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FIG 1.

Brand Strategy and Plan

Abi Langton

Word Count: 3282


FIG 2.

Contents.

Introduction

Section One

History

Market Health

PESTLE

Macro Trends

Brand Health

Brand Position UK

UK Consumer Segmentation

SWOT UK

Section Two

US Consumer Segmentation

Brand Position US

SWOT US

TOWS

ANSOFF

4

6

10

12

16

30

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36

42

46

48

52

56

58

60

62

Section Three

Year One

Year Two

Year Three

Year Four

Year Five

Conclusion

Images

References

Bibliography

Appendix

64

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I confirm that this work has gained ethical approval and that I have faithfully observed the terms of the approval in the conduct of

this project.

Signed ...........................................................



In

This

Report.

Introduction.

The aim of this report is to develop an effective marketing and communications plan for The Cambridge Satchel Company

(The CSC). This will be achieved using a range of primary and secondary research methods. Firstly, looking at the external

market environment to understand where The CSC falls within the market, secondly looking internally at the brand’s

current UK consumer and brand values. Next, this report will examine the differences in US and UK consumers,

considering where The CSC should position itself if it were to enter the US market. Then finally, using this

information the report will outline a 5 year marketing plan and strategy for The CSC to launch into the

US. This plan will outline methods of raising brand awareness and consumer engagement and as

well as suggesting retail concepts.

FIG 3.

The information and data used in this report is conducted from a range of primary and secondary

sources. The secondary information was found using online databases such as Mintel and

Euromonitor to gain financial and trend information. Academic books were used to inform theories

and marketing tools to create an effective analysis of The Cambridge Satchel Company’s situation.

News sites were also used to understand press events and coverage of The Cambridge Satchel

Company. The primary research consisted of a survey containing 100 respondents, 28% male and

72% female. The majority of participants in this survey were aged between 18 and 24 which does fall

within the CSC target consumer ages but perhaps not their core consumer group. Prices range from

£7-395 suggesting a more financially stable consumer.This should be considered when analysing

results from this survey as it may not be representative.

There are strengths and limitations to both of these methods

of data collection:

Primary research allows targeted and specific questions to be

asked but the sample size is small and unrepresentative.

Unstructured interviews allow deeper understanding of

consumer meaning providing relevant insight. However, there

is a risk of the participant being led by the interviewer, or

the participant feeling pressured to answer in a certain way

meaning the information may be biased.

Whilst secondary research provides large representative sample

sizes the information will not be specific to the research topic

and my be generalised.

FIG 4.

INTRODUCTION | 4



01

WHERE ARE

THEY NOW?

This section of the report will analyse and evaluate The CSC’s current position in the UK.



FIG 5.

FIG 7.

The

Cambridge

Satchel Co.

UK &

China

£4.9

Million

The Cambridge Satchel Company (The CSC) is a UK based

retailer and manufacturer of traditionally British leather bags and

accessories. Founded in 2008 by Julie Deane, the company set out

originally making satchels inspired by vintage leather schoolbags.

Today, The Cambridge Satchel Company manufactures a range

of sizes and styles of bags all inspired by the past. Currently, The

Cambridge Satchel Company operate 5 bricks and mortar stores

across the UK alongside an e-commerce presence in the UK and

China. During the financial year ending 2018 the company turned

a gross profit of £4,891,925. Currently, The Cambridge Satchel

Company continues to invest in future growth by promoting

expansion into Asia. As of right now, The Cambridge Satchel

Company has no presence in the US other than an ecommerce

website, The CSC has previously produced limited edition collections

with US retailer Madewell but these are no longer available.

2008

5 UK

Stores

FIG 6.

FIG 8.

SECTION 1 | 8 SECTION 1 | 9



Brand

History.

2008

In 2008, mum of two Julie Deane

started making satchels in her

Kitchen to help pay for her

children’s education. She began

with only £600.

2012 2013

Google selects The

CSC to feature in

their new Google

Chrome ad,

generating huge press

activity.

In 2013, The CSC open their

first Pop Up store in London’s

Spitafields Marekt. They aslo

collborate with Vivenne Westwood

to produce a limited edition

collection.

2010

2015

In 2010, The CSC started gaining

press recognition. The brand moved

into it’s own factory and started

manufacturing all products in

house.

In 2011 The CSC collaborated

with Commes Des Garcon

to produce a limited edition

collection.

2018 The CSC partenrs with

Ines de la Fressange, to prduce

a parisian inspired collection.

In 2015, following the

success of the initial

collaboration, The CSC

teams up with Vivienne

Westwood for a second

time.

In 2019, The CSC open

a new store in Oxford.

2018

2019

2011

FIG 9-13.



Market Value.

CURRENT

MARKET

VALUE

£3.9 $32.8

BILLION BILLION

FORECAST

FOR

2020

£4.2 $33.9

BILLION BILLION

Companies House, 2018.



UK.

US.

Market Value GBP Billion

4.5

4.25

4.0

3.75

3.5

3.25

3.0

2.75

2.5

2.25

2.0

2015 2016 2017 2018 2019 2020

Year

SECTION 1 | 14

Market

Health.

The CSC operates currently within the bags and luggage market

within the UK, although they sell other small leather accessories this

is not their primary market.

Baram (2020) suggests market growth is a result of trends within

the wider fashion market such as premiumisation that are driving

the sales of bags and leather goods. More specifically, health and

wellness trends increase the popularity of duffel bags for frequent

gym growers (Baram, C. 2020). In recent years the UK market has

seen significant fragmentation with ecommerce giving rise to many

direct to consumer brands such as Net-a-Porter. However, growth

experienced over the previous 5 years is set to plateau as consumer

uncertainty surrounding Brexit halts sales in the wider retail

landscape.

Market Value USD Billion

34.0

33.5

33.0

32.5

32.0

31.5

31.0

30.5

30

29.5

29.0

2015 2016 2017 2018 2019 2020

Year

SECTION 1 | 15

US consumers are prioritising spending on ‘memorable experiences’

(Schneider, B. 2020) which results in a new demand for travel bags,.

As a result brands such as Samsonite have grown rapidly, now

holding 4.1% of the company market share. Within the US market

there is also new found growth in the men’s sector of the market with

men now ‘largely choosing backpacks, crossbody bags’. As health

and wellness trends spread across the US, consumers begin to favour

“versatile everyday bags that best suit their changing lifestyles.”

Changing style preferences combined with “new ecommerce

opportunities” which allow entry of direct to consumer brands, are

“reducing legacy brands’ share of overall sales.”, the US market is

changing but is in growth (Passport 2020).

Growth due to:

Spending on experiences creates growth for lifestyle bags

Ecommerce fragments the market.

Increased number of direct to consumer brands

US experiencing faster growth.



PESTLE

Analysis.

To gain further insight into the current UK and the potential US market, a PESTLE analysis has been used to identify a series of external

factors currently impacting the market environment. The direct impact these factors will have on The CSC has also been considered.

FIG 14.

SECTION 1 | 8



Political.

UK

“Uncertainty surrounding Brexit, has led to weaker

consumer confidence and spending, and resulted

in a high street crisis, with increasing numbers of

vacant lots once filled by stores.” (Passport 2020)

IMPACT ON THE CSC

As political uncertainty continues to rise, The CSC like many other Highstreet retailers are likely to see

a decrease in footfall. However, The CSC currently only has 5 physical UK stores, all located in thriving

tourist destinations. Therefore impacts may be minimal as properties in these locations are coveted and

will not be as exposed to the risk of store closures or lot vacancies.

With UK unemployment levels rising the

Conservatives take action, with ‘National living

wage’ due to rise to £8.72 in April” (Partington

2019).

As national living wage, rises employers will face increased expenses to cover employee wages. As

a result, profits margins may suffer. The CSC being a fairly small company may experience minimal

impacts of this due to their limited number of employees.

