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Culture and lifestyle magazine with features on people, places and things to do in East London

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Sept/Oct 2020<br />

ISSUE 57<br />

Free<br />

Anyone who thinks<br />

fallen leaves are<br />

dead has never<br />

watched them dancing<br />

on a windy day.<br />

- Shira Jamir<br />

Your East London: People | Food | Culture


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| Your East London: People, Food, Culture<br />

Hello East London! How's everyone doing?<br />

As we head into Autumn and the nights begin to draw in,<br />

it seems the right time to highlight some good reads with<br />

three soon-to-be published books that caught our eye.<br />

The Bank Job chronicles the story of Hoe Street Central<br />

Bank: a thought-provoking read, to say the least. On a<br />

lighter note, Towpath is full of delicious recipes, and then<br />

there’s the eagerly awaited Tube Mapper project - an<br />

absolute delight.<br />

We also have an interview with music duo Tale of Two<br />

and meet the producer of the acclaimed short film<br />

Stationary.<br />

Roger Love shares some Autumn fitness tips; The Gentle<br />

Author has some great images of Tessa Hunkin's new<br />

mosaic in Haggerston; Sean Gubbins walks us through the<br />

Boundary Estate in Shoreditch and Michele Scarr provides<br />

some great tips on freezing all that fruit and veg that<br />

many of you have grown over the summer.<br />

And, of course, some yum for the tum from Central Park<br />

Cafe's Sophie Downer, while Mark Wincott samples<br />

Caribbean street food cooked and delivered by Zara's<br />

Treats.<br />

More seriously, in the current climate it’s touch-and-go for<br />

the future survival of many businesses, and that includes<br />

LoveEast. We need at a minimum to break even to cover<br />

production costs, including print. And to do that, we<br />

rely on advertising revenue. We are incredibly grateful<br />

to those who have been able to stick by us but, at the<br />

moment, we are struggling to meet our costs, so if you<br />

are able to advertise with us please get in touch.<br />

We may be pared down these days but at least we're<br />

still here - for now. With your support, long may that<br />

continue.<br />

Cheers,<br />

Kaz<br />

Inside<br />

East Life<br />

4<br />

8<br />

Mark Wincott sits down with<br />

music duo Tale of Two<br />

James Al-Mudallal meets<br />

Walthamstow filmmaker<br />

Jonathan Caicedo-Galindo<br />

Paper Ships<br />

12<br />

14<br />

20<br />

The Bank Job: The story<br />

behind Hoe Street Central Bank<br />

Ian Chambers meets The Tube<br />

Mapper<br />

Culinary delights from<br />

The Towpath<br />

Et Cetera<br />

10 Michele Scarr on nutrition<br />

18 The Gentle Author<br />

22 Sean Gubbins Walks Hackney<br />

23 Roger Love on Fitness<br />

24 Food, glorious food<br />

26 Parting shot<br />

Editor<br />

Karen ‘Kaz’ Ay<br />

Copy editor<br />

Yolanda Powell<br />

Crafted by<br />

chomp.me.uk<br />

Printed in East<br />

London by<br />

Premier Print Group<br />

Contributors<br />

Ian Chambers<br />

James Al-Mudallal<br />

Mark Wincott<br />

Michele Scarr<br />

Roger Love<br />

Sean Gubbins<br />

Sophie Downer<br />

The Gentle Author<br />

Tod Kavonic<br />

Cover image: Vitalijs Barilo via Unsplash<br />

This page and page 26: Tod Kavonic<br />

How to get in touch<br />

E: karen@chomp.me.uk<br />

T: 07590 609 557<br />

Socials<br />

W: loveeast.london<br />

T: @LoveEastMag<br />

IG: @loveeastmag<br />

Advertise with us<br />

Get in touch to find out how we can promote your<br />

business; we offer affordable rates and we reach 12,000<br />

homes across East London.<br />

LoveEast are media partners with East London Radio and<br />

Trapped in Zone One and we are a member of the East<br />

End Trades Guild.<br />

THE SMALL PRINT<br />

LoveEast Magazine is produced and published by Chomp<br />

Creative Limited. While every effort has been made to<br />

ensure accuracy, we do not accept liability for any errors<br />

or omissions, nor do we endorse companies, products<br />

or services that appear in this magazine. ©2020 Chomp<br />

Creative Limited. All rights reserved. No reproduction can be<br />

made without permission from Chomp Creative Limited. Be<br />

kind to the planet; please recycle.<br />

LOVEEAST Sept/Oct 2020 3


| East life<br />

Tale of Two:<br />

a musical<br />

torch for<br />

dark times<br />

and dark<br />

places<br />

Tale of Two are a dark folk duo: Alfie Jackson (ex-<br />

Holloways frontman turned songwriter/producer) and<br />

multi-talented writer and performer Gemma Rogers.<br />

Think broken-hearted lyrics citing famous poets meets<br />

eerie music with classical leanings to create a rich and<br />

intoxicating soundscape. Mark Wincott finds out what's<br />

behind the name.<br />

Afternoon, how did Tale of Two begin, where did<br />

you meet and what was the first session together<br />

like?<br />

G: Afternoon Mark, thanks for having us. We<br />

met at a gig in Islington several years ago now,<br />

watched each other play, went for chips and a<br />

cider and, after chats and maybe a second cider,<br />

decided we wanted to work together. Alfie now<br />

lives in Austria and I’m in London so a lot of our<br />

writing is done remotely.<br />

A: Yeah, we met at The Old Queen’s Head near<br />

Angel. Clicked straight away. First session we<br />

wrote ‘Broken’ and the next day ‘Angels’… so<br />

pretty good.<br />

Describe your music. What makes you unique?<br />

A: Our music is dark folk. We sing together man<br />

4 LOVEEAST<br />

and woman and we sing against each other man<br />

and woman. We make an internal and external<br />

critique of the world and its inhabitants with a<br />

strong sense of right and wrong, diluted with<br />

determination and hope.<br />

Your debut EP is out, tell us the story behind the<br />

creative process, where was it recorded?<br />

G: We wrote the first two tracks of Angels and<br />

Demons from the same room when Alfie was in<br />

London and the next two when he was back in<br />

Austria and I was here. The ideas were bandied<br />

back and forth via Googledrive and Evernote. Alfie<br />

lays down the music at his home studio and then I<br />

lay down my vocals with whoever of my pals with<br />

recording facilities I can rope in. I send that back<br />

to Alfie who then weaves in the magic and Bob’s<br />

your uncle.


