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process book 2

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dev elopment.

narratives.

After all of the experimentation, I decided to focus

on nine emotions trying to draw from a variety of

positive, negative, and neutral emotions: grief, ecstasy,

tension, present, rage, satisfaction, longing, comfort,

and silence. I also picked some common materials that

would have interesting emotional connotations from

person to person: eggs, ice, crumpled bed sheets, embroidery,

subtractive cut outs of paper, velvet, christmas

lights, cotton balls, sugar, flour. After I narrowed

my focus, I conducted 15 interviews asking questions

regarding the emotions and materials.

• Do you view this material as positive or negative?

• What emotions do you associate with this material?

• What other materials do you associate with this material?

• When was the last time you felt this emotion?

• If it is negative, what did you do to overcome this emotion?

• What symbols or objects do you associate with this emotion?

• What other emotions do you associate with this emotion?

Initially, I wanted to conduct these interviews individually so that they would be completely

honest and open with their emotional conversation. However, I ended up getting

interupted during my first interview, improvised, and made it a paired interview. This was

a major breakthrough as the two interviewees built off one another and contributed very

honest experiences.

During the interview, I did my best to type exactly what the interviewees were saying to

stay honest to their stories. Afterwards, I went through and highlighted points that were

essential to their individual stories as well as the emotion as a whole. The goal was to use

the quotes and my own experiences to create a narrative that embodied the emotion. From

this narrative I was going to connect the reader with the quotes but also with the experimental

type I chose to explore. After conducting all of the interviews, I realized that the

number of emotions I had chosen to explore might be impossible to achieve with the timeline

of one semester. So I narrowed the nine emotions down to five based on the quality

of the interviews, the quality of the narrative, and if the emotion was positive or negative:

grief, ecstasy, tension, rage, and comfort. I still hoped to achieve a balance of positive,

neutral, and negative emotions.

The last step was to determine which phrases would be expressed using experimental typography.

I went through the narrative and bolded the words I would express experimentally

based on it’s relavence to the emotion and where it was placed in the narrative. The

final narratives are as follows.

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