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*** FINALIST FOR THE 2019 NATIONAL BOOK AWARD FOR TRANSLATED FICTION ***
“An elegantly spare dystopian fable . . . Reading The Memory Police is
like sinking into a snowdrift: lulling yet suspenseful, it tingles with
dread and incipient numbness . . . Ogawaâ€s ruminant style captures the
alienation of being alive as the worldâ€s ecosystems, ice sheets,
languages, animal species and possible futures vanish more quickly than
any one mind can apprehend.― —The New York Times Book Review'[A]Â
masterly novel.' —The New Yorker“The Memory Police is a
masterpiece: a deep pool that can be experienced as fable or allegory,
warning and illumination. It is a novel that makes us see differently,
opening up its ideas in inconspicuous ways, knowing that all moments of
understanding and grace are fleeting. It is political and human, it
makes no promises. It is a rare work of patient and courageous vision .
. . [It] reaches English-language readers as if sent from the future.―
—The Guardian“A masterful work of speculative fiction . . . An
unforgettable literary thriller full of atmospheric horror.― —Chicago
Tribune'Quietly devastating . . . Ogawa finds new ways to express old
anxieties about authoritarianism, environmental depredation and
humanityâ€s willingness to be complicit in its own demise.' —
The Washington Post“A feat of dark imagination . . . Ogawa stages an
intimate, suspenseful drama of courage and endurance while conjuring up
a world that is at once recognizable and profoundly strange . . .
Emerging from Ms. Ogawaâ€s latest creation feels like waking up to find
an unsettling dream sliding just out of memory.― —The Wall Street
Journal“The Memory Police truly feels like a portrait of today. To
await the future is to disappear the present—which only accelerates
the speed with which now turns to then, and then turns to nothing . . .
It's difficult not to see The Memory Police as a comment on creeping
authoritarianism. So too is it a lovely, if bleak, meditation on faith
and creativity—or faith in creativity—in a world that disavows
both.― —Wired (Book of the Month)“In an era where the concept of
truth is negotiable and Alexa might be spying on you, Ogawaâ€s taut
novel of surveillance makes for timely, provocative reading . . . A
harrowing parable about the importance of memory and the profound danger
of cultural amnesia.― —Esquire“One of Japanâ€s most acclaimed
authors explores truth, state surveillance and individual autonomy.
Ogawaâ€s fable echoes the themes of George Orwellâ€s 1984, Ray
Bradburyâ€s Fahrenheit 451, and Gabriel Garcia Marquezâ€s 100 Years

of Solitude, but it has a voice and power all its own.― —Time
“The novel is particularly resonant now, at a time of rising
authoritarianism across the globe. Throughout the book, citizens live
under police surveillance. Novels are burned. People are detained and
interrogated without explanation.― —The New York Times“A deeply
traumatizing novel in the best way possible.― —Vulture“Ogawa lays
open a hushed defiance against a totalitarian regime by training her
prodigious talent on magnifying the efforts of those who persistently
but quietly rebel.― —The Japan Times'You wonâ€t be forgetting this
haunting and imaginative novel anytime soon.― —Refinery29“A
searing, vividly imagined novel by a wildly talented writer . . . Dark
and ambitious.― —Publishers Weekly (starred, boxed review)
'A poignant examination about how struggles and people are
interconnected and the fact that security is not enough to hope for . .
. Ogawaâ€s prose feel[s] applicable not just to political atrocities
like genocide but to climate change or any other crisis made worse by
general complacency.― —The A. V. Club“A taut, claustrophobic
thriller.― —Salon“Ogawa crafts a powerful story about the
processing of loss and the importance of memories.― —Annabel
Gutterman, Time“Ogawaâ€s anointed translator, Snyder, adroitly
captures the quiet control with which Ogawa gently unfurls her ominously
surreal and Orwellian narrative.― —Booklist (starred review)
“Eerily surreal, Ogawa's novel takes Orwellian tropes of a
surveillance state and makes them markedly her own.― —Thrillist
“Ogawa employs a quiet, poetic prose to capture the diverse (and often
unexpected) emotions of the people left behind rather than of those
tormented and imprisoned by brutal authorities.― —Kirkus Reviews
(starred review)“A provocative fable.― —John DeNardo, Kirkus
Reviews Read more YOKO OGAWA has won every major Japanese literary
award. Her fiction has appeared in The New Yorker, A Public Space, and
Zoetrope: All-Story. Her works include The Diving Pool, a collection of