| East life<br />

A: The creative process just means us getting<br />

together and writing freely with the guitar, on the<br />

street and in the pub and over faceskypetime app.<br />

We never question what we do. We feel and think<br />

something and carve it out very quickly. Most of it<br />

has been recorded in our bedrooms.<br />

What can we expect from this EP and where can<br />

we buy it?<br />

G: Four tracks: ‘Angels’, ‘Broken’, ‘Lovelust’ and<br />

‘Demons’. Listeners might journey with us on a<br />

lyrical path via relationship dissections and painful<br />

truths. But there is a possible light in the moody<br />

darkness. It’s a sort of aural<br />

equivalent of a succulent<br />

peach at the end of a very<br />

stodgy risotto. You can buy<br />

it on Bandcamp.<br />

A: Yeah, Bandcamp needs<br />

your money. You can expect<br />

sadness, despair, imagery,<br />

atmosphere, warnings,<br />

twisting haunting melodies,<br />

hopeful outcomes, strength<br />

and resolve.<br />

Who directed the music<br />

video for ‘Demons’ and<br />

why was it the last single<br />

released from the EP?<br />

G: Alfie actually put the<br />

montage together for<br />

‘Demons’. He is the clever<br />

lad - with the patience of a<br />

saint, I might add. It’s the<br />

last track of this EP because we felt it had the<br />

same foundations as the previous three tracks.<br />

The next four are different; we wrote them with<br />

changed mindsets.<br />

A: Like most things we do - not planned as such<br />

but we just follow our heart.<br />

Do you have any particular lyrical themes?<br />

G: We pontificate about our relationships, love,<br />

lust and hate and all the grey areas in between.<br />

We talk about our place on Earth, we write about<br />

clinging on to the right and the wrong but also<br />

about how hard that is sometimes. Hope is a<br />

recurring theme too.<br />

A: Honesty. Life. Death. Depression and despair.<br />

Climate. Politics and its lack of soul. Gambling.<br />

Poetry references. Historical references.<br />

Mythology. Infidelity. War. Secrets. The city.<br />

Favourite lyric you have written and also by<br />

someone else?<br />

A: “if we leave our lovers, then we’ll leave each<br />

other too” – ‘Lovelust’ - Tale of Two<br />

“At my most beautiful, I count your eyelashes<br />

secretly” – ‘At My Most Beautiful’ - REM<br />

G: "You follow the piper but he’s turned his back,<br />

the captain jumped shipped long before all the<br />

rats.” ‘Demons’ - Tale of Two<br />

"What makes a house grand, oh, it ain't the roof or<br />

the doors, If there's love in a<br />

house, it's a palace for sure.”<br />

‘House Where Nobody<br />

Lives’ - Tom Waits<br />

It’s just true isn’t it? I’ve<br />

lived in many different<br />

homes but I can honestly<br />

say that where I am now is<br />

the best I’ve been in and I<br />

feel very grateful.<br />

What is the first song you<br />

both remember as a child?<br />

G: Got to be something<br />

by The Carpenters or Cat<br />

Stevens. ‘Top of the world’<br />

or ‘Peace Train’. Both<br />

immediately transport me<br />

back.<br />

A: One I started singing that<br />

I made up when I was old<br />

enough to stand - ‘singing<br />

round the mushroom tree’.<br />

Who are you both influenced by, in music and life?<br />

A: Music - Beatles, Simon and Garfunkel, Bowie,<br />

Beach Boys, Smiths, Cure, Smashing Pumpkins,<br />

Radiohead, Supergrass, Strokes<br />

G: Musically I’m into energy, the feeling you get<br />

off the artist. I like lyrics that tell you stories, I like<br />

poetic writers. I’m into Patti Smith and Tom Waits<br />

and Ian Dury and Leonard Cohen. I’m listening<br />

to The Idles at the moment, discovered them at<br />

Glastonbury 2019. They remind me of my teenage<br />

years and it gives me this nostalgic adrenaline I<br />

dig. I’m influenced by loads of things.<br />

Images: opposite: Ben Donoghue, top: Adam Rogers, bottom: courtesy of Sofa Sounds<br />

