MMoCA Fall 2020 newsletter
Overview of current and upcoming exhibitions.
Overview of current and upcoming exhibitions.
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MUSEUM EVENTS<br />
<strong>MMoCA</strong> offers a variety of ways for you to stay connected, creative, and inspired this fall, from virtual studio visits<br />
and art talks to online family resources and to-go art adventures. We look forward to welcoming you to in-person<br />
talks and workshops in the months ahead.<br />
TALKS & DISCUSSIONS<br />
A series of talks focused on current exhibitions is presented<br />
online either live or as pre-recorded discussions.<br />
Please check mmoca.org and our social media<br />
channels for details.<br />
FRIDAY, SEP 25 • 7 PM<br />
VIRTUAL STUDIO VISIT:<br />
SEBURA&GARTELMANN<br />
Sebura&Gartelmann: Bonded features the video<br />
work of collaborative duo Jonas Sebura and Alex<br />
Gartelmann, whose practice challenges expressions<br />
of traditional masculinity by creating contemporary<br />
rituals that cultivate trust and express intimacy<br />
between the artists. The sometimes calamitous situations<br />
in which they place themselves highlight<br />
not only their vulnerability but also their care for<br />
each other, and operate as models for non-hierarchical<br />
interdependence. In this hour-long studio<br />
visit, Sebura&Gartelmann will discuss themes key<br />
to their work, the process they have developed over<br />
their decade long collaboration, and how their practice<br />
has changed in response to the ongoing pandemic.<br />
Axsom is a nationally recognized art writer who has<br />
published definitive texts on the prints of Frank<br />
Stella, Claes Oldenburg, Terry Winters, and Ellsworth<br />
Kelly. He is also professor emeritus of art history at<br />
the University of Michigan, where he taught courses<br />
on modern and contemporary art.<br />
FRIDAY, OCT 16 • 6:30–7 PM<br />
VIRTUAL STUDIO VISIT:<br />
JOJIN VAN WINKLE<br />
Filmmaker, cinematographer, and producer Jojin Van<br />
Winkle discusses The Destruction Project, with its<br />
focus on destruction as spectacle and an act that can<br />
be playful and creative, violent and entertaining.<br />
In addition to her artistic practice, Jojin Van Winkle<br />
is assistant professor of art and program director for<br />
the Photography, Film, and New Media Program at<br />
Carthage College.<br />
FRIDAY, OCT 2 • 6:30–7 PM<br />
ALTERED VISION:<br />
THE INFLUENCE OF<br />
CHICAGO IMAGISM<br />
Citing examples in Uncommon Accumulation, Fred<br />
Stonehouse will discuss the impact of the Chicago<br />
Imagists, including their continuing influence on<br />
contemporary figurative art. Stonehouse notes that<br />
the Imagists’ “…embracing of vernacular forms and<br />
rejection of the prevailing critical discourse in favor<br />
of a personal and even eccentric vocabulary seems<br />
prescient now.”<br />
A professor of painting and drawing at the<br />
UW-Madison Art Department, Fred Stonehouse is<br />
internationally known for his superbly rendered,<br />
exquisitely imagined prints, drawings, and paintings.<br />
FRIDAY, OCT 9 • 5 PM<br />
JAMES CAGLE:<br />
WITH AN OPEN EYE<br />
James Cagle’s photographs cause us to focus on elements<br />
of our surroundings that might otherwise go<br />
unnoticed. His acute sensibilities, formal rigor, and<br />
embrace of the quotidian imbue his works with an<br />
extraordinary level of intimacy. <strong>MMoCA</strong> curator<br />
emeritus Richard H. Axsom discusses Cagle’s penetrating<br />
vision, and the associative and structural<br />
devices he employs.<br />
FRIDAY, OCT 23 • 6:30–7 PM<br />
THE EXUBERANT BODY: GLADYS<br />
NILSSON’S IMAGES OF WOMEN<br />
Gladys Nilsson’s images of women are playful, tantalizing,<br />
spirited, and audacious. This virtual gallery<br />
talk will explore Nilsson’s representations of<br />
the female body, shaped by her keen observation of<br />
human behavior, her inimitable sense of humor, the<br />
wisdom she has gained through lived experience, and<br />
her fantastical imagination.<br />
Melanie Herzog is professor emerita of Art History<br />
at Edgewood College. Her areas of expertise include<br />
North American art and visual culture, with an<br />
emphasis on race, ethnicity, gender and representation,<br />
and cross-cultural exchanges among artists.<br />
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