Womb as Paradise Lost

Womb as Paradise Lost – Foetal Programming
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Practical Part – 528 Hz-music- Schumann Resonances - Mindlink-system
ably not deliberately added by the composer, but nonetheless: distinctive patterns.”
The American musicologist Daniel Levitin has discovered exactly such patterns,
characteristics for many shapes of music. He wrote in PNAS:
“A pattern which can be found in the annual flooding of the Nile, in the traffic on
busy highways, the signals between brain cells and the form of broccoli. In 1788
more than forty songs from composers including Bach, Mozart, Chopin, Scott
Joplin and Dave Brubeck, which span four centuries of music together. This pattern
is best described as a fractal, the famous visualizations of mathematical equations,
in which the global moulded in the tiny keeps coming back. Each part is
therefore a repetition of the whole. Levitin saw the same in music: all pieces are
made up of small fragments which are a reflection of the big picture. They discovered
by using computers that every note and every silence to take compositions
into a musical map, which specifically addressed by its length, at the moment
all the tracks are the same fractal relationships forward. Previous research
had already shown that you can find those relationships even when you look at
the differences in musical pitch.”
In another article of Levitin “Musical rhythm spectra from Bach to Joplin obey a
1/f power law” 318 (Publication of PNAS) Levitin i.a wrote:
“Much of our enjoyment of music comes from its balance of predictability and
surprise. Musical pitch fluctuations follow a 1/f power law that precisely achieves
this balance. Musical rhythms, especially those of Western classical music, are
considered highly regular and predictable, and this predictability has been hypothesized
to underlie rhythm’s contribution to our enjoyment of music. Are musical
rhythms indeed entirely predictable and how do they vary with genre and
318 1 / frequency.