LOVEEAST Sept/Oct 2020 5


| East life<br />

What is the hardest part of being a musician…and<br />

the best?<br />

A: The wages are the hardest part and the fact<br />

that people take music for granted and don’t<br />

want to pay for something that brings them joy<br />

everyday but they’ll happily pay £5 a pint.<br />

The best? Writing songs. Music is pure magic.<br />

G: The best thing is that there's no right or wrong.<br />

I love being able to combine satisfying melodies<br />

with lyrical themes that are relevant and ending<br />

up with something I feel proud of. Music and<br />

writing lyrics help me to make sense of what I’m<br />

feeling. Hardest thing I suppose is that, if you’re<br />

not gigging and you’re just putting music out<br />

without being able to see the whites of people’s<br />

eyes, you don’t get that instant response which<br />

helps drive the energy into new projects.<br />

What have you both learned about yourself during<br />

this time, also what are you doing to keep sane<br />

during these isolation periods?<br />

A: I am darker than I thought. I have experienced<br />

worse than I let on. I am lucky I can address my<br />

dark side for art and communication of necessary<br />

messages but remain happy.<br />

G: I can spend entire days doing not much at all<br />

but the minutes and hours still pass by. I've been<br />

reading and listening to podcasts and tackling<br />

a piece of writing I’ve been working at for four<br />

years which is very satisfying. I’ve set up online<br />

workshops for kids, which is helping me to<br />

maintain some sort of routine. I’ve also learnt that<br />

I can easily sleep 12 hours a night, but I think I<br />

knew that anyway to be honest.<br />

In physical life you played Sofa Sounds a few<br />

times, what’s the experience like?<br />

G: They’re great gigs. Quiet and intimate, which I<br />

think adds to the intensity of some of our themes.<br />

A: Amazing. Superb. A dream. I just wish the love<br />

on the night carried over into people becoming<br />

addicted fans on our socials.<br />

Any plans to do an online gig?<br />

G: I did a solo gig recently that I live streamed<br />

through Facebook for the Strummerville<br />

Foundation. That was cool but Alfie and I live<br />

in different countries, so a bit harder without<br />

all the software in place, however. Did you see<br />

Alfie’s clever ‘transnational pre-recorded live<br />

performance’ he did for ‘Demons’? Go watch it –<br />

6 LOVEEAST<br />

it’s the closest thing we have so far. We do plan to<br />

do more so watch this space.<br />

Favourite East London music venue and your goto<br />

place for food?<br />

G: I enjoyed a night out at EartH on the Stokey<br />

road before the shutdown and for food I’ve got to<br />

say Tayyabs – easily the best curry house in East<br />

London.<br />

A: I live in Austria now. I’d say Macbeth for<br />

nostalgia. Food… hmmm… I get pissed first and<br />

go to that chicken and burger place between Old<br />

Street and the Kingsland Road.<br />

G: I’d just like to add that I’m NEVER with him<br />

when he frequents that fast food establishment<br />

Future plans?<br />

A: World domination. Release more music and<br />

album. Tour. Be recognised for the great act that<br />

we are, making original and challenging music,<br />

and being two very honest performers.<br />

G: Our second EP has four brand new tracks<br />

we’re very excited about, so we’ll put that out<br />

this year and we’ve started working on a musical<br />

we discussed when we first met. With more time<br />

on our hands, we figured it was time to start<br />

exploring what that might look like.<br />

TO FIND OUT MORE<br />

W: taleoftwoband.tumblr.com<br />

E: wearetwotheband@gmail.com<br />

FOLLOW<br />

T: @taleoftwoband<br />

IG: @taleoftwoband/<br />

FB: @taleoftwoband/<br />

WATCH<br />

YT: youtube.com/channel/<br />

UC2BlIW3X4OMjVKEl30mPgiQ/featured<br />

LISTEN<br />

Spotify: Search for Tale of Two<br />

Bandcamp: taleoftwoband.bandcamp.com<br />

Mark Wincott is a born and bred East Londoner. A<br />

recovering grunger, music gives him peace of mind. He's a<br />

lover of pie mash liquor, likes the smell of rain and has written<br />

articles on music, MMA, Pro Wrestling and dealing with<br />

anxiety. "I'm unique and different just like everyone else".<br />

Follow Mark on twitter @Tattooed_Ginge<br />

and Instagram @tattooed.ginge


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LOVEEAST Sept/Oct 2020 7


| East life<br />

James Al-Mudallal gets under the hood with<br />

Walthamstow filmmaker Jonathan Caicedo-Galindo,<br />

to talk about the short film Stationary<br />

Images: Daniel D. Moses<br />

Recently I enjoyed having the opportunity of<br />

interviewing Jonathan Caicedo-Galindo, a 27-yearold<br />

who helped produce the acclaimed short film<br />

Stationary.<br />

Colombian-born Jonathan, who was raised in<br />

Walthamstow, has a background of documentary<br />

filmmaking for the BBC, Channel 4, Sky Arts and<br />

a number of online platforms, and has always had<br />

a keen interest in filmmaking. He began his career<br />

after completing a degree in Film Studies at the<br />

University of Winchester.<br />

Back in 2017, while attending a networking event<br />

for short film makers, he met Louis Chan who told<br />

him he was in the middle of writing a short drama.<br />

“We did the usual thing of swapping details at the<br />

event,” said Jonathan.<br />

“A few months later, I got an email from Louis<br />

saying that he’d now finished the script and, if<br />

I liked it, would I come onboard to produce the<br />

film.”<br />

8 LOVEEAST<br />

“Up until Louis’ email, I’d always been more<br />

involved in documentary making. But when I read<br />

the script for Stationary, I knew this would be a<br />

really interesting project so I had to get involved.”<br />

Jonathan met Louis at a Colombian restaurant<br />

in Seven Sisters, where the pair talked about the<br />

filmmaker’s script and how they could shoot it.<br />

What followed was a kickstarter to raise film<br />

production funds and a speedy month-long<br />

casting process whereby they took on actors<br />

Aaron Thomas Ward, Rebekah Murrell and Xavien<br />

Russell as the three lead characters, Jimmy, Che<br />

and Gino.<br />

Stationary is a film both small in duration and<br />

actual location, with most of the action based in a<br />

parked car. However, this London drama, written<br />

and directed by Louis, has a surprisingly complex<br />

and enthralling script.<br />

During the course of one afternoon, the audience<br />

follows the progress of Jimmy, a reformed drug<br />

dealer, now recently returned from university.


