Laboratory on Feedback in Artistic Processes 2
In its second edition the "Laboratory on Feedback in Artistic Processes" pays particular focus on “audiences” feedback within performing arts. Feedback is happening everywhere, and everything is feedbackable. But what is the value of public audience feedback? What kind of feedback is needed where? Why do we differentiate between specialist and general public audiences? How can we think beyond helping the artist and making an artwork better? How can it feed the bigger picture by enabling critical, rigorous feedback as a development for all citizens participating in a public event? Can public feedback then begin to shape communities and the wider public sphere? The second “Laboratory on Feedback in Artistic Processes” contained presentations and try-outs of different feedback methods and approaches. The format “Feedback Lab goes Public” in collaboration with Tanztage Berlin 2015 / Sophiensaele and mapping dance berlin /Tanzbüro Berlin offered the opportunity to test feedback methods directly with the artists and audiences of the festival. IMPRINT Text and Editing: Sheena McGrandles, Olive Schellander, Eva-Maria Hoerster Layout: David Eckelmann Editor: HZT Berlin, 2015
In its second edition the "Laboratory on Feedback in Artistic Processes" pays particular focus on “audiences” feedback within performing arts. Feedback is happening everywhere, and everything is feedbackable. But what is the value of public audience feedback? What kind of feedback is needed where? Why do we differentiate between specialist and general public audiences? How can we think beyond helping the artist and making an artwork better? How can it feed the bigger picture by enabling critical, rigorous feedback as a development for all citizens participating in a public event? Can public feedback then begin to shape communities and the wider public sphere?
The second “Laboratory on Feedback in Artistic Processes” contained presentations and try-outs of different feedback methods and approaches. The format “Feedback Lab goes Public” in collaboration with Tanztage Berlin 2015 / Sophiensaele and mapping dance berlin /Tanzbüro Berlin offered the opportunity to test feedback methods directly with the artists and audiences of the festival.
IMPRINT
Text and Editing: Sheena McGrandles, Olive Schellander, Eva-Maria Hoerster
Layout: David Eckelmann
Editor: HZT Berlin, 2015
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6<br />
The sec<strong>on</strong>d “<str<strong>on</strong>g>Laboratory</str<strong>on</strong>g> <strong>on</strong> <strong>Feedback</strong> <strong>in</strong> <strong>Artistic</strong><br />
<strong>Processes</strong>” c<strong>on</strong>ta<strong>in</strong>ed presentati<strong>on</strong>s and try-outs of<br />
different feedback methods and approaches. The<br />
format “<strong>Feedback</strong> Lab goes Public” <strong>in</strong> collaborati<strong>on</strong><br />
with Tanztage Berl<strong>in</strong> 2015 / Sophiensaele and mapp<strong>in</strong>g<br />
dance berl<strong>in</strong> /Tanzbüro Berl<strong>in</strong> offered the opportunity<br />
to test feedback methods directly with the artists and<br />
audiences of the festival. Lectures and presentati<strong>on</strong>s<br />
gave an <strong>in</strong>sight <strong>in</strong>to a range of experiences and aspects<br />
<strong>on</strong> the subject of feedback, from the perspective of<br />
theorists, curators, organisers, artists and teenagers.<br />
Furthermore already exist<strong>in</strong>g <strong>in</strong>itiatives and venues who<br />
actively work with and support feedback culture were<br />
collated. Throughout the lab three “observers” witnessed<br />
the weekend and shared their thoughts lead<strong>in</strong>g to a f<strong>in</strong>al<br />
round table discussi<strong>on</strong> shar<strong>in</strong>g <strong>in</strong>dividual reflecti<strong>on</strong>s<br />
and future perspectives.
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