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In conversation with .. 5!

#PrideIssue - Welcome to our new digital issue: IN CONVERSATION WITH – Part 5, 144 pages fashion, art and illustrations! Out 17.07.2020 – featuring in conversation with Pabllo Vittar, Adrien Weiss, Ella Boucht, Davi, Phoebe Bridgers, Mateo Velasquez, Lil Botox. Featuring Crystal from RuPaul’s Drag Race UK Season 1, Tom of Finland, Darren Skene, Pablo Solano, Damian Garcia, Sammy Finn Cullis, Jacopo Marchio, Ernst van Hoek and more. On the cover, Chris Flora photographed by Alberto Lanz.

#PrideIssue - Welcome to our new digital issue: IN CONVERSATION WITH – Part 5, 144 pages fashion, art and illustrations! Out 17.07.2020 – featuring in conversation with Pabllo Vittar, Adrien Weiss, Ella Boucht, Davi, Phoebe Bridgers, Mateo Velasquez, Lil Botox. Featuring Crystal from RuPaul’s Drag Race UK Season 1, Tom of Finland, Darren Skene, Pablo Solano, Damian Garcia, Sammy Finn Cullis, Jacopo Marchio, Ernst van Hoek and more. On the cover, Chris Flora photographed by Alberto Lanz.

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We talk about diversity, but the industry<br />

can be very misogynist, women are<br />

usually overly sexualized as the<br />

“housewife” or “whore” and definitely<br />

as “straight”. I’ve seen huge changes<br />

in this past decade, but there is still a<br />

misconception that lesbians don’t have<br />

style. Breaking those misconceptions,<br />

let’s look at the past and talk about some<br />

of the influences on your work.<br />

Style-wise I look at non-binary icons like<br />

boat racer Joe Carstairs had amazing style,<br />

she showed that there were different ways<br />

to show female masculinity. Obviously Jack<br />

Halberstam’s book Female Masculinity<br />

discussing all the different identities<br />

was an eye-opener for me. Del LaGrace<br />

Volcano’s book on drag and photography<br />

overall was an influence, photographing<br />

queer female sex scenes and just see<br />

what female sex scenes look like in Sex<br />

Works. When it came to finding different<br />

types of styles (like in fashion), I couldn’t<br />

find a lot. It was more that I could find<br />

photographers and in their photography<br />

find different styles. A lot of what I could<br />

find was American based. Besides that, my<br />

friends have been a huge influence, the<br />

parties I go to in London, going out.<br />

You could say that you design clothes to<br />

wear to the club and leaving the club.<br />

What role does club culture play for you<br />

in your work?<br />

I would definitely want to see them worn<br />

to the club, but I would also say the clothes<br />

can be worn in an everyday scenario. The<br />

whole collection has an underlain erotic<br />

feel to it that draws back to the club scene.<br />

The club scene is definitely a big part of<br />

who I am and what my life in London has<br />

been like. During the lockdown, I realized<br />

how much I missed all these queer spaces.<br />

Going back to the club scene though, I still<br />

find a huge lack of lesbian places, events<br />

or parties. When I have been to all-female<br />

queer nights, its such great energy, so<br />

great being <strong>with</strong> all these people and then<br />

you realize that there are lots of us out<br />

there but we never meet because we are<br />

separated in this huge city. The club is a<br />

way of expressing yourself as well, you can<br />

put on a character or look that perhaps you<br />

aren’t in an everyday scenario. Also, I just<br />

love dancing!<br />

on board. They have been the most amazing people to collaborate <strong>with</strong>,<br />

always so energetic, bubbly and happy!<br />

You went viral <strong>with</strong> RiRi in your oversized coat in striking baby pink<br />

while still a student in Helsinki. How do you feel about the colour<br />

pink?<br />

Weirdly enough, I don’t have a pink garment in my wardrobe, maybe a<br />

pair of underwear. I love pink, I get drawn to pink for some reason, but I<br />

would never wear it. For example <strong>with</strong> that jacket and the pastel pink, I<br />

have in my collection now both of them were good mistakes. The Rihanna<br />

jacket was supposed to be orange but it came out as pink because the<br />

wadding inside of the jacket was neon orange and because of the white<br />

fabric on top it became pink after washing.<br />

What steps are you taking now to develop your business and in<br />

terms of investors do you feel pressure to change your narrative, is it<br />

important for you to have your own brand or would you like to work<br />

for someone else?<br />

I’ve moved into my own space now and starting to think about<br />

production, but I don’t really have the backup funding. I definitely would<br />

like to do my own thing and keep it as something on-going. I feel it is<br />

important to show what I actually want to show because I am also a bit<br />

scared that if I go into a big company, even though I would feel I have a<br />

voice inside there, I would assume it would be more like a design junior,<br />

so my voice there wouldn’t be that big. While <strong>with</strong> my aim of what I want<br />

to do, having my own brand will help me put my voice out there, but I<br />

would like to influence brands as well.<br />

What’s the best advice that you received regarding the industry?<br />

Probably that your first idea is the best idea.<br />

Finally, what does Pride mean for you and did you do anything special<br />

to celebrate this year?<br />

Dance-pop duo Nimmo walked your<br />

CSM graduate collection, how did that<br />

happen?<br />

Some of the people who walked are friends<br />

of mine, but for Nimmo, I just contacted<br />

them on <strong>In</strong>stagram. I told them what my<br />

collection was about and if they would be<br />

14

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