US

“UK expected to be hit hardest by Trump’s latest

tariffs after the 25% tax on $7.5bn of goods is set to

start against the EU” (Helmore. 2019)

Trump’s newly imposed tariffs make importing goods from the UK to the USA extremely costly and

therefore harder for retailers to turn a profit. If The Cambridge Satchel Company were to begin trading

in the US they would be forced to either increase prices or accept a loss in profit. This will in turn make

competing with US brands near impossible as they will be unable to keep down costs, therefore driving

key consumers towards competitors.

SECTION 1 | 18 SECTION 1 | 19



Economic.

UK

“During 2019, the Insolvency Service paid out

£346.1m from the National Insurance Fund

to former members of staff as a result of their

employer entering into either administration,

liquidation, a company voluntary arrangement, or

another form of corporate insolvency” (Fish. 2020)

“The creative industries grew at five times the rate

of the wider economy between 2017 and 2018, new

economic growth figures have found.” (Fish. 2020)

IMPACT ON THE CSC

The number of UK based business filing for administration is on the rise. As a result, more and more UK

citizens are finding themselves being made redundant and unemployed with less disposable income.

Brands not selling necessities will have to work harder and smarter to persuade consumers to purchase.

The Cambridge Satchel Company may experience a slowdown in sales if they cannot attract consumer

attention.

As national living wage rises employers will face increased expenses to cover employee wages. As a

result, profit margins may suffer. The Cambridge Satchel being a fairly small company may experience

minimal impacts of this due to their limited number of employees.

US

As inequality rises through the US, premiumisation

“is causing polarity in the market, with people

opting either to purchase high-end or affordable

items.” (Baram, C. 2020)

As middle-class purchasing power declines,

department stores find “that their natural

consumer base is dwindling. Partially as a result

of this, US department store sales continued to

plummet in 2019.” (Hoyler, B. 2020)

The Nations real GDP increases as the economy

strengthens as “unemployment fell close to the

lowest rates on record.” (Hoyler, B. 2020)

As the economic gap widens middle market retail declines. Companies that previously targeted the

middle class are experiencing a reduction of consumers. If entering the US market, The Cambridge

Satchel Company may need to consider whether to enter the market as a more premium retailer to avoid

falling victim to the diminishing middle market.

When entering new markets department stores often provide a less financially demanding route in. Entry

via department stores can provide a low risk opportunity to trade within prime retail space. However, as

long-standing stores such as Barney’s close, department stores may no longer provide brands an effective

entry into new markets. The Cambridge Satchel Company will have to consider new entry strategies that

will no doubt incur greater financial demands.

As unemployment declines, consumer’s’ disposable income will inevitably be on the rise. This suggests

that The Cambridge Satchel company could capitalise on this by launching into a new market whilst the

economy is thriving to maximise sales opportunities.

SECTION 1 | 20 SECTION 1 | 21



Social.

UK

“Trends towards more active and flexible lifestyles”

mean practical and gender neutral options are on

the rise. (Baram, C. 2020)

“The backpacks category continues to be one

of the fastest-growing categories in personal

accessories in the UK, as changing lifestyles,

interests and jobs mean consumers are looking for

practicality in their purchases” – (Passport, 2019)

IMPACT ON THE CSC

As the macro trend Health and Wellbeing grows, consumer demands are changing. The Cambridge

Satchel Company offers classic bag shapes in neutral colours. Therefor changing consumer demands will

have a positive impact as consumer needs and wants are already and will continue to be met.

Lifestyles are changing within the UK as consumers become more active. The Cambridge Satchel

Company currently sell leather backpacks which may not be in line with consumers demand for

practicality. New shapes and materials will need to be considered.

US

American consumers continue to “prioritise

spending on memorable experiences over material

goods, bags and luggage is benefitting from

the shift as consumers require new bags for

increasingly frequent local and distant outings.”

(Schneder, B. 2019)

“Casualisation and the health and wellness

trend further influenced consumers’ choices, as

women and men alike chose more comfortable

and versatile everyday bags that best suit their

changing lifestyles.” (Schneider, b. 2019)

Whilst consumers continue to require luggage for travel the demand for high quality durable luggage

rises. This presents an opportunity for The CSC to enter a market where expenditure on luggage is

already high.

Similar, to the UK market, health and wellbeing is on the rise with consumers “placing more value on

health and wellness than on material objects these days” (Weinswing 2017). As a result, consumers desire

new bag shapes that fit into this lifestyle. The Cambridge Satchel Company will experience increased

consumer demand for more practical bag shapes and may need to consider design alternatives.

SECTION 1 | 22 SECTION 1 | 23



Technological.

UK

US

“The fashion accessories market has become

increasingly fragmented with a significant number

of direct-to-consumer and independent brands

entering the market gaining prominence by

advertising heavily on social media” (Baram, C.

2020)

“As margins are squeezed and store numbers

decline, retailers are investing more in their

e-commerce operations, with fashion brand Next

now having almost the same proportion of instore

store and e-commerce sales, for example.”

(Passport. 2020)

“Innovative yet simplified products, nimble

operations and a profound ability to connect

with younger consumers through social media

marketing are just a few of the many characteristics

that have helped a slew of digitally native, directto-consumer

brands to make a major impact on

bags and luggage in the US in recent years, their

rise contributing to fast growth in the internet

retailing channel and reducing legacy brands’

share of overall sales.” (Schneider,B. 2020)

“Microtrips — in-store shopping trips lasting

less than five minutes are providing retailers an

opportunity to seamlessly integrate the online

experience with physical stores, creating a new type

of multi-touch experience.” (Tramontana. 2020)

IMPACT ON THE CSC

As technology and ecommerce grows direct to consumer brands pose an increasing threat to The

Cambridge Satchel Company. Online based direct to consumer brands avoid the expense of costly

overheads that bricks and mortar stores simply cannot avoid. The Cambridge Satchel Company may

have to increase ecommerce platforms and consumer engagement on social media to compete with

growing pressure from direct to consumer brands.

Omnichannel communication strategies are now expected from consumers as “the penetration of

smartphones continues growing rapidly in the UK, as well as the level of mobile connectivity.” (Passport.

2020). Brands that fail to embrace technological advancements will be unable to merge the worlds

of physical retail and e commerce. For The CSC, this will need to be a carefully considered process; for

a brand whose USP is British heritage and nostalgia an overuse of technology will not resonate with

consumers.

Traditional retail formats are declining and online only direct to consumer brands such as glossier, are on

the rise. This may provide an easier entry to market for The Cambridge Satchel Company with the rise of

ecommerce reducing entry barriers. Risks associated with traditional retail can be limited by launching

online only direct to consumer websites.

As consumers become more accustomed to omnichannel communications, new opportunities such as

click and collect and digital instore touch points arise. However, as consumer attention span decreases

The Cambridge Satchel Company may suffer as they currently offer a traditional retail service. Pressure

to embrace technology will increase as competitors embrace technology.

SECTION 1 | 24 SECTION 1 | 25



Legal.

UK

“Following a months-long investigation into the

fashion sector, Parliament’s Environmental Audit

Committee called on the government to create

financial incentives for brands to reduce their

environmental footprint. It also recommended

stricter requirements on brands to police their

supply chains.” (Kent, 2019)

IMPACT ON THE CSC

Increasing transparency is required from major players in the fashion industry, and new regulations will

mean serious financial implications for brands that fail to adhere to government guidelines. However,

The CSC already demonstrates transparency with all bags being made in the UK. Unlike many big

brands, consumers can easily find out information about where The Cambridge Satchel Company’s

products come from and the conditions in which they are made.

US

“the US Supreme Court ruled on a case called

South Dakota vs Wayfair that states could

require e-commerce players to collect sales

tax on purchases from their sites, including on

e-commerce players located outside the state in

question. In the US, sales tax is determined on a

local and state basis; as a result of this and the

supreme court decision, in 2019 it became very

complicated for small e-commerce players and

independent third party merchants on marketplace

sites to ensure they charged the correct amount of

sales tax on a transaction.” (Hoyler, B. 2020)

Although third party e-commerce often provides an attractive market entry strategy, as online retailing

grows the legalities are changing. Where retailers were previously able to offer competitive pricing,

regulations are changing making this increasingly difficult. The Cambridge Satchel Company may have

to invest in creating direct to consumer websites and social media campaigns rather than using third

party sites.

