Womb as Paradise Lost
Dissertation 2015. Womb as Paradise Lost - Regained by the Energy of Life.
My name is Dr. Gideon Benavraham, professor-emeritus Clinical Hermeneutics. "What happens in a human being fundamentally during the proces of prenatal development (Fetal Programming) and what are the consequences to distortions and diseases later on life?" Research tools: Mindlink-Tesla-Transformation Technology (MTTT) as diagnosticum with PEMF and music frequencies as treatment methods. A RCT-double blind and placebo-controlled research, with statistics.
Dissertation 2015. Womb as Paradise Lost - Regained by the Energy of Life.
My name is Dr. Gideon Benavraham, professor-emeritus Clinical Hermeneutics. "What happens in a human being fundamentally during the proces of prenatal development (Fetal Programming) and what are the consequences to distortions and diseases later on life?" Research tools: Mindlink-Tesla-Transformation Technology (MTTT) as diagnosticum with PEMF and music frequencies as treatment methods. A RCT-double blind and placebo-controlled research, with statistics.
Womb as Paradise Lost – Foetal Programming340Practical Part – 528 Hz-music- Schumann Resonances - Mindlink-system19.3 Music that repairs DNA: a resumeThe suggested recovering DNA codons (pieces of DNA) fled over my screen.YouTube was full in action. I was upset because of lacking any reference to scientificresearch or other substantiation. Here I give a short resume of the withinYouTube movies suggested healing factors of 528 Hz music.Reading the limited descriptions as a foundation I found a story telling that referredto the English translation of the Hebrew Bible, the Tanakh, "a revelationstory of Jesus and some angels." It was a self-proclaimed religious experience ofthe American natural doctor Joseph Puleo who passed away in 2008. Judging bythe extraordinarily amount of quotations of his experience, it seemed to makefurore inside the inner circle of like-minded followers; time and again using thisstory for emphasizing the truth of their own findings.Instead of using the translation in English I started my research with looking forthe frequencies of love and heart within the original Hebrew texts (Tanakh andtraditions) as well as the linguistic-logo technical study of the number 528.Semantic research on the music of Torah (528 Hz)Once starting my Hebrew language research, I noticed an immense astonishmentand "Entdeckersfreude" about the linguistic miracle in the composition ofTanakh, the Hebrew Bible with its alpha numerical structure, the literary architectureby the Hebrew language.Averse to scientism, my methodological choice nonetheless intends to give anexpression of scientific reverences concerning the greatness of the creative relationshipbetween Infinity and the process of finite, the ultimate silence at thecrossroads between Emptiness and Fullness of Being.My research, dealing with the number 528, touched the source question: "For thewriters of Tanakh does the number 528 also was of equivalent value. Was this theimpact I encountered in the YouTube presentations?” And if not, out of what
Womb as Paradise Lost – Foetal Programming341Practical Part – 528 Hz-music- Schumann Resonances - Mindlink-systemsource emerges these suggested supramental frequencies, and with what supramentalSource the YouTube-number 528 is meta-linguistic 279 connected?”19.4 Method of revealing linguistic architectureIn 1908 the Jewish Bible scholar Oskar Goldberg (1889-1953) discovered that theTorah was a building built of compositional numbers.In the Sixties of the 20th century the Austrian Bible scholar Claus Schedl discoveredthat the findings of Goldberg even applied to the entire Tanakh.In the Netherlands, prof. Dr. Casper Labuschagne developed this system thoroughlyand I am indebted to him for his knowledge, dealing our interest and loveof Torah, Tanakh and Jewish thoughts. On my turn a culturally additional part ofthis logotechnical system I opened and this is also available for re-examination bystrictly scientific researchers.The entrance for my basic research was the question: "Is there any evidence in theTorah for a six tone music system, which was similar to the extra-biblical term“Solfeggio tuning system”? Does this also mean that the music of 528 Hz belongingto this Solfeggio-tuning system, contending the power for profound healingon cellular levels, as it proposed many times on YouTube and in the publicationsof writers like Horowitz and his like-minded followers?279 By "metalinguistic" I understand the linguistic added value that stands behind our epistemological brainpower. Withthis I illustrate my attempts to avoid the hollowed and theologically loaded term "metaphysical". Obviously it is as aphilosopher not inappropriate to use that term but in the comparative study the tendency to cross-border theological consciousnessis very large. I will refer to it repeatedly. It is not necessary to create images of God that can fill gaps in ourthinking as we find with creationists, proponents of Intelligent Design and theistic evolutionists. The task for a scientist isindeed create and interpret the verifiable reality. That is precisely the order in the opening up of the numerical proportionsof Torah, towards homeostasis of the scientific reality which, like the just mentioned theological-dogmatic convinced, is torefrain from dogmatic scientism, that same compulsion the "scientific world", as the only scientific truth claims for himself.My research involves a homeostasis between the numerical values of the Torah (mathematical proportions as formulalanguage) and the numerical values of the natural sciences (mathematics as formula language).
