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Womb as Paradise Lost

Dissertation 2015. Womb as Paradise Lost - Regained by the Energy of Life. My name is Dr. Gideon Benavraham, professor-emeritus Clinical Hermeneutics. "What happens in a human being fundamentally during the proces of prenatal development (Fetal Programming) and what are the consequences to distortions and diseases later on life?" Research tools: Mindlink-Tesla-Transformation Technology (MTTT) as diagnosticum with PEMF and music frequencies as treatment methods. A RCT-double blind and placebo-controlled research, with statistics.

Dissertation 2015. Womb as Paradise Lost - Regained by the Energy of Life.
My name is Dr. Gideon Benavraham, professor-emeritus Clinical Hermeneutics. "What happens in a human being fundamentally during the proces of prenatal development (Fetal Programming) and what are the consequences to distortions and diseases later on life?" Research tools: Mindlink-Tesla-Transformation Technology (MTTT) as diagnosticum with PEMF and music frequencies as treatment methods. A RCT-double blind and placebo-controlled research, with statistics.

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Womb as Paradise Lost – Foetal Programming

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Practical Part – 528 Hz-music- Schumann Resonances - Mindlink-system

With the famous formula E = mc 2 Albert Einstein proved that energy, mass and

speed are related. Energy is divided into a variety of forms. For us, energy in the

form of sound is the most important, because we are talking about sound as

speech and music.

The central tone for the music of our time is A in the first octave, that makes 440

vibrations per second. Abbreviated: A = 440 Hz.

But that wasn’t always the case. The music has a variety of artificial moves that

preceded the equally artificial equal temperament. We must return to our research

further the tuning trends of Pythagoras.

The development of tuning forks demonstrates the diversity of pitches which

were often practised in different countries and cultural circles, difficulties within

the international and even interregional orchestra. In the middle of the 20th century

the A of the first octave became the standard tuning: A = 440 Hz. The revival

of early music has led to the baroque tuning of A = 415 Hz. The "just intonation"

with A = 444 Hz remains a special tuning, which is closer to the natural tones.

With the focus on the music of 528 Hz all seems to be a simple procedure. You

only have to tune your instrument from 440 Hz, into 444 Hz. Then we find within

a frequency range of 528 Hz, the C in the 2nd octave in the opinion of Horowitz.

But that's an oversimplification which undermines the exclusivity of 528 Hz in

the intonation. The misapprehension of Horowitz concerns the harmonics which

are present in the moment of tuning the instrument from 440 into 444 Hz. These

overtones make a tight, sinus-compliant tone of 528 Hz impossible. The most

pure possibility is the electronic generation of a sinus tone of 528 Hz. We are sure

of the absence of overtones.

Tuning a just intonation of an instrument that stands at 444 Hz, instead of the

tuning of the C' in the 2nd octave of A= 440 Hz has a frequency of 523.3 Hz, it

has changed into 528 Hz, with a value of 1200 cents. This correction should

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