| East life<br />

Against the backdrop of an atmospheric sound<br />

track, Jimmy confronts Che, his former drugdealing<br />

partner in crime, and her younger brother<br />

Gino, in an attempt to make Che realise the path<br />

she’s going down can only lead to bad things.<br />

Talking about the drama, Jonathan said: “Me and<br />

the others in the crew couldn’t directly relate to<br />

the situation Jimmy, Che and Gino are in, but we<br />

could see that there are moments in all our lives<br />

when we’re in our early 20s where things happen,<br />

with us maybe making certain mistakes that we<br />

sometimes live to regret. Stationary is a good<br />

example of people learning from their mistakes<br />

before it’s too late.”<br />

The film was shot in Kilburn in a dead-end street<br />

and, according to Jonathan, “was actually fairly<br />

quick” with the 12 minutes all being wrapped up in<br />

“about three days.”<br />

But Jonathan explained that although filming<br />

was “painless” and “there was always a good<br />

atmosphere on set,” post-production the film had<br />

to deal with a new challenge.<br />

“We started our festival run at the end of 2019 but<br />

then in February/March, the world stopped with<br />

Covid, so there was a level of uncertainty after lots<br />

of film festivals were postponed, cancelled or just<br />

silent.”<br />

It was then that Jonathan, Louis and the rest of the<br />

team decided to put Stationary online, and since<br />

June the film has already gained several award<br />

wins and nominations and was selected for film<br />

festivals in Ireland, LA, London and Wales.<br />

“When it came to releasing Stationary online, there<br />

was a kind of anxiousness about it, with us all<br />

wondering, will people get it? Will they understand<br />

it? But it’s been up for over a month now and it’s<br />

had a good reception.”<br />

The film has now had more than 127,000 views<br />

online, rising daily. Aaron Thomas Ward and<br />

Rebekah Murrell have both won awards for their<br />

parts in it.<br />

As for the future, Jonathan now hopes to both<br />

produce and direct his own film sometime<br />

between the end of 2020 and early 2021.<br />

TO FIND OUT MORE<br />

W: stationaryfilm.com<br />

T: @joncaigal<br />

IG: stationaryshortfilm<br />

Showreel: vimeo.com/253503524<br />

WATCH THE FILM<br />

youtube.com/watch?v=WSvsRe4hqCs<br />

James Al-Mudallal is a freelance writer, DJ and<br />

journalist for East London Radio. He's also a massive<br />

creative and motion picture addict who is always<br />

interested in film news from Britain to Hollywood.<br />

T: @Jamesalmud<br />

IG: james.al<br />

LOVEEAST Sept/Oct 2020 9


| Wellness<br />

Freezing fruit and veg: what you need to know<br />

It seems we are a nation of gardeners and during<br />

lockdown many have turned their hands to<br />

gardening and discovered green fingers! And for<br />

once we have a summer of glorious sunshine to<br />

give us a glut of fruit and vegetables. Here’s some<br />

tips on how to freeze your harvest and avoid food<br />

waste.<br />

• Most raw veg won’t freeze and defrost very well<br />

so it’s best to steam, braise, roast or blanch first<br />

to ensure a better result. Cool completely before<br />

freezing.<br />

• Separate florets, berries, beans etc and spread<br />

them out on a tray before freezing then you can<br />

bag them up together once frozen and just take<br />

out what you need rather than a big clump.<br />

• Your frozen veggies will keep for about three<br />

months.<br />

Potatoes, roots and squash<br />

• Mash freezes really well and can be frozen in<br />

useful portions. This goes for potatoes, parsnips,<br />

swede, celeriac, carrots, sweet potatoes or<br />

squash. Defrost and reheat gently in a pan or<br />

use for fishcakes or pie toppings.<br />

• Blanch and steam in chunks or chips and freeze<br />

individually on a tray ready to be bagged up<br />

once frozen.<br />

Cauliflower, broccoli, beans, courgettes, peppers<br />

and peas<br />

• Cut into florets and slices or pod, and steam or<br />

blanch in boiling water for a couple of minutes<br />

until tender, then plunge into cold water to stop<br />

the cooking process and keep that lovely vibrant<br />

colour. Once cooled, dry and lay out on the tray<br />

to freeze.<br />

Cabbage, kale, chard and spinach<br />

• Freezing kale or spinach raw is ok to throw<br />

into a smoothie (for extra fibre) but they will<br />

crumble. For cooking, trim and prepare the<br />

tougher leaves and stems to be blanched in<br />

boiling salty water until wilted. But look out,<br />

10 LOVEEAST<br />

this can take just moments for the tender leafy<br />

greens (a bit longer for the thicker leaves).<br />

Plunge into cold water to stop them cooking<br />

and then squeeze them to remove as much<br />

water as possible. Then portion or chop and<br />

freeze until you are ready to add to bolognese,<br />

soups or curries.<br />

Tomatoes and mushrooms<br />

• Tomatoes are best cooked into a sauce first<br />

and, likewise, mushrooms are best cooked then<br />

frozen, ready to be added to a vegetable chilli,<br />

soup or pie.<br />

Whilst you can freeze your fruit raw ready to be<br />

popped into smoothies and cakes, you can lose<br />

the textures of some fruits in the process, so here’s<br />

some fruit freezing tips:<br />

Bananas<br />

Simply peel and freeze them whole (they are easy<br />

to break in half from frozen) or slice and freeze<br />

so they are ready to throw into the blender for<br />

smoothies, ice creams or mousses.<br />

Berries, grapes, kiwis, melon, pineapples<br />

Peel, slice and freeze on a tray to prevent sticking<br />

together, then bag up ready for smoothies, sorbets<br />

and juices.<br />

Stone fruits, apples, pears<br />

These can be sliced and frozen on a tray or stew<br />

with some cinnamon, ready for a crumble or<br />

compote (extra beneficial for your gut health too!)<br />

Make sure it is cooled down before freezing.<br />

Rhubarb and gooseberries<br />

Best stewed before freezing with a little stevia,<br />

xylitol or cinnamon to your taste.<br />

Citrus<br />

Zest or juice oranges or lemons and freeze into<br />

handy ice cubes. Let’s not forget to slice and<br />

freeze lemon and lime for those gin and tonic<br />

sundowners.<br />

Michele is a registered Nutritionist, Health Coach and Lecturer.<br />

To book a complementary health and nutrition session go to<br />

nutritioneast.london/contact and choose a convenient time.<br />

W: nutritioneast.london FB: @nutrition.east.london<br />

E: nutritioneast@gmail.com IG: @nutrition.east.london<br />

Image: Tristan Gevaux via Unsplash


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LOVEEAST Sept/Oct 2020 11


| Paper ships<br />

Bank Job: art as activism<br />

May 2019. In the shadow of the towers of London’s financial<br />

centre, Canary Wharf, a golden Ford Transit van explodes.<br />

With this single act, £1.2 million of high interest ‘toxic debt’ is<br />