SECTION 1 | 26 SECTION 1 | 27



Environmental.

UK

“Textile production creates an estimated 1.2 billion

tonnes of carbon dioxide equivalent a year, more

than the emissions from international flights

and maritime shipping combined. The cotton

required to make a shirt and a pair of jeans can

use as much as 10,000 to 20,000 litres of water

to produce. And between 20 percent to 35 percent

of all primary source microplastics in the marine

environment are from synthetic clothing.” (Kent,

2020)

“London has become the first of the main fashion

weeks to ditch animal fur in its shows after the

British Fashion Council (BFC) said none of the

designers participating on the official schedule

would be using it.” (Conlon. 2018)

IMPACT ON THE CSC

With global fashion brands quickly expanding, focus shifts to the negative environmental consequences

that come along with it. “On average, people bought 60% more garments in 2014 than they did in

2000. Fashion production makes up 10% of humanity’s carbon emissions, dries up water sources, and

pollutes rivers and streams.” (McFallen-Johensen 2019). With consumers gaining consciousness and

becoming more aware of the impacts of fast fashion, The Cambridge Satchel Company will benefit

from people looking for alternatives. All products are manufactured in the UK which greatly reduces the

companies carbon footprint.

As we enter an era of conscious consumerism large organisations such as the British Fashion Council are

taking action against harmful fashion practices. With fur already being banned from London Fashion

Week, there is the possibility that leather will face the same fate. Helsinki fashion week banned leather

from its’ catwalks in 2018; The Cambridge Satchel Company may need to consider manufacturing using

alternative leather products to meet consumer demands for more ethical materials.

US

“Three-quarters of millennials said they’d alter

their buying habits on environmental concerns; the

comparable figure for baby boomers was 34%.”

(Williams 2019)

With Major US brands such a Nike, ASOS and Target joining The Sustainable Apparel Coalition,

consumers have more options to shop sustainably than ever before. The Cambridge Satchel Company

manufactures leather products which although carry issues surrounding animal welfare, leather is in fact

a durable product. The Cambridge Satchel Company will need to find ways to promote the sustainability

of leather to Gen Z and Millennials who will account for four-fifths of the Luxury industry’s growth in

coming years. (Williams 2019)

SECTION 1 | 28 SECTION 1 | 29



Key

Macro

Experiences

are

Everything

Consumer

Knowledge

is Power

Concious

Consumerism

Trends.

The above analysis highlights three key macro

trends operating across the UK and US that

will have significant impact on The CSC’s

future.

FIG 15.

1 2 3

Consumer ‘comfort zones are

expanding’ (Moriarty 2019)

with 52% of US consumers who

have taken a vacation in the

past 12 months saying they travel

to try something they’ve never

done before (Mintel 2019). As

consumers value experiences

more than ever before, brands

are faced with new opportunities

to market products on their

ability to aid travel and make

memories. The bags and

luggage industry are capitalising

on a newfound demand for

practical and durable luggage.

Globalisation and digital

connectivity have transformed

consumer expectation.

Consumers can access

information anywhere, anytime,

about anything. This has

become the norm as ‘consumers

now consider hyper-availability

as the normal baseline for

their research and shopping’

(Euromonitor, 2019). Brands

no longer hold the narrative as

power shifts to peer reviews and

information. In today’s society

the role of a brand is not to

simply list features and benefits

of products but to promote

positive brand image and

experiences amongst consumers.

SECTION 1 | 31

Transparency is valued by

consumers as they become

increasingly conscious about

the impact, their products have.

Veganism once considered

extreme is increasing in popularity

as ‘consumers are becoming

increasingly sensitive to animal

welfare’ (Euromonitor, 2019).

This is impacting their shopping

habits with many consumers

turning away from leather goods

and towards vegan alternatives.

Well established brands have

already banned the use of exotic

animals including brands such as

Mulberry and Channel. (Vegan

Economist, 2020)



Brand

Awareness.

FIG 16.

76%

HAD NEVER

HEARD OF

THE CSC.

A survey conducted using Survey Monkey was undertaken to gain insight into

consumer perceptions of The CSC. The Key findings were:

76% had not previously heard of The CSC.

Out of those who had heard of The CSC, only 12.5% had ever purchased.

77% of respondents stated that Instagram was their most used form of

social media, yet 92% had never seen an online ad for The CSC.

undertaken with a female consumer, aged 25 years old. The participant had

previously heard of The CSC but had never purchased before. Although levels

of brand awareness are low, those who do know of The CSC have a good

understanding of brand image, the interviewee stated that the nature of The

CSC’s start suggested ‘attention to detail and good quality craftmanship”. In

addition when asked what the participant thought of the price range she said

the products were ‘excellent value and affordable, I would buy.”.

HAD HEARD

OF THE CSC.

24% 12.5%

92%

HAD NEVER SEEN

AND ONLINE AD

FOR THE CSC.

HAD PURCHASED

FROM THE CSC.

To further understand consumer perceptions of The CSC, an interview was

SECTION 1 | 32

SECTION 1 | 33



Annual Turnover.

2016

2017

£11.7

Mil

2018

Brand

Health.

2015

£11.1

Mil

£11.2

Mil

FIG 17.

£7.5

Mil

Between 2017 and 2018 The CSC experienced significant financial pressures

with turnover falling 4%. They were not immune to pressures facing

British highstreets as the ‘Rate of store closures remains high as online

shopping grows, in-home leisure and restructurings take their toll’(PWC,

2018). To combat increasing pressure surrounding e-commerce The

CSC ‘continued to invest in the strategy of building for future growth by

refining the product offering, investing in a strong product team and British

Production.’(Companies House 2019). Despite suffering losses for the 4 years

previous and concluding 2018 with a loss of £1.4 million The CSC remain

hopeful, investing time and money into developing Chinese websites to tap

into key markets. Growing brand awareness in the UK remains key with the

brand investing heavily internally. They forecast to breakeven in 2019 and

return to profitability by 2020. Regardless of financial performance The CSC

continues to ‘celebrate the Britishness of the Company’.

SECTION 1 | 34

SECTION 1 | 35



VISION.

To celebrate British leather craftsmanship

across the globe.

FIG 18.

Brand

Position.

Before identifying where the CSC should position itself in the US market and

which consumer to target, it is necessary understand where they fall in the

UK and who their current consumer base is.

MISSION.

We manufacture and deliver traditional leather goods,

inspired by British nostalgia, to people that value excellent

craftsmanship and attention to detail. We aim to preserve

and promote British craftsmanship through our ‘varied

product collection’.

SECTION 1 | 36 SECTION 1 | 37



Brand Position.

FIG 19.

FIG 20.

Positioning

Statement.

“For people who believe in excellent attention

to detail and handcrafted mastery. We are

the traditionally British leather bag and

accessories brand delivering classic satchels.

Unlike many retailers we manufacture and

design all our products in our very own

factory to ensure every product captures our

quintessentially British values. This allows us

to ensure every product is usable yet stylish so

that everyone can carry a little bit of British

History with them, wherever they go.”

Quintessentially British and trusted.

Hand Crafted, Stylish, Classic.

Students and Working Professionals.

Strong Heritage and Nostalgia allowing

consumer to feel part of something bigger.

Allows consumer to easily transport

their belongings in one functional bag.

SECTION 1 | 38

Spacious, durable and comfortable.

SECTION 1 | 39



Primary Competitors UK.

Strong

Heritage

Secondary Competitors UK.

Strong

Heritage

Brand

Ottley

Practical

Impractical

Practical

Position.

Perceptual maps have been used to understand where

The CSC lies within the UK bags and luggage market.

The CSC prides itself on British Heritage and practicality,

so these two factors form the axis. The first focuses on

direct primary competitors of The CSC offering similar

products, the second looks at secondary competitors that

have a similar product offering at differing price points.

