Womb as Paradise Lost

Womb as Paradise Lost – Foetal Programming
Thetic Part 2 – Prolegomena
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their feet, even though Fibonacci and Kieth strive for the aesthetic ideal 0, 1, 1, 2,
3, 5, 8, 13, 21, 34, ... etc.
We find Fibonacci’s spiral and the golden rectangle based on the ratio 1,618 in
almost everything. The A4 we write on is part of it. In this paragraph I restrict
myself to the spiral in nature.
Before I display the pictures, a final remark. In nature, there is no straight line to
be found. Everything is curved, up to and including space (Einstein). When we
throw a bucket of water down the drain, we will see the water go circling in a
spiral shape. At the end of the spiral is its Apex: 1. In this way, we can calculate
back.
A good listener rejoices nature and culture. Human proportions are also Fibonacci-proportions,with
which an artist can carve a human out of marble in perfect
dimensions. This perfection appeared unbearable for the Greek, and they asked
for a less perfect image. The most profound shape is our DNA, that can be
sketched in a Fibonacci-way.
In the next part, we will elaborate the meanings and particularities of DNA as
Human Genome System in a double helix. Here, it suffices to evoke amazement,
on the way to the insight in the sequence that leads to the aesthetic ideal.
The nautilus is more or less Fibonacci’s symbol. In this picture, we see the spiral
as a natural turn, with the Apex (a = √1 = 1) as the smallest area: 1 + 1 + 2 + 3 +
5 etc. The aesthetically ideal dimension is the golden rectangle with Φ (Phi) dimensions
in proportions of 1,618 (approximately 1/3 : 2/3 to get a quick picture
without using the golden ratio compass).
In the Fibonacci sequence, we find the Source code of Tanakh, a = √1 = 1, as a
self-emergent process, in the spiral shape that doesn’t sink into nothing, but is
borne by the Fundamental Unity that controls the tonality of the process in Hebrew
linguistics and by this process it always emanates new energies. This teach-