cancelled for a London community.<br />

Artistic strategies as a form of protest and as a<br />

way to effect change have been used by many<br />

over the years. Contemporary artists Jane and<br />

Louise Wilson's 1999 Turner Prize nominated video,<br />

Gamma, and the Greenham Common women<br />

themselves come to mind, as does The Children<br />

of Don Quixotes' red tents along the Seine, the<br />

Occupy movement, Extinction Rebellion and Bob<br />

and Roberta Smith, to name but a few. After all,<br />

part of an artist’s gift is to reimagine and represent<br />

ideas for us to contemplate and consider,<br />

and Bank Job does exactly that.<br />

The book tells the white-knuckle adventure story<br />

of a London-based couple who were fed up with<br />

an economic structure that pushed creative people<br />

to the fringes.<br />

Influenced by the Strike Debt movement in the<br />

US, which opened their eyes to the dark heart of<br />

the financial system, they set up a printing press in<br />

a disused bank in Walthamstow and printed their<br />

own banknotes.<br />

The faces of local unsung heroes in their<br />

community replaced the traditional historical<br />

figures we are used to seeing on bank notes, and,<br />

when the notes were sold as Art, half the proceeds<br />

went to these local stalwarts and half for the<br />

purchase and destruction of local high interest<br />

debt.<br />

The movement engaged a wealth of both local and<br />

global support, showing in no uncertain terms the<br />

widespread desire to free everyday people from<br />

the opaque language and corrupt traps of loans, in<br />

a country where it has become harder and harder<br />

to pay bills on time. In the UK, one in eight civilians<br />

is classified as working poor.<br />

Both a daring tale and a deeply personal memoir,<br />

this book opens with honest reflections on the<br />

authors’ own experiences of debt through the<br />

eyes of their childhood to their own adult life, and<br />

goes on to examine the wider impact of a society<br />

12 LOVEEAST<br />

that for generations has entangled the concept of<br />

money with a person’s identity. Furthermore, for<br />

many readers it will be an empowering education<br />

about money.<br />

Dan and Hilary write in the book, ‘If 85% of<br />

our politicians don’t understand how money is<br />

created there is an urgent need for some farreaching<br />

economic education not only to help us<br />

understand the system as it is but to take the next<br />

step in reimagining it.’<br />

Whatever political mast you pin your colours to,<br />

this is a thought-provoking read.<br />

ABOUT THE AUTHORS<br />

Hilary Powell’s work ranges from audio-visual<br />

epics, supported by Acme and Henry Moore<br />

Foundation, to print works collected by V&A<br />

and MoMA. She has a track record of involving<br />

diverse communities in making art - from public<br />

participation in the production of a pop-up book<br />

of the Lower Lea Valley to large-scale print<br />

collaborations with demolition workers and material<br />

scientists as Artist in Residence at UCL Chemistry.<br />

Dan Edelstyn is an English documentary filmmaker,<br />

screenwriter and singer with The Orchestra of<br />

Cardboard.<br />

GET THE BOOK<br />

Bank Job<br />

by Hilary Powell & Daniel Edelstyn<br />

Publication date: 17 September 2020<br />

Paperback original • £14.99<br />

Pre-order through your favourite local bookshop<br />

TO FIND OUT MORE<br />

W: https://bankjob.pictures<br />

T: BankJobPictures<br />

FB: @bankjobfilm<br />

Image: Ethan McArthur via Unsplash


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LOVEEAST Sept/Oct 2020 13


| Paper ships<br />

Meeting the<br />

Luke Agbaimoni is<br />

project capturing p<br />

and transport netw<br />

calendar and soon,<br />

met him to find out<br />

Saffy The Cat Waits - Brockley<br />

How did this all start?<br />

I went to art school and studied graphic design<br />

because I thought that would be a wiser route,<br />

financially, than the traditional art route and I<br />

became a graphic designer, working from an<br />

office near the Excel centre, next to Royal Victoria<br />

Dock. I fell in love with the docklands – it’s one<br />

of the nicest places to experience the sunset in<br />

14 LOVEEAST<br />

London, because you’re surrounded by open<br />

water. Especially Royal Victoria Dock, with a bridge<br />

across from where you can see incredible sights.<br />

It was around that time that I got into<br />

photography. I’d walk around in my lunch break,<br />

with a camera, taking picture of the docklands.<br />

I very much like reflections, juxtaposed with<br />

buildings and water at night – you get nice neon


| Paper ships<br />

Tube Mapper<br />

the photographer behind a<br />

hotos of London Tube stations<br />

ork, culminating in a website,<br />

his first book. Ian Chambers<br />

more.<br />

colours and a weird representation of something<br />

that’s very familiar.<br />

At that time, there was a competition run by the<br />

DLR with the theme “real views”. I entered the<br />

competition and, luckily, I won. The prize was<br />

an Olympus camera – my first serious camera.<br />

It pushed me in the direction of taking it more<br />

seriously.<br />

Do you still use that camera?<br />

I love Olympus, but that was a long time ago and<br />

technology has moved on; I now shoot with a<br />

Sony. But as the saying goes, the most important<br />

camera is the one you have on you. If you spend a<br />

fortune on some crazy gear, but you never take it<br />

out, what’s the point? So, you buy something that’s<br />

comfortable for you to carry.<br />

My first child was on the way about four years<br />

ago and I realised my free time taking pictures<br />

of sunsets was probably going to disappear, and<br />

I needed a new project to fit around my new<br />

lifestyle, and the TubeMapper project was born.<br />

I realised I could take pictures on my daily<br />

commute, taking different routes to and from<br />

work, and make a collection of photos.<br />

What sort of response did you get to the<br />

Tubemapper website?<br />

I put the site up and wasn’t sure what interest this<br />

would have. I assumed rail enthusiasts, architects<br />

and historians might be interested. The tube<br />

network is like a living museum that you’re walking<br />

through, and then you’ve got the contrast of<br />

modern architecture. You normally have five million<br />

daily users going through these places every day,<br />

sharing these daily experiences - there’s beautiful<br />

tiling, staircases, symmetry, the colours. When<br />

I post a picture, it’s amazing how many people<br />

recognise it and say, “yeah, I love that”.<br />

People who wouldn’t normally even talk to each<br />

other on the Tube were responding to me and<br />

telling me great places to go to get a picture.<br />

Someone told me that at Embankment you can<br />