There are many other traditionally British leather retailers,

however, few combine practicality and heritage like The

CSC.

Although these competitors are significantly more

expensive than The CSC, it is important to recognise

the role they play in the market. The bags and luggage

market is experiencing premiumisation and many

consumers are turning to these luxury brands. The CSC

Weak

faces increasing competition from these major players.

Weak

Heariage

FIG 21-31.

Heariage

FIG 32-37.

SECTION 1 | 40 SECTION 1 | 41



PRIMARY CONSUMER UK

SECONDARY CONSUMER UK

DEMOGRPAHIC

Millennials and late Gen Z.

Pre-Family Adults.

Students or young working professionals.

Aged 18-36.

Primarily female.

Baby Boomers.

Empty Nesters.

Aged between 50-65.

Primarily female.

FIG 38.

GEOGRPAHIC

Live in large towns or historical cities.

Live in large towns or historical cities.

Consumer

Segmentation.

The CSC has both a primary and secondary consumer (Gerhinger, A. 2020).

Due to The CSC’s price point, their young target end-consumer may not have

enough disposable income to purchase. Their secondary consumer is a more

financially stable, older consumer.

PSYCHOGRPAHIC

BEHAVIOURAL

Introverts that value quality. They place

importance on knowing where their

products come from.

Make socially and environmentally

considered purchases of practical

everyday bags, but not afraid to buy

stand out fashion pieces on impulse.

Introverts that value practical and wellmade

products. Look for products that

are reliable and trustworthy.

Purchase for a gift making considered

choices and want to understand

practical features and benefits of a

product.

SECTION 1 | 42

SECTION 1 | 43



UK Primary Consumer.

UK Secondary Consumer.

SECTION 1 | 44

FIG 39-44. FIG 45-50.

SECTION 1 | 45



FIG 51

SWOT

Analysis UK.

A SWOT has been used to analyse The CSC’s current

position within the UK and highlight current opportunities

or threats that may be faced in the UK market.

This suggests The CSC is facing pressure from direct to

consumer brands growing on ecommerce platforms. The

CSC must utilise social media to raise brand awareness and

engage with current and potential consumers. As competitive

pressure increases, they should reinforce brand identity as a

British heritage brand through digital marketing campaigns

that feature across multiple platforms to deliver a seamless

service. As consumer attitudes and lifestyles change The CSC

need to adapt to remain relevant but also maintain strong

brand identity

STRENGHTS

OPPORTUNITIES

Strong sense of British Heritage.

Unique and specific product offering.

Clearly pinpointed primary and secondary consumer

group.

Offer personalisation services both online and

instore.

Transparent production process.

Current bricks and mortar stores are in thriving tourist

retail locations.

Plans for brand expansion with investment in Asian

Markets.

Bags and luggage market is currently in growth within

the UK, presents an opportunity for brand expansion.

Premiumisation creates growing demand for premium

leather goods (Baram, 2020).

Interest in gender neutrality creates possibility for new

product ranges.

Health and wellness trends present an opportunity to

branch out into travel or fitness products.

Consumer levels of brand awareness are low.

Low engagement on social media.

Limited use of technology in store.

Financial difficulties due to heavy investment in Asian

market, the brand is not currently profitable.

Direct to consumer brands fragment the market

increasing competition.

Brexit weakens consumer confidence making sales

conversion challenging.

Social media lowers entry barriers threating already

established brands.

Demand for animal friendly products decreases the

popularity of leather goods.

WEAKNESSES

THREATS

SECTION 1 | 47



02

WHERE SHOULD

THEY GO?

This section of the report will focus on the potential target consumer for The CSC within

the US bags and luggage market. It will consider key similarities and differences between

US vs UK consumers as well as the competitive environment. Finally, a TOWS analysis and

an ANSOFF matrix will then be used to identify key opportunities for The CSC to enter the

US market.



FIG 52.

US/UK

Consumers.

Although the US and UK are geographically separated, Digital connectivity

means consumers within these markets are increasingly similar. The PESTLE

analysis highlighted shared macro trends across both markets. In addition,

there are growing similarities in consumer behaviour whether in the UK or

US:

FIG 53.

FIG 54.

1. Levels of digital connectivity are similar across the UK and USA.

According to We Are Social (2020) the number of active social

media users as a percentage of the population was 66% for the

UK and 70% for the USA. Indicating that social media usage is

high in both countries.

2. A study from Passport indicates that purchase motivators

for consumers aged 20-29 are shared; 60% of UK and US

consumers strongly agreed that they were looking for products to

simplify their life. (Elster, J. 2019)

3. The same study also found that the age group who most

frequently purchase apparel, footwear and personal accessories

was 20-29 in the UK (60 %) but 30-39 in the US (65%) (Elster, J.

2019), suggesting that purchase power is stronger in slightly older

consumers within the US.

These key similarities suggest that The CSC’s core consumer

group possesses the same motivating factors regardless of

geography. However, the target demographic in the US leans

more towards an older consumer. If the CSC were to enter the US

market, the core consumer focus group should be an older more

finically assured consumer, reducing the role of the secondary

consumer group within the US.

SECTION 2 | 50

SECTION 2 | 51



PRIMARY CONSUMER US

DEMOGRPAHIC

Gen Z.

Pre-Family Adults

Young working professionals

Aged 26-40.

Primarily female.

FIG 55.

GEOGRPAHIC

Live in large towns or historical cities on

the East Coast

Consumer

Segmentation.

If the CSC were to penetrate the US market, the consumer profile would

remain similar. However due to the size difference in countries, careful

consideration of consumer geography is required.

PSYCHOGRPAHIC

BEHAVIOURAL

Introverts that value quality. They place

importance on knowing where their

product come from.

Make socially and environmentally

considered purchases of practical

everyday bags, but not afraid to buy

stand out fashion pieces on impulse.

SECTION 2 | 52

SECTION 2 | 53



US Primary Consumer.

FIG 56-63.

SECTION 2 | 54

SECTION 2 | 55



Primary Competitors US.

Strong

Heritage

Secondary Competitors US.

Strong

Heritage

Brand

Practical

Impractical

Practical

Position.

The positioning statement remains the same for The CSC

in the UK and US due to the similar target consumer

groups, however, the competitive environment differs.

The secondary competitors remain the same, many

of these brands are large global players that operate

internationally. The primary consumers are different as

many of the UK primary consumers do no operate within

the US.

Weak

Weak

Heariage

FIG 64-73.

Heariage

FIG 74-79.

SECTION 2 | 56 SECTION 2 | 57



FIG 80.

STRENGTHS

Strong USP.

Few competitors have penetrated the US market

allowing The CSC to stand out.

Clear vision that would allow strong brand image in

US.

Unique product offering.

Transparent production.

Limited current presence, so low brand awareness

amongst US consumers.

Finically struggling due to entry into Asia, entering

two new markets too close together poses serious risk.

Large product offering in the UK, too many options

to take into a new market.

WEAKNESSES

SWOT

Analysis US.

A SWOT has been used to analyse the potential

opportunities for The CSC to enter the US market and

understand any possible threats

The CSC has little presence within the US and therefore low

levels of brand awareness. However, a strong USP may allow

them to stand out in the market bringing something new to

US consumers.

OPPORTUNITIES

Bags and luggage market is in growth with new

demand for men’s and fitness bags. (Schneider.

2020)

Growth of Direct to Consumer Brands presents new

opportunities for entry.

Spending is high on travel bags.

SECTION 2 | 59

All bags are manufactured in the UK, legal issues

and shipping costs make importing bags to US

challenging.

Decline of department stores popularity eliminates a

previously favourable entry strategy.

US consumers expect omnichannel communication,

The CSC’s current comms may be perceived as

outdated.

Limited offering of Vegan friendly products.

THREATS



MAXI/MAXI

Create promotional social media campaigns that

show products being used in practical situations.

Create ‘Our Story’ videos that show in depth

explanation into how products are manufactured and

distributed. Feature these on a US ecommerce site.

