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30<br />

society<br />

�<br />

Complex worlds…<br />

Although new stations are being built, such<br />

as those along high-speed tracks, the great<br />

majority of French stations were designed<br />

and built according to a model of organisation<br />

dating from the nineteenth century. Adding<br />

on twenty-fi rst century services to this model<br />

is not easy. The paradox of rail is that<br />

it is a service industry which requires, right<br />

in the city centre, the production processes<br />

of heavy industry – track equipment,<br />

train depots, etc. – most of which also date<br />

from the nineteenth century and require large<br />

areas of space. “Modernising a station<br />

to provide fl uid and functional operations<br />

is incredibly complex in spatial engineering<br />

terms,” states Sophie Boissard.<br />

“This was the case with the Gare de Lyon,<br />

in Paris, where installing supply warehouses<br />

in the Charolais district required<br />

the conversion of former underground freight<br />

warehouses into cooking preparation<br />

centres.” When one talks about a station,<br />

the public often thinks of rails, electric cables,<br />

etc., but all this is in fact ‘only’ the rail<br />

infrastructure. The architect’s approach<br />

must be much wider, because the station,<br />

along with the train’s interior, is one of<br />

the two places where the passenger spends<br />

time, places that they assess in terms<br />

of comfort, atmosphere, service, and so on.<br />

It is therefore necessary to work<br />

The typology of French stations<br />

simultaneously on these two complementary<br />

worlds to increase their quality. This is a global<br />

process in which rail builders, operators<br />

and infrastructure managers are all concerned.<br />

It is the role of Gares & Connexions to create<br />

a systemic vision which federates these<br />

different actors. The entity was created by<br />

the SNCF, in 2009, to master the inherent<br />

complexity of the station world.<br />

Renovating a station becomes complicated<br />

when distinct traffi c fl ows are superimposed.<br />

“The Gare Paris-Nord, with its 180 million<br />

passengers each year, is an excellent<br />

example. It is distinguished by a very wide<br />

rail offer which includes the Eurostar<br />

(dedicated terminal, customs post…),<br />

the Thalys and the TGV Nord (which require<br />

services for passengers who are mainly<br />

business travellers), commuters who travel<br />

to work on the regional lines of the Paris<br />

area and the Ile-de-France (TER Picardie,<br />

Corail Intercités…). In addition, underground,<br />

there is the metro and the RER and,<br />

on the surface, individual forms<br />

of end of journey transport: taxis,<br />

limousines or hire cars, the Vélib’* bicycle,<br />

electric vehicles… And in the middle of all this,<br />

constantly developing ticket sales space,<br />

shops and service areas.” For the<br />

Managing Director of Gares & Connexions,<br />

successfully increasing the capacity<br />

to welcome passengers in a listed building<br />

full of constraints of all kinds, including �<br />

French stations are divided into 4 categories:<br />

• Major hubs served by the European rail network: 33 stations corresponding<br />

to the main French cities plus 6 huge Paris stations each receiving an average<br />

of 30 to 50 million passengers per year.<br />

• Stations on the high-speed network and conventional mainlines:<br />

about 90 stations.<br />

• Commuter stations: about 390 stations in the Ile-de-France,<br />

such as Versailles-Chantiers or Juvisy, which have a throughput<br />

of 20 to 30 million passengers per year.<br />

• Lastly, about 2,500 stations providing access to different categories<br />

of network (regional and, by connections, national or international).<br />

These include between 100 and 300 stations with substantial traffi c levels.<br />

* Velib: Paris’ cycle hire scheme.

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