stand in a particular place and see the London<br />

Eye arching over the Underground roundel. These<br />

places have great, deep meaning for us.<br />

I see in your photos you love reflections and<br />

symmetry in particular?<br />

I quite like to capture a different perspective<br />

on something, like lower down, from a child’s<br />

perspective. When it’s raining, I think it’s amazing,<br />

especially at night in the city, you start to see<br />

things by shape and effect. It becomes more<br />

powerful and abstract.<br />

Is there a particular “perfect shot” which you were<br />

really pleased to get?<br />

“Perfectly central at St Paul’s” - it has old red<br />

and white tiling and so, if you time it with the<br />

train in the middle between the pillars, you get<br />

the abstract image of alternate red/white/red/<br />

LOVEEAST Sept/Oct 2020 15


| Paper ships<br />

Double Decker Trains - Canning Town<br />

Waiting For Trains - Liverpool Street<br />

white… It’s powerful because of<br />

its simplicity, but also a difficult<br />

shot, to get it when the train is<br />

exactly in the centre.<br />

So, you went from a website and<br />

social media to a calendar for<br />

2020?<br />

It was requested by many<br />

people and, being a graphic<br />

designer, I could put it together<br />

myself. The hardest thing<br />

was choosing just 12 pictures,<br />

but it was well received, and<br />

meant I was interacting with<br />

people about the pictures,<br />

about the ones they like, about<br />

their favourite station. So, for<br />

instance, the August picture is<br />

Saffy, the cat living at Brockley<br />

station, who seems to be waiting<br />

for a train! It’s quite nice to have<br />

people enjoy these big parts of<br />

London. The Underground is the<br />

heartbeat of the city.<br />

After the memorable 2020<br />

calendar, there’s another<br />

planned for next year, and a<br />

book too?<br />

It was always an idea that<br />

could happen, and it has just<br />

happened organically. I thought<br />

about a book for each line, but<br />

then I thought collections of<br />

types of photos; so, for the first<br />

book – reflections, covering<br />

different stations. I’ve also<br />

got poetry in there too, which<br />

people submitted to me online.<br />

Ian Chambers FRSA is a long-time resident of East London and has been<br />

a charity trustee and school governor. In 2013 he established East London<br />

Radio, the area's first ever radio station run by and for the local community,<br />

giving a positive message about our area.<br />

To find out more: yes@eastlondonradio.org.uk<br />

Images: Luke Agbaimoni<br />

TO FIND OUT MORE<br />

W: tubemapper.com<br />

T: @tubemapper<br />

IG: @tubemapper<br />

The Tube Mapper Project<br />

is due to come out at the<br />

beginning of October and will be<br />

available at all good bookshops.<br />

16 LOVEEAST


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LOVEEAST Sept/Oct 2020 17


| The Gentle Author<br />

Tessa Hunkin’s<br />

new mosaic<br />

in Haggerston<br />

18 LOVEEAST


| The Gentle Author<br />

Tessa Hunkin and mosaic expert Walter Bernadin at work.<br />

Tessa places the final mosaic tile<br />

Images courtesy of The Gentle Author<br />

you are seeking a destination for your<br />

daily walk you can do no better than<br />

direct your footsteps towards Haggerston<br />

where Tessa Hunkin and the Hackney<br />

Mosaic Project‘s largest ever mosaic was<br />

recently completed on the Acton Estate.<br />

Eight months of work by Tessa and her team<br />

reached its spectacular culmination in late June as<br />

mosaic specialist Walter Bernadin laboured from<br />

early morning to install their latest masterpiece<br />

before the sun reached its full heat. Funded<br />

by the developers who have redeveloped part<br />

of the post-war estate, the mosaic forms the<br />

centrepiece to the shopping parade at the heart<br />

of the neighbourhood, which takes its name<br />

from Nathaniel Acton who owned the land in the<br />

eighteenth century.<br />

Drawing inspiration from Haggerston’s rural past,<br />

Tessa’s design evokes the natural world, illustrating<br />

the farm animals and fruit trees that once were<br />

here. A closer study reveals hidden initials of local<br />

people who were each responsible for different<br />

aspects of the work – the animals, plants and birds.<br />

Once the new mosaic was installed, a small crowd<br />

of residents gathered to admire it, appreciative of<br />

its lyrical finesse and elegant detail, which alleviate<br />

the surrounding acres of paving, concrete and<br />

brick. In such grim and lonely times in the city,<br />

everyone was heartened and uplifted to witness<br />

this flourishing of creativity and community spirit,<br />

enhancing the urban environment for years to<br />

come. It is a symbol of renewal.<br />

The mosaic can be found outside 224 Haggerston<br />

Road, E8 4HT<br />

THE HACKNEY MOSAIC PROJECT is seeking<br />

commissions, so if you would like a mosaic please<br />

get in touch: hackneymosaic@gmail.com<br />

The Gentle Author writes daily about the culture of East<br />

London at spitalfieldslife.com.<br />

You can also follow @thegentleauthor on twitter.<br />

LOVEEAST Sept/Oct 2020 19


| Paper ships<br />

Regent Canal's hidden gem, Towpath has a book<br />

Walk along Regent’s Canal from November to February and you will pass four mysterious,<br />

shuttered kiosks, adorned with large, painted coots, lying dormant in the inhospitable winter<br />

months. As spring approaches, the shutters open to reveal one of the most prized hidden gems in<br />

London – Towpath, a waterside eatery that, even in the middle of one of the busiest cities in the<br />

world, has no website, no phone and no takeaway; yet it thrives.<br />

Towpath: Recipes & Stories, by founders Lori De Mori and<br />

Laura Jackson, captures the ebb and flow of the restaurant’s<br />

ever-changing menus and waterside community, with Laura's<br />

distinct, seasonal recipes alongside beautifully written stories<br />

by Lori and photography that captures the vibrancy of<br />

Towpath throughout the arc of a season.<br />

Started ten years ago, the restaurant first gained a reputation<br />

for its exceptional cheese toastie, which was cooked at Lori’s<br />

flat across the canal. Laura, who trained at Rochelle Canteen,<br />

has a passion for seasonal food, jams and chutneys, and Lori,<br />

who had previously made a career as food writer, turned<br />

her attention to the carefully considered ambience and<br />

experience at Towpath.<br />

Stumbled upon by newcomers and held dear by the<br />

community of regulars, Towpath has become a unique and<br />

beloved destination. If you haven't been, check it out and, in<br />

the meantime, get the book when it comes out in October. It<br />

deserves a prominent place in the kitchen not only as a recipe book but a reminder of what is truly<br />