Create immersive retail stores that are inspired by The

CSC story. Stores should feel cosy, welcoming with

vintage inspired British Interiors.

Enter the US market with fewer options but focus on

gender neutral product options and versatile shapes

such as duffel bags that could be used for travel or

fitness.

Utilise ecommerce and social media to raise brand

awareness before entering a physical retail space.

Rather than entering the market alone, partner with

an already established US brand to create a limitededition

travel range.

MAXI/MINI

FIG 81.

MINI/MAXI

Bags and luggage market is in growth with new

demand for men’s and fitness bags. (Schneider.

2020)

Growth of Direct to Consumer Brands presents new

opportunities for entry.

Spending is high on travel bags.

Enter the market online only to reduce financial risks.

Select a limited product range to take featuring

classic colours that can be sold by third parties.

Work with influencers to create sponsored posts with

links to The CSC’s page. Utilise Instagram’s shopping

feature to sell on different platforms.

MINI/MINI

TOWS.

This TOWS suggests that social media and technology could prove useful

for The CSC when entering the US market. Direct to consumer ecommerce

platforms provide low risk market entry routes whilst also combating issues

surrounding low brand awareness. To stand out in the US market The CSC

should focus on British Heritage and reassure consumers by providing

emotive information regarding brand story and unique manufacturing

process. However, The CSC should proceed with financial caution.

SECTION 2 | 60 SECTION 2 | 61



EXISTING PRODUCT

NEW PRODUCT

EXISTING MARKET

MARKET DEVELOPMENT

MARKET PENETRATION

Continue to engage with current market by focusing on creating

engaging social media content. Work with Instagram Microinfluencers

to produce exclusive videos for IGTV as well as use

interactive polls and live streams

PRODUCT DEVELOPMENT

To accommodate for consumers with changing lifestyles who

prefer “versatile everyday bags that best suit their changing

lifestyles.” (Passport 2020), The CSC could consider producing

a range of outdoor friendly bags in weatherproof materials. This

would allow them to cater for their existing consumers in new ways

making The CSC a ‘one-stop-shop’ for travel and lifestyle bags.

ANSOFF.

The opportunity for growth that carries the least risk is

Market Penetration, embracing social media and creating

engaging content with influencers is an effective method

for increasing brand loyalty and awareness amongst

existing customers. However, there is a limit to growth

within this core consumer group.

Strategies of diversification are accompanied with larger

amounts of risk as there is potential of straying too far

away from the original brand identity. However, for a

brand like The CSC looking to enter a new geographical

market and raise consumer awareness this has the

potential to be beneficial. However, as The CSC has no

current US presence this may be a detrimental market

entry strategy that causes confusion for US consumer as

to the brand’s key product offering.

Rebranding existing products for entry into the men’s

sector could provide a lucrative opportunity as the men’s

bags and luggage market is significantly less saturated

than women’s. However, The CSC’s USP is about

classic British Heritage which may not resonate with

a busy New York city worker. Alternative strategies of

Market Development provide the least risk for The CSC.

Their core consumer group in the USA makes rational

considered purchases and are willing to spend long

amounts of time instore to ensure they leave with the

right product. Opening immersive stores ensures their

core consumer group is satisfied and builds strong brand

reputation ensuring repeat custom and loyalty. However,

opening stores is financially demanding. One way to

combat this is to consider a joint venture with already

established US brands.

NEW MARKET

DIVERSIFICATION

The CSC currently offers men’s briefcases and backpacks but their

primary target consumer is female. The US bags and luggage

market is experiencing growth due to many men ‘largely choosing

backpacks, crossbody bags’ (Passport 2020). The CSC could sell

these in a series of train stations or business districts across the US

such as Grand Central Station in New York.

Open immersive physical retail stores on the East Coast of the US to

reinforce the practicality of products whilst simultaneously bringing

the brand story to life.

Create content for a US ecommerce site that provides detailed

information on brand history. Online content should complement

instore environment as well as relate to social media activity to

deliver cohesive experience to customers. If The CSC cannot deliver

omnichannel comms they will ‘risk becoming extinct’ (Squire, J.

2014)

An opportunity for diversification in the US could be to open a

British Inspired tea shop that serves traditional afternoon tea.

This has already been achieved successfully by fashion brand

Maison Kitsune, who opened a café in New York’s West Village (A,

Morris. 2019). Creating brand experiences rather than stores will

appeal to US consumers who prioritise spending on ‘memorable

experiences’ (Schneider, B. 2020).

SECTION 2 | 62 SECTION 2 | 63



03

HOW WILL THEY

GET THERE?

This section of the report will use all of the previous analysis to understand how The CSC

should enter the US market.



5

Phase

Plane.

Recommendation.

The potential economic benefits to The CSC of US expansion outweigh the potential

risks. However, currently The CSC is not financially stable enough to enter the US.

Therefore, a five-year plan is proposed to focus on raising brand awareness and

returning to profitability in the UK before launching into the US market.

FIG 82.

Launching into the US could prove beneficial to The CSC for a

number of reasons:

1. Growing macro trends in the US including ‘Experiences are Everything’ create

a growing demand for practical bags and luggage. (Schnieder, B. 2019).

2. Few of The CSC’s core UK competitors have entered the US market,

allowing them to stand out with a unique USP emphasising the value of British

Craftsmanship.

3. The growth of ecommerce and Direct to Consumer brands means barriers to

entry are low.

However, The CSC must consider the financial demands and

cultural differences that make entry to new markets challenging.

(Brooks, C. 2019)

1. Due to recent investments in growing the brand’s Asian ecommerce platform,

The CSC is not currently profitable.

2. Nostalgic British elements of the Brand may not resonate with a US consumer.

3. US consumers expect omnichannel communications as well as in store

technology. This would require heavy investment and vast amounts of research

as The CSC does not currently utilise this within the UK market.

FIG 83.

SECTION 3 | 66



Year One.

Aim: To return to profitability within the UK by focusing

on driving sales with existing UK consumer group.

Digital Marketing Institute (2020) suggests that “Engagement is all about

brand awareness and brand loyalty”. For The CSC to ensure their current

consumers stay engaged and they can make a swift return to profitability, the

first year should focus on consistency. Consistent and seamless omnichannel

engagement with current consumer base should be achieved through the

creation of a marketing campaign that demonstrates products being used in

practical and memorable situations. These images should then be distributed

on multiple platforms including:

1.A mailer containing a 15% discount code sent out to all customers on the current consumer

database as a reward for brand loyalty.

2. An exclusive for IGTV explaining the concept and behind the scenes of the campaign to

reinforce brand values.

3. Post exclusive content featuring the same products from the marketing campaign 2-3

times a week on The CSC Instagram containing shoppable links.

3. Livestream a Q&A with founder Julie Deane for direct consumer involvement.

It is important to ensure these steps are taken sporadically over the year. Whilst The CSC

consumer is familiar with technology, they do not want to be overwhelmed as they are

not the most active on social media. All content must be in line with brand values and feel

genuine or the consumer will reject it.

Mood Board for Photo Shoot.

Holland Park

Possible Model.

SECTION 3 | 68 SECTION 3 | 69

FIG 84.

FIG 87.

FIG 85. FIG 86.

Demonstrate products in

practical real-life situations.

Product Selection.



Year Two.

Aim: Begin to raise brand awareness on social media

within the US by partnering with US micro-influencers.

The biggest challenge The CSC will face when entering The US market will be low levels of

brand awareness. To combat this and gain trust from US consumers, The CSC should partner

with Micro-Influencers. Relevant influencer that align with their brand values should be

selected to, select a product for free form The CSC website and then make either a YouTube

video or Instagram video, explaining why they like that product. Using micro-influencers

allows the content to feel more genuine and is more likely to resonate with The CSC consumer,

who is looking for brand transparency and trust. One influencer they could consider

partnering with is Natalie Barbu.

FIG 90.

FIG 88. FIG 89.

Natalie

Barbu.

Instagram followers – 58K

Works in influencer marketing

Young working professional.

