The Numismatic Chronicle 171 Offprint - Royal Numismatic Society

The Numismatic Chronicle 171 Offprint - Royal Numismatic Society The Numismatic Chronicle 171 Offprint - Royal Numismatic Society

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368 FRANÇOIS THIERRY are not included, on the basis that there is no pictorial proof that they ever existed. 3 For the same reason, I do not follow Schroeder’s assertions that ‘It is possible to reconstruct for this (Thiệu Trị) era the almost complete series of twenty-three coins bearing an inscription in eight characters, listed on page 211 for the Minh Mạng era (see also nos 151–67 inclusive)’ and ‘It is possible to reconstruct for this (Thiệu Trị) era the almost complete series of eighteen coins bearing an inscription in four characters, listed on page 211 for the Minh Mạng era (see also nos 151–67)’, which he repeats for the Tự Đức era. 4 Similarly, I have not included the types mentioned by Đỗ Văn Ninh, 5 who gives neither illustrations nor characters; nor those which Barker notes simply as ‘known to exist’, but without giving references or illustrations. 6 I have analysed most closely the coins for which there are illustrations, in particular those for which only the reverse is illustrated. This method helps best to distinguish which coins were of the Minh Mạng era, and which were created during the Thiệu Trị and Tự Đức eras. In the fi fth moon of the eleventh lunar year canh-dần 庚寅 (1830), the decision was made to mint large coins with moral maxims (mỹ hiệu 美號) inscribed on the reverse. There was to be a total of 30 types: 20 with eight-character inscriptions and 10 with four-character inscriptions. 7 In 1837 (18th year đinh-dậu 丁酉of the Minh Mạng era), the decision was taken to mint new coins, because ‘there are very few of the large brass coins with moral maxims that were made previously’. Production was entrusted to a commission composed of four representatives from the Ministry of Finance, the Ministry of Public Works, the Censorate (Đô sát viện 都察院) and the Imperial Guard (Thị vệ 侍衛), respectively. ‘These delegates will meet in committee with the Director of the Mint and will take to the Treasury some metals of good quality: copper, tin and zinc, and will make an alloy from them according to the proportions already stated. The inscriptions will be similar to those of previous years; 100,000 of these coins will be made’. 8 A list of the inscriptions ‘selected from the sacred and venerated books’ – 23 inscriptions with eight characters and 17 with four characters – follow the text of the edict. But this list of 23 eight-character inscriptions (types 25–47) and 17 four-character inscriptions (types 1–17) did not result in the production of 40 types at that time. Furthermore, there is a contradiction between the assertion that ‘the inscriptions will be similar to those of previous years’, that is 30 maxims, and this new list of 40 maxims. In fact, three of the eight-character types and seven of the four-character types were clearly not issued in the Minh Mạng era at all. It is only Schroeder who gives the 40 types for the Minh Mạng era. 9 The illustrations he provides for these 3 Of course, it is understood that a drawing can never be taken as absolute proof that the object ever existed in this form. 4 Schroeder, Annam. Etudes numismatiques, pp. 444 and 466. 5 Đỗ, Tiền cổ Việt Nam. 6 Barker, Historical cash coins of Viêt Nam. 7 Đỗ, Tiền cổ Việt Nam, p. 166. 8 Schroeder, Annam. Etudes numismatiques, p. 206, but no source is given. 9 Đỗ Văn Ninh initially gave thirty types, and added, probably basing his work on Schroeder’s auctoritas, that a further ten types were known, and provided the inscriptions: three with eight characters and seven with four characters. However, he did not provide a single illustration of these ten types. See Đỗ, Tiền cổ Việt Nam, pp. 171–2.

THE CONFUCIAN MESSAGE ON VIETNAMESE COINS 369 coins, however, are problematic: there is a single obverse, but there are 40 reverses. Additionally, the illustrations are not of actual coins, but of plaster casts. In certain cases, neither the style of calligraphy nor the casting can be attributed to the Minh Mạng era, a period when coins of very high quality were being produced. On some of the reverses there is a spindly, angular calligraphy (Fig. 1), which appears to have been produced much later; 10 and on others there is a thick, crude style, which was exactly the style of the Thiệu Trị era (Fig. 2). 11 The document upon which Schroeder based his discussion, and for which he did not give the source, is clearly of a later date, and certainly no earlier than 1848, as the fourth character thì 時, 12 being a taboo character, was omitted and replaced with thìn 辰. 13 The inscription on type 47 thus appears in the document as 澤及當辰恩垂萬世, 14 but on the coins as 澤及當時恩 垂萬世. This taboo only appeared in the Tự Đức era (see below). Therefore, the list given in Schroeder’s document could not have appeared in the original edict of the Minh Mạng era; and it is probably the case that the 30 types of 1830 were simply repeated in 1837. Fig. 1: Type 11, reverse Fig. 2: Type 12, reverse (Schroeder 161, diameter 49.8 mm) (Schroeder 162, diameter 53 mm) The numismatic evidence shows that some new types were issued in the Thiệu Trị and Tự Đức eras, and that some of the old types were discontinued. Only one later issue is known, that of 1871. According to the testimony of a former offi cial of the Hanoï mint, Võ Đình Tình 武廷情, who was head of the seal offi ce, under the Censorate, with control of the Ministry of Justice bills, the decision was taken in 1871, during the Tự Đức era, to mint a new series of coins with moral maxims, amounting to a total of 36,133 pieces. Võ Đình Tình gives no further details of the inscriptions nor of the respective quantities. 15 10 Schroeder Annam. Etudes numismatiques, nos 149, 161 (Fig. 1) 163, 165. In the case of no. 161, it is doubtful that the inscription was written by a Vietnamese, as the characters are awkward in appearance. 11 Schroeder, nos 148, 150, 162 (Fig. 2), 164, 166, 167. 12 This character is sometimes pronounced thời. 13 This character is sometimes pronounced thần. 14 Schroeder, Annam. Etudes numismatiques, p. 211. 15 Schroeder, Annam. Etudes numismatiques, pp. 464, 467–8.

