA CAPALINI Jarla Capalini, PHOTOGRAPHY Head Column Writing with light, from the Greek φῶς, φωτός, “light” and γραϕία, “writing”, this is “photography”. Now I know that talking about photography in Second Life will surely make purists curl their noses or smile at the most benevolent professionals and enthusiasts. Still, once there were film and exposure meter, then came digital cameras and files today. We also use phones to take pictures, and thanks (maybe) to them, photography is now within everyone’s reach. Here then is that a “viewer,” with all its peculiarities techniques can become a perfect means to “write” with the virtual “light” the encounter between the subject and the eye of the photographer, from which a new possible vision is born. The imagination of reality, albeit virtual. This one we will do in our journey among the photographers of Second Life: we will talk about technique, composition, inspiration and passion, hoping to convince skeptics that our images, although depicting a world of pixels, can rightly be considered “photography.” Jarla 90 360 GRADI
360 GRADI 91
- Page 39 and 40: 360 GRADI 39
- Page 41 and 42: 360 GRADI 41
- Page 43 and 44: 360 GRADI 43
- Page 45 and 46: 360 GRADI 45
- Page 47 and 48: 360 GRADI 47
- Page 49 and 50: 360 GRADI 49
- Page 51 and 52: HIFENG ARTIST 360 GRADI 51
- Page 53 and 54: TIONS horizons for him, allowed him
- Page 55 and 56: THEY CALL IT REALITY- TANGO - LIKE
- Page 57 and 58: 360 GRADI 57
- Page 59 and 60: 360 GRADI 59
- Page 61 and 62: 360 GRADI 61
- Page 63 and 64: 360 GRADI 63
- Page 65 and 66: 360 GRADI 65
- Page 67 and 68: 360 GRADI 67
- Page 69 and 70: 360 GRADI 69
- Page 71 and 72: 360 GRADI 71
- Page 73 and 74: E SINGER I consider Aley Kat one of
- Page 75 and 76: So we can hear her go from the clas
- Page 77 and 78: where you live, hobbies, work... wh
- Page 79 and 80: would definitely go great together.
- Page 81 and 82: 360 GRADI 81
- Page 83 and 84: 360 GRADI 83
- Page 85 and 86: RTER DESIGNER 360 GRADI 85
- Page 87 and 88: With the advent of mesh, the approa
- Page 89: your creations. Elisea: Listen to J
- Page 93 and 94: ELI OGRAPHER 360 GRADI 93
- Page 95 and 96: I remember the first time I saw Ski
- Page 97 and 98: like, please.... it’s just meeeee
- Page 99 and 100: 360 GRADI 99
- Page 101 and 102: 360 GRADI 101
- Page 103 and 104: 360 GRADI 103
- Page 105 and 106: ESTIVAL 360 GRADI 105
- Page 107 and 108: L The first half of the 19th centur
- Page 109 and 110: 360 GRADI 109
- Page 111 and 112: 360 GRADI 111
- Page 113 and 114: 360 GRADI 113
- Page 115 and 116: 360 GRADI 115
- Page 117 and 118: 360 GRADI 117
- Page 119 and 120: 360 GRADI 119
- Page 121 and 122: ND DECOR L STYLE 360 GRADI 121
- Page 123 and 124: ECOR In this article, I wanted to h
- Page 125 and 126: 360 GRADI 125
- Page 127 and 128: 360 GRADI 127
- Page 129 and 130: FLICKR GRAPHERS Chosen by the publi
- Page 131 and 132: “Come away with Me...” Simply J
- Page 133 and 134: “That Autumn Feeling” Shocking
- Page 135 and 136: “Hello” Melania Avro 360 GRADI
- Page 137 and 138: “Butterfly woman” MIna Arcana 3
- Page 139 and 140: “Souls of Dreams” Skinny Nilla
JARLA CAPALINI<br />
Jarla Capalini,<br />
PHOTOGRAPHY<br />
Head Column<br />
Writing with light, from the Greek φῶς, φωτός, “light” and<br />
γραϕία, “writing”, this is “photography”.<br />
Now I know that talking about photography in Second<br />
Life will surely make purists curl their noses or smile at<br />
the most benevolent professionals and enthusiasts. Still,<br />
once there were film and exposure meter, then came<br />
digital cameras and files today. We also use phones to take<br />
pictures, and thanks (maybe) to them, photography is now<br />
within everyone’s reach.<br />
Here then is that a “viewer,” with all its peculiarities<br />
techniques can become a perfect means to “write” with the<br />
virtual “light” the encounter between the subject and the<br />
eye of the photographer, from which a new possible vision<br />
is born.<br />
The imagination of reality, albeit virtual.<br />
This one we will do in our journey among the<br />
photographers of Second Life: we will talk about<br />
technique, composition, inspiration and<br />
passion, hoping to convince skeptics that our images,<br />
although depicting a world of pixels,<br />
can rightly be considered “photography.”<br />
Jarla<br />
90 <strong>360</strong> <strong>GRADI</strong>