SODA WORKS 2018
The SODA (Solo/Dance/Authorship) class of 2018 have compiled this publication to contain selected content from their individual thesis projects. These projects each consisted of a live performance - presented in December 2017, at the Uferstudios in Berlin - an artist work book, as a document of the creative process and a written essay, each explicating areas of independent research. It is the aim of this publication to present a selection of this material for public dissemination. The publication can be read in two directions: vertically as well as horizontally. You can choose from which perspective you would like to start. You can read the book from the beginning till the end and after that start again, this time reading from a different angle, or you can simply make fast changes, jumping from horizontal to vertical, from vertical to horizontal. It is just a matter of adjusting the object to your choices. The amount of changes is limitless.
The SODA (Solo/Dance/Authorship) class of 2018 have compiled this publication to contain selected content from their individual thesis projects. These projects each consisted of a live performance - presented in December 2017, at the Uferstudios in Berlin - an artist work book, as a document of the creative process and a written essay, each explicating areas of independent research. It is the aim of this publication to present a selection of this material for public dissemination.
The publication can be read in two directions: vertically as well as horizontally. You can choose from which perspective you would like to start. You can read the book from the beginning till the end and after that start again, this time reading from a different angle, or you can simply make fast changes, jumping from horizontal to vertical, from vertical to horizontal. It is just a matter of adjusting the object to your choices. The amount of changes is limitless.
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The previous page contains imprints of<br />
the lovers’ tongues.<br />
Interrogating the conditions and<br />
processes of art making is a driving<br />
force in my work, which is an<br />
interdisciplinary research in live<br />
drawing performance, print media,<br />
textile, video, education and selforganization<br />
of workshops. I trigger<br />
my body, that I perceive as an<br />
artistic tool, via two complementary<br />
practices: live drawing performances<br />
and intersectional feminist art<br />
interventions. I wish to experiment,<br />
challenge the idea of art as knowledge,<br />
as well as question its methods and<br />
validation. My work seeks to identify<br />
the reproduction of structural racism,<br />
transphobia, ableism and classism in<br />
artistic contexts, and imagine other<br />
alternatives.<br />
How does the work extend the idea<br />
of the physical, virtual and conceptual<br />
page as a performance space?<br />
How does the work complicate<br />
conventional notions of<br />
documentation?<br />
How does the work engage a critique<br />
of its institutional context, production<br />
and dissemination; and what is the<br />
effect of this on the form and trajectory<br />
of the work?<br />
The MA <strong>SODA</strong> program was my<br />
first institutional encounter with<br />
performance art, where art and life<br />
merge.
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