368<br />

FRANÇOIS THIERRY<br />

are not included, on the basis that there is no pictorial proof that they ever existed. 3<br />

For the same reason, I do not follow Schroeder’s assertions that ‘It is possible to<br />

reconstruct for this (Thiệu Trị) era the almost complete series of twenty-three coins<br />

bearing an inscription in eight characters, listed on page 211 for the Minh Mạng era<br />

(see also nos 151–67 inclusive)’ and ‘It is possible to reconstruct for this (Thiệu<br />

Trị) era the almost complete series of eighteen coins bearing an inscription in four<br />

characters, listed on page 211 for the Minh Mạng era (see also nos 151–67)’, which<br />

he repeats for the Tự Đức era. 4 Similarly, I have not included the types mentioned by<br />

Đỗ Văn Ninh, 5 who gives neither illustrations nor characters; nor those which Barker<br />

notes simply as ‘known to exist’, but without giving references or illustrations. 6 I<br />

have analysed most closely the coins for which there are illustrations, in particular<br />

those for which only the reverse is illustrated. This method helps best to distinguish<br />

which coins were of the Minh Mạng era, and which were created during the Thiệu<br />

Trị and Tự Đức eras.<br />

In the fi fth moon of the eleventh lunar year canh-dần 庚寅 (1830), the decision<br />

was made to mint large coins with moral maxims (mỹ hiệu 美號) inscribed on the<br />

reverse. <strong>The</strong>re was to be a total of 30 types: 20 with eight-character inscriptions and<br />

10 with four-character inscriptions. 7 In 1837 (18th year đinh-dậu 丁酉of the Minh<br />

Mạng era), the decision was taken to mint new coins, because ‘there are very few of<br />

the large brass coins with moral maxims that were made previously’. Production was<br />

entrusted to a commission composed of four representatives from the Ministry of<br />

Finance, the Ministry of Public Works, the Censorate (Đô sát viện 都察院) and the<br />

Imperial Guard (Thị vệ 侍衛), respectively. ‘<strong>The</strong>se delegates will meet in committee<br />

with the Director of the Mint and will take to the Treasury some metals of good<br />

quality: copper, tin and zinc, and will make an alloy from them according to the<br />

proportions already stated. <strong>The</strong> inscriptions will be similar to those of previous<br />

years; 100,000 of these coins will be made’. 8 A list of the inscriptions ‘selected from<br />

the sacred and venerated books’ – 23 inscriptions with eight characters and 17 with<br />

four characters – follow the text of the edict.<br />

But this list of 23 eight-character inscriptions (types 25–47) and 17 four-character<br />

inscriptions (types 1–17) did not result in the production of 40 types at that time.<br />

Furthermore, there is a contradiction between the assertion that ‘the inscriptions will<br />

be similar to those of previous years’, that is 30 maxims, and this new list of 40<br />

maxims. In fact, three of the eight-character types and seven of the four-character<br />

types were clearly not issued in the Minh Mạng era at all. It is only Schroeder who<br />

gives the 40 types for the Minh Mạng era. 9 <strong>The</strong> illustrations he provides for these<br />

3 Of course, it is understood that a drawing can never be taken as absolute proof that the object ever<br />

existed in this form.<br />

4 Schroeder, Annam. Etudes numismatiques, pp. 444 and 466.<br />

5 Đỗ, Tiền cổ Việt Nam.<br />

6 Barker, Historical cash coins of Viêt Nam.<br />

7 Đỗ, Tiền cổ Việt Nam, p. 166.<br />

8 Schroeder, Annam. Etudes numismatiques, p. 206, but no source is given.<br />

9 Đỗ Văn Ninh initially gave thirty types, and added, probably basing his work on Schroeder’s<br />

auctoritas, that a further ten types were known, and provided the inscriptions: three with eight characters<br />

and seven with four characters. However, he did not provide a single illustration of these ten types. See<br />

Đỗ, Tiền cổ Việt Nam, pp. <strong>171</strong>–2.

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