Lives in NYC

Classic sense of style

SECTION 3 | 70

SECTION 3 | 71



Core Product Selection.

Year Three.

Aim:Trial joint venture with Anthropology within the

EU market.

To reduce financial risk of entering the US market alone, The CSC should partner with US

retailer Anthropologie. Joint ventures can be an effective way to enter a new market, however

the partner brand must share similar brand values (Chi, C. 2019). Both Anthropologie and

The CSC share values of ‘craft and care’. Currently The CSC has a partnership with the URBN

retail group, selling The CSC bags in Urban Outfitters stores across Europe. URBN owns

both Urban Outfitters and Anthropologie and The CSC should utilise this already established

partnership and propose the launch of The CSC into some of the 198 US Anthropologie stores

that currently operate. In the US, The CSC should put products into Anthroplogie rather

than Urban Outfitters. Whilst, Urban Outfitters target consumer is millennials, Anthropolgie

targets Gen Z.

The CSC should select core product colours and one fashion colour to trial. However, before

the initial US launch, this should be trialled in the London Kings Road Anthropologie store.

The success of this trial should be monitored by:

Measuring the number of units sold.

Carrying out observational in store research to understand

how consumers interact with the products.

Analyse changes in sales data over the launch period such as

UPT, ATV and Conversion.

FIG 91. FIG 92. FIG 93.

Anthropologie King’s Road London.

“We source and craft

all our products with

care, ensuring that

any treasure you find

at Anthropologie is

unique, just like you.”

FIG 95. FIG 94.

SECTION 3 | 72 SECTION 3 | 73



Who Made

My Bag?

Year Four.

Who Made

My Bag?

Aim:Undertake US staff training and recruitment and

prepare products for US launch.

If the trial launch within Anthropologie UK proves successful, The CSC will prepare for

US launch. Consumer places value on a good retail experience as they want to ensure

they are receiving value for money and look for purchase reassurance. “To win back

customers and boost store traffic, retailers must go back to the basics of customer

service, starting with creating an efficient and motivated team of in-store associates.

Even with a leaner brick-and-mortar budget, it’s possible to cultivate a smart, engaged

staff.” (Chen, C. 2020). The CSC should send out current staff representatives of The

CSC to train and hire US retail staff. The staff will undertake informative training that

discusses features and benefits of the products as well as an understanding of the Brand

History. This will ensure any consumer who enters the physical retail space in the US

receives an effective retail experience and encourage consumer loyalty.

reassures consumer purchases and justifies the price point by emphasising the care and

detail that goes into each bag. In the US launch within Anthropologie, each bag will

have a tag with a QR code. When scanned by consumers using their smartphones, they

will be taken to a profile of who made the bag and where. Each bag maker will write a

short sentence about why they like working for The CSC. This will bring to life the unique

manufacturing process of The CSC reassuring consumer decisions and reinforcing the

transparent manufacturing process.

SCAN ME!

Hi, I’m Adam! I work as a designer for

The CSC. My favourite part of working

at The CSC is how much care goes

into each bag. I love the classic and

timelessness of all of our products.

In a new market where consumers have not previously heard of the brand, the price

point of The CSC bags may seem high. Time should be spent developing a system that

SECTION 3 | 74

SECTION 3 | 75

FIG 96.



Year Five.

Aim: Prepare to launch an immersive pop up event

within the US

After staff have been trained, The CSC should launch into the US in the three New

York Anthropologie stores. This launch should take place over the Christmas period to

promote gift-ability. The initial product selection should consist of the classic satchel

bag shape in traditional colours and one seasonal fashion colour. For example, a tartan

print to promote the Britishness of the brand.

Mood Board for Event.

Over the first few months The CSC should work to engage US consumers who value

experiences by hosting a series of in-store workshops. These workshops would take

place in December and would allow the customers to create a personalised key ring

using The CSC leather. The CSC should contact independent bloggers to attend the

events and further raise brand awareness. After the Christmas period is over, The CSC

should remain within Anthroplogie stores and continue to monitor success. FIG 97.

FIG 98. FIG 99.

FIG 100.

SECTION 3 | 76

SECTION 3 | 77



Conclusion.

For The CSC to successfully enter the US market, they must be

aware of and responsive to consumer trends. From an outside

perspective the US market appears a lucrative opportunity for

‘dramatic growth and increased credibility’ (Conti, G. 2020) but

there is also risk for brand reputation and finances. For The CSC

to successfully enter the US market, joint venture ensures limited

financial risk and provides instant access to an already established

consumer group. The CSC should remain true to their British

Heritage and focus on sharing brand story. If The CSC can provide

consumers with an experience led immersive retail experience,

meeting changing consumer demands, they could consider opening

their own physical immersive retail spaces on other East Coast

locations.

FIG 101.

SECTION 3 | 78 SECTION 3 | 79





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FIG 42.Alice Inspiration (2016) by Alice Catherine. From: Alice Catherine Blog, 2016. Finding Inspiration (online). Available at: https://www.alicecatherine.com/2016/10/23/finding-inspiration/ (24.04.20)

FIG 43. Glasgow Pub (2019) by Stravaigin. From: Glasgow Live, 2019. Nine cosy Glasgow pubs that are perfect for a Christmas meet (online). Available at: https://www.glasgowlive.co.uk/whats-on/food-drink-news/

cosy-pubs-glasgow-december-christmas-12150289 (20.05.20)

FIG 44. Poodle (2018) by Frisbee The Poodle. From: Instagram, 2018. Frisbee the poodle (online). Available at: https://www.instagram.com/p/Blu0EweHCMq/?utm_source=ig_embed

(Accessed 18.04.20)

FIG 45. Darcy Kitchen (2020) by Unique Homestays. From: Unique Homestays, 2020. Darcy House (online) Available at: https://www.uniquehomestays.com/unique/details.asp?id=5169#photo-24 (Accessed

14.05.20)

FIG 46. Smiling Woman (2019) by Better Nutrition. From: Better Nutrition, 2019. The Collagen Collection (online). Available at:https://www.betternutrition.com/seven-ways/collagen-connection

(accessed 12.05.20)

FIG 47.Labrador Walk (2020) by Jamie Shanks. From: Bishopston Dog Walking Services, 2019.Dog Walking Under Lockdown (online). Available at: https://www.bdws.co.uk/april-2020/ (accessed 18.04.20)

FIG 48. Italian garden Party (2015) by Tomkat. From: Tomkat, 2015. Girls’ Night Italian Dinner (online). Available at: https://thetomkatstudio.com/2015/10/girlsnightwithbuitoni/ (Accessed 29.04.20)

FIG 49. Coffee Cup (2020) by The Wicked Soul. From: The Wicked Soul, 2019. Homepage (online). Available at: https://thewickedsoul.com/ (accessed 22.05.20)

FIG 50. Wine Party (2013) by Ricardo DeAratanha. From: Chicago Tribune, 2013. Dinner Party? Start The Wine. Available at: https://www.chicagotribune.com/dining/ct-xpm-2013-12-31-ct-food-1229-wine-dinner-

20131231-story.html (accessed 25.04.20)

SECTION 4 | 84

FIG 51. Personalized Bag (2020) by The Cambridge Satchel Company. From: The Cambridge Satchel Company, 2020. Homepage. Available at: https://www.cambridgesatchel.com/ (accessed 28.04.20)

FIG 52. The Sophie Bag, 2019 by The Cambridge Satchel Company. From: The Cambridge Satchel Company blog. How to wear the Sophie (online). Available at: https://www.cambridgesatchel.com/blogs/journal/

how-to-wear-the-sophie (accessed 12.04.20)

FIG 53. Doctors or Sophie Bag (2019) by The Cambridge Satchel Company. From: Instagram, 2019. Difference between The Doctor’s Bag and The Sophie’s Bag. Available at: https://www.instagram.com/p/B41vN-

WEAsGz/ (accessed 22.05.20)

