Womb as Paradise Lost

Womb as Paradise Lost – Foetal Programming
Thetic Part 2 – Prolegomena
136
rediscovery of the six-note tone system, that is called “Solfeggio” in the non-
Jewish world of music, a core part of my research. 127 Perhaps the Semitic input is
absent with Wanker because it is outside her discipline. She graduated in ancient
history and with this we usually mean Greek-Roman history. As a Jewish scientist
I can only conclude that Judaism did not get through the filter of ancient history
and thus, apparently, was not interesting enough to the medical music study.
One step beyond lies Pythagoras’s sphere of influence, whose number theory, as
regards the numerical structures of Hebrew scriptures, made its marks within music
theory too. That underlines my astonishment about the absence of Jewish music
developments in her research. Are people so far removed from the ancient
culture bearer of the Middle-East, that they simply can’t or don’t want to understand
what riches lie hidden behind the tradition of the small nation that had no
right to exist for so long? I comfort myself with the thought that my dissertation
will fill the necessary gaps, hoping for acknowledgement of the Jewish servant
stature for man and creation.
NB. When we view the father, mother and child-relationship as a reflection
of the growth of the sexes and fertility based on male and female dispositions
with the child as the phenomenological result, then we move
from the dialectical relationship father and mother, to a triadic relationship
with the child as the third. In general, the male is represented by number 3
and the female by 4. If we take multiplying literally, then the child should
be the outcome of 3 x 4. However, that is 7, which is not a logical succession.
If we decide to sum, we get the same illogical result, because logically
5 is the successive number the child would have. Therefore, Pythag-
127 Solfeggio, based on a religious poem, became the basis of the later solmisation-system by Guido van Arezzo (991-
1033). The full text of the poem is: ut queant laxis resonare fibris mira gestorum famuli tuorum solve polluti labii reatum
Sancte Iohannes! However, for my research only the Hebrew basis, which is referred to by YouTube-publicists, has validity
when it comes to “healing music of the heart and of love” connected to Torah and the Source of Torah.