important in life - good food, face-to-face conversation and a quiet place to disconnect and watch<br />

the world go by.<br />

GET THE BOOK<br />

Towpath: Recipes and Stories<br />

By Lori De Mori and Laura Jackson<br />

£25.00 - Publication date: 1 October, 2020<br />

20 LOVEEAST


NEW GROWING<br />

COMMUNITY IN<br />

HACKNEY WICK.<br />

CHECK IT OUT<br />

LOVEEAST Sept/Oct 2020 21


| Walk Hackney with Sean Gubbins<br />

22 LOVEEAST<br />

Walk the Commute<br />

we emerge from lockdown, do we<br />

risk catching the dreaded virus using<br />

public transport or find another form<br />

of getting around? Much is being<br />

made of the opportunity lockdown offers to<br />

increase cycling. But, however much the benefits<br />

for ‘cycling and walking’ are uttered in the same<br />

breath, riding a bike does not suit all. Walking,<br />

of course, has one advantage over cycling: apart<br />

from good shoes, it requires no financial outlay on<br />

special equipment. Walking too is physically good<br />

for us, counting towards the WHO’s recommended<br />

150 minutes of weekly moderate-intensity<br />

exercise. In walking, we use almost every muscle<br />

in the body: leg muscles to initiate and control<br />

movement; core muscles to stabilise the body.<br />

Walking for extended periods of time with low<br />

impact offers minimal risk of injury.<br />

Getting to places on foot is a reliable form of<br />

transport. Working in Croydon, I knew I could walk<br />

from my Hackney home to the platform at London<br />

Bridge in 55 minutes exactly! How long would the<br />

bus take? Yes, it was a long walk, but it cleared<br />

the head in the morning, gave me time on my<br />

own to think, get familiar with the local area, be<br />

intrigued by its history and architecture, notice it<br />

changing and make memories: never will I forget<br />

the first time my commute by Shanks’s pony took<br />

me through the striped, circular splendour of the<br />

Boundary Estate.<br />

Walking from Hackney to London is nothing new.<br />

As a young man in 1715, Dudley Ryder, future<br />

Solicitor General in Robert Walpole’s government,<br />

used to walk to and from his home in Homerton<br />

to London more than once per day. In the 1850s,<br />

if they did not take the daily omnibus from The<br />

Swan next door, the men of the Neilson family,<br />

West India merchants, would often walk to the City<br />

from their house, now the site of Summit Estate<br />

opposite Clapton Common.<br />

According to a report brought out in 1855,<br />

400,000 people (14% of Londoners at the time)<br />

walked to the City daily. The number far exceeded<br />

every other means of travel into London; this was<br />

before there was the<br />

Underground or trams.<br />

This figure was unearthed<br />

by David Harrison of<br />

Living Streets, founded<br />

91 years ago as The<br />

Pedestrian Association,<br />

to represent the rights of<br />

pedestrians and promote<br />

In walking,<br />

we use<br />

almost every<br />

muscle in<br />

the body<br />

road safety. With the launch in September<br />

of Central London Footways, Living Streets<br />

(livingstreets.org.uk) is prompting Londoners to<br />

return to walking as the most enjoyable, efficient<br />

and healthy option for getting around our city.<br />

Central London Footways is a network of quiet and<br />

interesting streets for walking, laid out in a map<br />

created by Urban Good. If you look at this map<br />

(footways.london/) you will see that a number of<br />

routes are suggested through Hoxton, Shoreditch,<br />

Haggerston and De Beauvoir. Maybe with time,<br />

Living Streets will produce supplements covering<br />

the rest of Hackney as well as other surrounding<br />

boroughs.<br />

Due to current social distancing guidance, Walk<br />

Hackney’s walks have been suspended until<br />

further notice. Please check for resumption at<br />

walkhackney.co.uk<br />

Imaage: Sean Gubbins


| Roger Love on Fitness<br />

Six ideas<br />

to keep your fitness-drive going this autumn<br />

Image: Marcus Ng via Unsplash<br />

Take this push-up challenge.<br />

Start a timer. Do 1 push-up<br />

during the first minute; do 2<br />

push-ups during the second; 3<br />

during the third, 4 in the fourth,<br />

5 in the fifth and so on until you<br />

can't go on. It will take between<br />

7 and 30 minutes, I reckon. It<br />

sounds a bit silly with 1 push-up<br />

in the first minute, but it does<br />

really work. A client did it the<br />

other day and failed on the 13th<br />

push-up in 13th minute... Good<br />

luck.<br />

Read Fast Asleep by Dr Michael<br />

Mosley. The BBC doctor who<br />

wrote the Fast Diet turns his<br />

attention to sleep, offering<br />

practical, nutritional and medical<br />

ideas in his unique down-toearth<br />

style. I find that when I<br />

am tired, others things - such<br />

as exercise and nutrition - get<br />

harder. I am low on energy and<br />

make poorer decisions. So,<br />

this was the first book I read in<br />

lockdown and now refer back to<br />

it regular. A great primer.<br />

Do short, fast, intense cardio.<br />

Try a Tabata, a four-minute<br />

training method that is great<br />

for improving your fitness. It<br />

involves eight sets of maximumeffort<br />

intervals, with 10 seconds<br />

of rest in between. It brings<br />

tremendous increases in aerobic<br />

fitness and it torches calories<br />

for hours afterwards as it<br />

sends your metabolism into<br />

overdrive. Sprinting, mountain<br />

climbers, squat jumps, jump<br />

lunges, kettlebell swings, tuck<br />

jumps, burpees or clap pressups<br />

would be perfect. You need<br />

a programmable timer that<br />

bleeps to tell you when to start<br />

and stop without you having to<br />

look. There are plenty of apps<br />

available.<br />

Find inspiration with former<br />

Labour MP Tom Watson’s book<br />

Downsizing. He tells how he<br />

lost 8st (50kg) and went from<br />

a unhealthy, unhappy diabetic<br />

to man who is embracing his<br />

50s. Take it as a case study<br />

and guidebook as he reflects<br />

on successes and failures and<br />

what he found to work. Truly<br />

