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Womb as Paradise Lost

Dissertation 2015. Womb as Paradise Lost - Regained by the Energy of Life. My name is Dr. Gideon Benavraham, professor-emeritus Clinical Hermeneutics. "What happens in a human being fundamentally during the proces of prenatal development (Fetal Programming) and what are the consequences to distortions and diseases later on life?" Research tools: Mindlink-Tesla-Transformation Technology (MTTT) as diagnosticum with PEMF and music frequencies as treatment methods. A RCT-double blind and placebo-controlled research, with statistics.

Dissertation 2015. Womb as Paradise Lost - Regained by the Energy of Life.
My name is Dr. Gideon Benavraham, professor-emeritus Clinical Hermeneutics. "What happens in a human being fundamentally during the proces of prenatal development (Fetal Programming) and what are the consequences to distortions and diseases later on life?" Research tools: Mindlink-Tesla-Transformation Technology (MTTT) as diagnosticum with PEMF and music frequencies as treatment methods. A RCT-double blind and placebo-controlled research, with statistics.

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Womb as Paradise Lost – Foetal Programming

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Practical Part – 528 Hz-music- Schumann Resonances - Mindlink-system

opus: the "gnoseogene composition". This occurs during the concert performance,

which at best can be canned by making a recording.

The self-organization of the emergent process is governed by known and unknown,

expanding and limiting factors. It is primarily the power of expression,

the potency of the work that determines the ongoing values.

We must conclude that these processes in biology, the social sciences and culture

- with music as a specific process - search its own pathways, which belong to the

natural dissipative order. In music-theory dissipative considerations are restoring

Order (tonal music) out-of Chaos (atonal music like e.g. the aleatoric improvisations).

Concertante music is playing with the energy, stored as potentiality within

the composition itself, the energy actualized in sound touches us in our twofold

manner: attraction or repelling, making a mystical-like dimension to a process.

With these insights, we can now look at the processes taking place within the

music that springs from a or Ein Sof, the Source of downward causation, with

528 Hz as the dominant tonality, absorbing the underlying and transcending frequencies

as attractor and emergent, which as a system of self-organization and

autopoiesis could explicitly lead unto new collections of other frequencies. We

can hear music theory cadenza or enter a new "thematic improvisation", which

gives its expansion in the described piece. The Neapolitan Partimenti were educational

and concert examples for which we have opened a place in the structure of

our Twelve Frequency range in notation, hermeneutics and implementation, in

which the numbers 3, 6 and 9 pre-dominate, with the 528 Hz as dominant. We

return through the Chaos again and again into the Order of tonality.

The sets of frequencies are part of the logo technical analysis of the Hebrew philology

(Torah and Tanakh). What makes 528 Hz of an autopoietic process? Because

it is both an attractor and an emergent process which are systemically equal

to each other concentrated in a or 1.1.1, the vector that provides attraction and

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