- Page 289 and 290: Womb as Paradise Lost - Foetal Prog
- Page 291 and 292: Womb as Paradise Lost - Foetal Prog
- Page 293 and 294: Womb as Paradise Lost - Foetal Prog
- Page 295 and 296: Womb as Paradise Lost - Foetal Prog
- Page 297 and 298: Womb as Paradise Lost - Foetal Prog
- Page 299 and 300: Womb as Paradise Lost - Foetal Prog
- Page 301 and 302: Womb as Paradise Lost - Foetal Prog
- Page 303 and 304: Womb as Paradise Lost - Foetal Prog
- Page 305 and 306: Womb as Paradise Lost - Foetal Prog
- Page 307 and 308: Womb as Paradise Lost - Foetal Prog
- Page 309 and 310: Womb as Paradise Lost - Foetal Prog
- Page 311 and 312: Womb as Paradise Lost - Foetal Prog
- Page 313 and 314: Womb as Paradise Lost - Foetal Prog
- Page 315 and 316: Womb as Paradise Lost - Foetal Prog
- Page 317 and 318: Womb as Paradise Lost - Foetal Prog
- Page 319 and 320: Womb as Paradise Lost - Foetal Prog
- Page 321 and 322: Womb as Paradise Lost - Foetal Prog
- Page 323 and 324: Womb as Paradise Lost - Foetal Prog
- Page 325 and 326: Womb as Paradise Lost - Foetal Prog
- Page 327 and 328: Womb as Paradise Lost - Foetal Prog
- Page 329 and 330: Womb as Paradise Lost - Foetal Prog
- Page 331 and 332: Womb as Paradise Lost - Foetal Prog
- Page 333 and 334: Womb as Paradise Lost - Foetal Prog
- Page 335 and 336: Womb as Paradise Lost - Foetal Prog
- Page 337 and 338: Womb as Paradise Lost - Foetal Prog
- Page 339: Womb as Paradise Lost - Foetal Prog
- Page 343 and 344: Womb as Paradise Lost - Foetal Prog
- Page 345 and 346: Womb as Paradise Lost - Foetal Prog
- Page 347 and 348: Womb as Paradise Lost - Foetal Prog
- Page 349 and 350: Womb as Paradise Lost - Foetal Prog
- Page 351 and 352: Womb as Paradise Lost - Foetal Prog
- Page 353 and 354: Womb as Paradise Lost - Foetal Prog
- Page 355 and 356: Womb as Paradise Lost - Foetal Prog
- Page 357 and 358: Womb as Paradise Lost - Foetal Prog
- Page 359 and 360: Womb as Paradise Lost - Foetal Prog
- Page 361 and 362: Womb as Paradise Lost - Foetal Prog
- Page 363 and 364: Womb as Paradise Lost - Foetal Prog
- Page 365 and 366: Womb as Paradise Lost - Foetal Prog
- Page 367 and 368: Womb as Paradise Lost - Foetal Prog
- Page 369 and 370: Womb as Paradise Lost - Foetal Prog
- Page 371 and 372: Womb as Paradise Lost - Foetal Prog
- Page 373 and 374: Womb as Paradise Lost - Foetal Prog
- Page 375 and 376: Womb as Paradise Lost - Foetal Prog
- Page 377 and 378: Womb as Paradise Lost - Foetal Prog
- Page 379 and 380: Womb as Paradise Lost - Foetal Prog
- Page 381 and 382: Womb as Paradise Lost - Foetal Prog
- Page 383 and 384: Womb as Paradise Lost - Foetal Prog
- Page 385 and 386: Womb as Paradise Lost - Foetal Prog
- Page 387 and 388: Womb as Paradise Lost - Foetal Prog
- Page 389 and 390: Womb as Paradise Lost - Foetal Prog
Womb as Paradise Lost – Foetal Programming
340
Practical Part – 528 Hz-music- Schumann Resonances - Mindlink-system
19.3 Music that repairs DNA: a resume
The suggested recovering DNA codons (pieces of DNA) fled over my screen.
YouTube was full in action. I was upset because of lacking any reference to scientific
research or other substantiation. Here I give a short resume of the within
YouTube movies suggested healing factors of 528 Hz music.
Reading the limited descriptions as a foundation I found a story telling that referred
to the English translation of the Hebrew Bible, the Tanakh, "a revelation
story of Jesus and some angels." It was a self-proclaimed religious experience of
the American natural doctor Joseph Puleo who passed away in 2008. Judging by
the extraordinarily amount of quotations of his experience, it seemed to make
furore inside the inner circle of like-minded followers; time and again using this
story for emphasizing the truth of their own findings.
Instead of using the translation in English I started my research with looking for
the frequencies of love and heart within the original Hebrew texts (Tanakh and
traditions) as well as the linguistic-logo technical study of the number 528.
Semantic research on the music of Torah (528 Hz)
Once starting my Hebrew language research, I noticed an immense astonishment
and "Entdeckersfreude" about the linguistic miracle in the composition of
Tanakh, the Hebrew Bible with its alpha numerical structure, the literary architecture
by the Hebrew language.
Averse to scientism, my methodological choice nonetheless intends to give an
expression of scientific reverences concerning the greatness of the creative relationship
between Infinity and the process of finite, the ultimate silence at the
crossroads between Emptiness and Fullness of Being.
My research, dealing with the number 528, touched the source question: "For the
writers of Tanakh does the number 528 also was of equivalent value. Was this the
impact I encountered in the YouTube presentations?” And if not, out of what