SODA WORKS 2018
The SODA (Solo/Dance/Authorship) class of 2018 have compiled this publication to contain selected content from their individual thesis projects. These projects each consisted of a live performance - presented in December 2017, at the Uferstudios in Berlin - an artist work book, as a document of the creative process and a written essay, each explicating areas of independent research. It is the aim of this publication to present a selection of this material for public dissemination. The publication can be read in two directions: vertically as well as horizontally. You can choose from which perspective you would like to start. You can read the book from the beginning till the end and after that start again, this time reading from a different angle, or you can simply make fast changes, jumping from horizontal to vertical, from vertical to horizontal. It is just a matter of adjusting the object to your choices. The amount of changes is limitless.
The SODA (Solo/Dance/Authorship) class of 2018 have compiled this publication to contain selected content from their individual thesis projects. These projects each consisted of a live performance - presented in December 2017, at the Uferstudios in Berlin - an artist work book, as a document of the creative process and a written essay, each explicating areas of independent research. It is the aim of this publication to present a selection of this material for public dissemination.
The publication can be read in two directions: vertically as well as horizontally. You can choose from which perspective you would like to start. You can read the book from the beginning till the end and after that start again, this time reading from a different angle, or you can simply make fast changes, jumping from horizontal to vertical, from vertical to horizontal. It is just a matter of adjusting the object to your choices. The amount of changes is limitless.
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Agata Siniarska<br />
ngest and digest it!<br />
NO MICROBE, NO ART<br />
Our bodies, as well as our bodies of work, travel in time and space by occupying and being occupied by many places, institutions<br />
and by intermingling within many political dimensions.<br />
The outcome of these movements is the trajectory of the ‘Name’. ‘Name’, as concept and material, is the currency, a value<br />
every artist needs to take care of. Name often has important impacts on our future possibilities, artistic recognition, prestige,<br />
work conditions as well as artistic choices. Name is a network of relationships participating in the art market. The artist and<br />
their name become a currency that belongs to a higher anonymous bureaucratic and managerial authority, the structural<br />
power of the market with a multitude of evaluative, managerial and organisational processes that need to be constantly<br />
adhered to.
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