Womb as Paradise Lost

Womb as Paradise Lost – Foetal Programming
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Practical Part – 528 Hz-music- Schumann Resonances - Mindlink-system
connection between the field of consciousness of the performer and of the
composer 'Behind the Music'. (...) The effect is independent of the concentration
of the performer, yet safer and more full of intention, because resonance
comes about, without the performer providence to have a mental
self-power."
The equation is balanced when it sounds good. Stravinsky: “Musical form
is close to mathematics; not perhaps to mathematics itself but certainly to
something like mathematical thinking and relationship”. Above all music
is inherently, deeply and strangely hierarchical. Notated music of the
western art tradition is basically a graph of frequency information quantised
to the pitches of the chromatic scale over time. 321 Besides the chromatic
scale and other well-tempered scales there are many other scales
with a non-natural character, as Aline Honigh defended in her dissertation.
This has no connection to my research, but it is important enough to address
this scientific publication. See the remarks in the footnotes. 322
“Prime/f” or (1/f): Law of Entrainment.
Music and the brains are connected fractalized, with the fixed power law of 1/f as
Levitin emphasized. He wrote: “The well-known Richardson Effect which began
the modern study of fractals, states that measurements of natural phenomena are
characterized by 1/f fluctuations is also a prominent feature of human cognition.
Neurons in primary visual cortex were found to exhibit higher gain, and the spike
responses exhibit higher coding efficiency and information transmission rates for
1/f signals ...”. 323
321 Whally, Dr. J. Harry, “Transformations and their musical counterparts”, Thinking about Music, 2014.
322 Honigh, Dr. Aline, “The Origin and Well-Formedness of Tonal Pitch Structures”, University of Amsterdam, 2006.
The central question is: “When we call a set of tunes a scale or an accord?”
Untill today there is no definitive answer on this question. She searches an answer inside the so
called tuning space. The scales in this tuning space create convex forms, that are forms without
any deformation like a donut or a star. All scales inside this space have a convex form. Honigh
postulates in her dissertation that convexity of scales has to do with consonance. The more tones in connection,
the easier the steps and the smaller the intervals.
323 Levitin a.o. PNAS op.cit.