FIG 54. Mink & Glamour (2019) by The Cambridge Satchel Company. From: Instagram, 2019. Happy Friyay (online). Available at: https://www.instagram.com/p/B3v9sWOgNcT/ (accessed 08.05.20)

FIG 55. Daisy Bag (2020) by The Cambridge Satchel Company. From: Instagram, 2020. Oops-a-Daisy (online). Available at: https://www.instagram.com/p/CAHqgLKDfwx/ (Accessed 29.04.20)

FIG 56. Café Inegral (2017) by Inegral Cofee. From: Harpers Bazaar, 2017. The 18 Chicest Coffee Shops in New York City (online). Available at: https://www.harpersbazaar.com/culture/travel-dining/advice/a3909/

best-coffee-shops-new-york-city/ (accessed 20.04.20)

FIG 57. Washington Square park (2019) by Wiki Commons. From: 6sqft, 2018. 10 secrets of Washington Square Park (online). Available at: https://www.6sqft.com/10-secrets-of-washington-square-park/ (accessed

24.04.20)

FIG 58. Central Park, 2020 by Central park. From: Central Park Information, 2020. Walking Tours (online). Available at: https://www.centralpark.com/tours/walking (accessed 29.04.20)

FIG 59. The Rookery (2019) by The Rookery. From: Matadron Network, 2019. The 7 best bars for a late-night drink in Brooklyn (online). Available at: https://matadornetwork.com/read/best-late-night-bars-brooklyn/

(accessed 12.04.20)

FIG 60. Savoy Beaufort (2017) by The Savoy. From: The Evening Standard, 2017. The Best Cocktail Bars in London (online). Available at: https://www.standard.co.uk/go/london/bars/the-best-cocktail-bars-in-london-a3727906.html

(accessed 22.4.20)

FIG 61. New York Street Style (2020) by Fashion Trend Walk. From: Fashion Trend Walk, 2020. What To Wear in New York From Women (online). Available at: http://fashiontrendwalk.com/what-to-wear-in-newyork-for-women/

(accessed 18.05.20)

FIG 62. New York Whole foods (2016) by Heather Haddon. From: The Wall Street Journal, 2016. Grocery Pioneer Whole Foods to Join Mass-Market Crowd (Online).

Available at: https://www.wsj.com/articles/grocery-pioneer-whole-foods-to-join-mass-market-crowd-1497636083

FIG 63. Upper West Side Apartment (2016) by Curbed New York. From: Curbed New York, 2016. 20 cozy New York living spaces to inspire you (online). Available at: https://ny.curbed.com/2016/11/8/13558888/

new-york-apartment-photos-home-design

(accessed 22.05.20)

FIG 64. Aspinal of London Logo (2018) by Aspinal of London. From: Aspinal of London, 2018. The Ultimate Guide to leather Care (online). Available at: https://www.aspinaloflondon.com/discover-aspinal/fashion-style/ultimate-guide-to-leather-care

(accessed 22.05.20)

FIG 65. Holdall Co Logo (2020) by Holdall Co. From: Holdall Co, 2020. Homepage (online). Available at: https://www.holdallandco.com/

(accessed 22.05.20)

SECTION 4 | 85



FIG 66. Fossil Logo (2020) by Fossil. From: Sick PNG, 2020. Fossil Logo (online). Available at: https://www.stickpng.com/img/icons-logos-emojis/shop-logos/fossil-logo (accessed 22.05.20)

FIG 67. Alfie Douglas Logo (2016) by Alfie Douglas. From: Alfie Douglas, 2016. Sample Sale (online). Available at: https://www.asample.co.uk/sample-sales/2016/5/5/alfie-douglas-sample-sale

(accessed 22.05.20)

FIG 68. Charles Keith Logo (2020) by Charles Ketih. From: Charles Keith, 2020. Homepage (online). Available at: https://www.charleskeith.co.uk/en (accessed 22.05.20)

FIG 69. Forbes & Lewis Logo (2020) by Forbes & Lewis. From: Forbes & Lewis, 2020. Homepage (online). Available at: hhttps://forbesandlewis.com/ (accessed 22.05.20)

FIG 70. ZatchelLogo (2020) by Zatchel. From: Zatchel, 2020. Homepage (online). Available at: https://www.zatchels.com/ (accessed 22.05.20)

FIG 71. Go Forth Goods Logo (2020) by Go Forth Goods. From: Go Forth Goods, 2020. Homepage (online). Available at: https://www.goforthgoods.com/ (accessed 22.05.20)

FIG 72. Frank Clegg (2017) by Go Fran Clegg. From: SGB Media, 2017. Made in the USA: Frank Clegg (online). Available at: https://sgbonline.com/made-in-the-usa-frank-clegg/ (accessed 22.05.20)

FIG 73. Lotuff Logo (2020) by Lotuff From: Lotuff, 2020. Homepage (online). Available at: https://lotuffleather.com/

(accessed 22.05.20)

FIG 74. Gucci Logo (2020) by Gucci. From: Sick PNG, 2020. Gucci Logo (online). Available at: https://www.stickpng.com/img/icons-logos-emojis/iconic-brands/gucci-letter-logo (accessed 22.05.20)

FIG 75. Burberry Logo (2020) by Burberry. From: Sick PNG, 2020. Burberry Logo (online). Available at: https://www.stickpng.com/img/icons-logos-emojis/iconic-brands/burberry-logo

(accessed 22.05.20)

FIG 76. Louis Vuitton Logo (2020) by Louis Vuitton. From: V&A Waterfront, 2020. Louis Vuitton(online). Available at: https://www.stickpng.com/img/icons-logos-emojis/iconic-brands/burberry-logo

(accessed 22.05.20)

FIG 77. Longchamp Logo (2020) by Longchamp. From: Sick PNG, 2020. Longchamp Logo (online). Available at: https://www.stickpng.com/img/clothes/womens-bags/longchamp-logo

(accessed 22.05.20)

FIG 78. Chloe Logo (2020) by Chloe. From: Brand Of The World, 2020. Chloe Logo (online). Available at: https://www.brandsoftheworld.com/logo/chloe

(accessed 22.05.20)

FIG 83. Oxblood Batchel (2020) by The Cambridge Satchel Company. From: The Cambridge Satchel Company, 2020. 15 inch classic Batchel In Leather (online). Available at: https://www.cambridgesatchel.com/

collections/classics-collection/products/15-inch-classic-batchel-in-leather-oxblood (accessed 14.05.20)

FIG 84. Holland Park (2016) by Kensington Gardens. From: Park Grand London Kensington, 2016. 16 things you should know about Holland Park (online). Available at: https://www.parkgrandkensington.co.uk/

blog/16-things-you-should-know-about-holland-park/

(Accessed 14.05.20)

FIG 85. Emily DiDonato (2019) by Jake Rosenbarg. From: Forbes, 2019. How Model Emily DiDonato Is Using YouTube To Spread Body Positivity And Shatter Shame (online). Available at: https://www.forbes.com/

sites/karineldor/2019/08/31/how-model-emily-didonato-is-using-youtube-to-spread-body-positivity/#5cb499f5421f (Accessed 20.05.20)

FIG 86. Lilly White Collection (2020) by The Cambridge Satchel Company. From: The Cambridge Satchel Company (2020). Homepage (online). Available at: https://www.cambridgesatchel.com/ (accessed

24.05.20)

FIG 87. 11” Satchel (2020) by The Cambridge Satchel Company. From: Instagram, 2020. Our Most Coveted everyday Satchel (online). Available at: ttps://www.instagram.com/p/CAA2d9an-la/ (accessed 18.04.20)

FIG 88. Natalie Barbu (2020) by Natalie Barbu. From: Instagram, 2020. Happy Sunday (online). Available at: https://www.instagram.com/p/CAS3Zg_FB-b/ (accessed 22.04.20)

FIG 89. New York (2020) by Natalie Barbu. From: Instagram, 2020. I MISS YOU SO MUCH (online). Available at: https://www.instagram.com/p/B_uyXLEF16g/

(Accessed 20.04.20)