inspirational. Here is the man<br />

who should be the nation’s<br />

fitness tsar as we trying to<br />

become a fitter country after the<br />

pandemic.<br />

Swim in London Fields Lido<br />

to build endurance, muscle<br />

strength and cardiovascular<br />

fitness. It was a long wait but it's<br />

open and now bookable online<br />

or via our Better UK app.<br />

Keep those park training<br />

sessions going. It was amazing<br />

to walk around Well Street<br />

Common in the early days of<br />

lockdown. I had never seen<br />

so many people doing squats<br />

in one place (including when<br />

I worked in gyms!). Here’s a<br />

routine to keep them going. Pick<br />

a point and run - fast there slow<br />

back - maybe about 25 metres.<br />

Then, do 12 squats on a ratio of<br />

10 normal and 2 jump. Then run<br />

again for four more rounds, with<br />

the squats in between going 8<br />

jump and 4 normal, 6:6, 4:8 and<br />

finally 2:10.<br />

Roger Love Is a personal trainer based in Netil House E8.<br />

rogerlovept.com | thebestmeproject.co.uk<br />

LOVEEAST Sept/Oct 2020 23


| Eating in with Sophie Downer<br />

Pappa al Pomodoro<br />

A Tuscan bread soup<br />

My favourite soups usually have bread in them and this soup<br />

is perfect for this time of year, as there’s a glut of tomatoes<br />

about and basil is at its best.<br />

INGREDIENTS<br />

2 cloves of garlic<br />

1 tin of tomatoes (400g)<br />

500g fresh tomatoes<br />

chopped or torn<br />

A tablespoon of olive oil<br />

and a good glug more to<br />

finish<br />

Sea salt and black pepper<br />

A big handful of fresh<br />

basil<br />

Half a loaf of good bread,<br />

preferably stale (I use<br />

sourdough of course), torn<br />

into chunks<br />

METHOD<br />

1. Thinly slice the garlic and cook in olive oil<br />

in a fairly heavy saucepan, till just turning<br />

golden.<br />

2. Add all the tomatoes, tinned and fresh.<br />

Cook gently for 20 or 30 minutes, stirring<br />

occasionally, until thick.<br />

3. Stir in the torn bread till bread has fully<br />

absorbed all the delicious tomato sauce.<br />

You can add a splash of water if needed; I<br />

like my soup thick like stew.<br />

4. Tear in the basil leaves and stir in with lots<br />

of sea salt, pepper and good olive oil.<br />

5. Serve in a bowl with even more olive oil<br />

on top.<br />

Serves 4<br />

Sophie is a trained chef and runs the Central Park Cafe in East Ham's Central Park. Follow Sophie on Instagram:<br />

@breadclub1 and on Facebook: @easthambread.<br />

24 LOVEEAST<br />

Images: Sophie Downer


| Mark Wincott orders in<br />

Mark Wincott expands his palette beyond<br />

Pie and Mash with some food from Zaras Treats<br />

During lockdown, our lives changed<br />

dramatically and those everyday<br />

blessings of sitting in a coffee shop<br />

or ordering a bit of food from the<br />

local eatery stopped. Cafe owners,<br />

restaurant proprietors and the<br />

street food gang had to re-think<br />

their product.<br />

One evening, I noticed a photo<br />

on social media of homecooked<br />

Caribbean food by East London<br />

resident Zara Lewis, owner of Zara’s<br />

Treats. After reading the reviews, all good<br />

I might say, I thought, I’ll have some<br />

of this. I sent Zara a message via<br />

her social media page, asking for<br />

Mutton Curry and Roti. It was<br />

pretty simple; Zara took my<br />

number and sent me the invoice<br />

to pay via bank transfer, which<br />

I did, otherwise, I wouldn’t have<br />

eaten.<br />

Zara kept in touch throughout her<br />

evening deliveries, telling me the time<br />

she was hoping to get to me. It was raining<br />

hard that evening but she still greeted me with a<br />

wonderful smile on her arrival. She handed over<br />

the scran and off she went, to carry on the rest of<br />

her deliveries.<br />

The smell. I loved the smell. It felt like date night<br />

on my own; I should have played some Luther<br />

Vandross or Paolo Nutini or maybe a little Machine<br />

Head in the background, as I eagerly placed the<br />

meat on my plate, surrounded by cucumber relish,<br />

Channa and Roti resting in the corner. It was<br />

homely, the flavours were ridiculously wonderful<br />

and the portion size was spot on. When I had<br />

finished, I felt quite satisfied.<br />

The delivery was quick, the food fresh, and<br />

lovingly made by someone who cares to feed the<br />

masses. I enjoyed it and will be purchasing again.<br />

I’m interested in the mac and cheese and I have<br />

still not tried plantain - mainly because I keep<br />

eating too much pie and mash.<br />

Images: Zara's Treats<br />

I called Zara to thank her and asked how<br />

she got into this. She told me that<br />

her cooking skills were taught by<br />

watching her grandparents cook<br />

and that she used to work in the<br />

city. After being made redundant<br />

she began making cupcakes<br />

for delivery, which went down<br />

a storm. She then moved on to<br />

food stalls, making fritters and<br />

pastries, and events catering for<br />

weddings and birthday parties. all the<br />

while using biodegradable cutlery.<br />

Zara was thinking about starting a<br />

supper club with a chef, and also<br />

about creating a meal on wheels<br />

service for the elderly, making<br />

stew with mash, which will be<br />

easier for them to eat. But plans<br />

to expand her business have<br />

been put on hold due to the<br />

pandemic.<br />

If you are interested in supporting<br />

local companies such as Zara’s, then<br />

get in touch. You won’t be disappointed –<br />

I certainly wasn’t.<br />

TO FIND OUT MORE<br />

Zara’s Treats<br />

Caribbean Street Food<br />

Pop Up and private events catering.<br />

Currently doing street food to your door service due<br />

to Covit19<br />

Free delivery to E11 E10 E17 E4 E15 E7 E20<br />

T: @zarastreats<br />

FB: @zarastreats<br />

Tel: 07541 171855<br />

E: zarastreats@yahoo.co.uk<br />

LOVEEAST Sept/Oct 2020 25


| Parting shot<br />

26 LOVEEAST


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LOVEEAST Sept/Oct 2020 27


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