Womb as Paradise Lost

Womb as Paradise Lost – Foetal Programming
351
Practical Part – 528 Hz-music- Schumann Resonances - Mindlink-system
the piano is tuned and sounds round and soft but the cause of this intonation is
systematic falsehood.
The differences between our musical ears today and the people of the 16 th century
in Europe are undoubtedly caused by continuously undergoing the categorical
“well-tempered-falsehood” with deeply effects on the concept of beauty. This
ancient music playing in the original tuning brings our modern experience of music
into great problems of understanding and perception.
A personal experience
My experience during a concert on an old, recently restored organ, tuned
in the meantone tuning system became an affirmation of the change of our
musical ears. The organ was recently just retuned in the meantone appropriate
for this instrument. The tone of this instrument sounds rough to me.
Insiders know that we can’t play the complete organ literature on an organ
tuned in this meantone system. Only the compositions composed for this
tune, as in the Renaissance, the works of Sweelinck, should be heared as
jewels of beauty for the lovers of this early music. Just the opposite is the
fact nowadays.
I played on this organ a work of Sweelinck. The organ was pure, but the
auditory perception of the sound made me almost hurt my ears, because of
experiencing a false sound. With some "experts" we debated after an extensive
discussion on this curious, paradoxical experience.
"Why do we hear today what is clean tuned nonetheless as false?"
The results of our debate we found in the change of our "contemporary
and culturally induced (read: corrupted) musical ears experience", related
to our contemporary feelings of beauty and timbre. Our musical ear apparently
does not tolerate the old, truly pure tone systems any longer as
pure beauty. The technique was right, but it had an unexpected result.