FIG 90. Natalie Barbu (2020) by Natalie Barbu. From: Instagram, 2020. Just uploaded a Vlog (online). Available at: https://www.instagram.com/p/B_iSp9IlaDs/ (accessed 24.04.20)

FIG 91. 15 inch Classic Satchel (2020) by The Cambridge Satchel Company. From: The Cambridge Satchel Company, 2020. 15 inch Classic Batchel In Leather – Vintage (online). Available at: https://www.cambridgesatchel.com/collections/classics-collection/products/15-inch-classic-batchel-in-leather-vintage

(26.04.20)

FIG 92. Small Batchel (2020) by The Cambridge Satchel Company. From: The Cambridge Satchel Company, 2020. Small Portrait Backpack in Leather – Vintage (online). Available at: https://www.cambridgesatchel.com/collections/womens-backpacks/products/small-portrait-backpack-in-leather-vintage

(Accessed 28.04.20)

FIG 93. Havana Doctor’s bag (2020) by The Cambridge Satchel Company. From: The Cambridge Satchel Company,2020. Doctors Bag – Havana Brown (online) Available at: https://www.cambridgesatchel.com/

collections/womens-workwear/products/doctors-bag-havana-brown-calf-grain (accessed 19.04.20)

FIG 79. Kate Spade Logo (2020) by Kate Spade. From: Home World Business, 2020. Kate Spade Logo (online). Available at: https://www.homeworldbusiness.com/designer-kate-spade-found-dead/ (accessed

22.05.20)

FIG 80. Mini Satchel (2020) by The Cambridge Satchel Company. From: Instagram, 2020. Saturday Style (online). Available at: https://www.instagram.com/p/B_9hgQiALxh/

(accessed 12.05.20)

FIG 81. The Poppy Bag (2020) by The Cambridge Satchel Company. From: Instagram, 2020. Stopping traffic with The Poppy Bag (online). Available at: https://www.instagram.com/p/B-bg9dQjXvC/

(Accessed 29.04.20)

FIG 82. Classic14 inch Satchels (2020) by The Cambridge Satchel Company. From: The Cambridge Satchel Company, 2020. 14 Inch Satchels (online). Available at: https://www.cambridgesatchel.com/collections/

womens-14-inch-satchels (accessed 25.04.20)

FIG 94. Anthropolgie Kings Road (2014) by Toothpic Nations. From: Toothpic Nations, 2014. Our New Retail Stockists (online). Available at: https://toothpicnations.co.uk/my-blog/?p=22498 (accessed 18.05.20)

FIG 95. Anthropologie Edinburgh (2010) by Drapers. From: Drapers Online, 2020. Anthropologie to open Edinburgh Store (online). Available at: https://www.drapersonline.com/retail/multiples/anthropologie-to-open-edinburgh-store/5018827.article

(accessed 12.05.20)

FIG 96. Face Vector (2020) by Get Drawings. From: Get Drawings, 2020. Man Face Vector (online). Available at: http://getdrawings.com/man-face-vector (accessed 22.05.20)

FIG 97. Key Ring (2020) by The Cambridge Satchel Company. From: The Cambridge Satchel Company, 2020. Key Ring in Leather – Navy Saffiano. Available at: https://www.cambridgesatchel.com/products/keyring-in-leather-navy-saffiano

(accessed 19.04.20)

SECTION 4 | 86 SECTION 4 | 87



FIG 98. New York Anthropolgie (2016) by Svitlana Shayevich. From: Craft Walks, 2016. Christmas in New York 2016 (online). Available at: http://craftwalks.com/2017/01/05/city-walks-%E2%80%A2-christmas-innew-york-2016-5-%E2%80%A2-more-windows-and-rockefeller-tree/

(accessed 12.05.20)

FIG 99. Craft Wokrshop (2017) by ohnorachio. From: Oh No Rachio, 2017. West Elm Workshop (online). Available at: http://ohnorachio.com/blog/onfb-westelmworkshop (accessed 19.04.20)

FIG 100. Tartan Satchels 2020 by The Cambridge Satchel Company. From: The Cambridgde Satchel Company, 2020. Edinburgh Grass Market (online). Available at: https://www.cambridgesatchel.com/pages/

west-bow-edinburgh (accessed 20.04.20)

FIG 101. Tiny Satchel (2020) by The Cambridge Satchel Company. From: The Cambridge Satchel Company, 2020. Tiny Satchel in Leather – Lily White (online). Available at: https://www.cambridgesatchel.com/

collections/british-woodland/products/tiny-satchel-in-leather-lily-white (accessed 16.05.20)

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SECTION 4 | 92 SECTION 4 | 93



Appendix.

INTERVIEW TRANSCIPT

How old are you and what is your gender?

I am a 25 year old female.

What County do you live in?

Hertfordshire

I liked the bright colour and the classic design.

You said you were attracted to the bright colour, would you rather purchase a bag that’s

a bright colour of a more neutral colour?

I Would rather buy a bright colour. Something that would be a treat.

Which designer labels interest you?

Mulberry, Prada and Chloe. More high-end ones.

Would you be likely to purchase a bag from one of these brands?

Yes, but probably once in a lifetime.

No I don’t think so, I would still be happy with my purchase.

If you saw someone with a bag from the Cambridge satchel Company, what

would u assume about that person?

I would think they were independent, discerning, moderately wealthy.

Have you ever, heard of the Cambridge satchel Company, if yes please can you tell me

what you already know about it?

Yes, it is a small self-start company that I think sells leather satchels in different colours.

Umm, I think they’re high quality and I am pretty sure they have a big export market to

China and Japan. The only store I have ever heard of is the one at Bicester Village.

You said you know that it’s a self-start company, what impression does that give you?

Self-start – makes me feel attention to detail and good quality craftmanship.

Take 5 minutes to browse this website – as you shop if any products stand out or interest

you let me know.

“Didn’t realise they did more than satchels.”

“Pretty homepage”

“looks like a bag I would instantly love.”

“ I love that one” (The Sophie Bag in Pink – was featured on the homepage)

You pointed out The Sophie Bag, How much would you pay for a bag like this?

Around £150.

What would you think if I told you this bag costs £125?

Excellent value and affordable, I would buy it.

What about that product made u select it?

Would u be likely to wear a brightly coloured bag everyday or keep it for special

occasions?

It is something that would use for special occasions.

When you are shopping for a new bag, what would you say are the 5 most important

factors?

Quality / name brand / price / range of colours / exclusivity

What do u mean by exclusivity?

Something that not everyone will have, something that isn’t run of the Mill.

And, How often would u purchase a new bag?

Maybe about Once a year

When it comes to purchasing a new bag, would u be likely to shop around or purchase

in impulse?

If I see it I am likely to fall in love with it and buy it there and then as a treat.

What is more important to you, style or quality?

Umm I would say quality over style.

Are u interested in designer labels?

Yes but ones I can’t afford.

Do u believe these bags to be of high quality?

Yes, I would assume higher price is better quality.

Do u believe that price equals quality?

Not necessarily.

In terms of how a brand may contact you, do you like to receive brochures in

the post?

Yes I like to flick through and browse.

After seeing a product in a brochure would u be likely to go online and

purchase it?

No.

Why not?

I would want to touch it and see it person.

How likely would u you be to purchase after receiving a brand email?

Not likely, I would look at the email but not purchase.

If you had purchased a product and were confident, but then received a

negative comment regarding either the item or the brand, would it change

your opinion?

After viewing the website, have any of your opinions changed or is there

anything you now know about the brand that you didn’t before?

I would still say everything I said before, but they are a lot more feminine that

I though ad there is a much wider product range.

Would you now be likely to purchase something from them?

Absolutely, I will be going on the website this afternoon.

Would you have considered purchasing a bag from them before?

No.

DUE TO COVID-19 I COULD NOT GAIN SINGED CONSENT, BUT THE

PURPOSE OF THE REPORT AND USAGE OF INFORMATION WAS

EXLAINED VIA EMAIL AND CONSENT WAS GAINED.



Appendix.



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