Beach House Collectors Set
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Beach House Collectors’ Guide 02
. .
is like taking a punch to the face from a
loved one and wanting, even needing, more.
Within the warm and gentle contours
of their sound lies a dark and unsettling
undertone. Exploring universal themes
like sadness, heartbreak, and hope, Beach
House is guaranteed to make you feel the
emotions you don’t necessarily want to feel,
but need to feel.
The dreampop duo consists of vocalist
states, Legrand met Scay and their decade
so closely share an aesthetic, if one of us
and keyboardist Victoria Legrand and
long journey commenced.
ndsasongwelike,there'saninety-nine
guitarist Alex Scay,whoformedtheband
Though the pair have insurmountable
percent chance the other person's gonna
in Baltimore, Maryland in 2004, shortly
chemistry, one of their least favorite
like it too.”
aerthetwonishedcoege.Though
pastimes is explaining to media that they
Legrand was raised in America, she was
are, in fact, not a romantic couple. Rather,
born in Paris and even returned to the
they prefer to exert a their intimacy into
country to attend Theatre school. Ca it
their true passion: the band and its music.
cosmic irony or raw human intuition, but
Even just a surface experience of these two
something kept caing Victoria back to
ethereal musicians can give way to just
the American subculture scene, and more
how much intimacy the two share — they
importantly, the Baltimore music scene.
jump at each other with complementary
Meanwhile in Baltimore, Scay was working
jokes and parael thoughts that perfectly
Beach House while recording
Depression Cherry.
2015
as a carpenter on weekdays and drinking
on weekends. Shortly aerherreturntothe
mirror each other. Scay recounted this
in an interview with Pitchfork, stating, “We
Promotional image for the band's
summer tour for 7.
2018
Beach House Collectors’ Guide 04
It is this attraction between the duo that not
only produces the most intense, heartfelt
music of modern day, but also results in
the most aestheticay consistent band in
independent music. The band has toured
extensively through the years, performing
not only their own tours but also at count-
less festivals around the world. The feeling
when witnessing the pair perform is unexplainable
in words; like their recordings,
it’s something you need to feel for yourself.
The band always starts out enshrouded in
darkness. As their sound s the venue, they
slowly reveal themselves, bathed in clouds
of moody color. The show always evokes the
same dream space felt in their music, using
various lighting structures and instaations
to convey their otherworldly aesthetic. Put
simply, watching Beach House perform live
is like experiencing a far out universe
through a dream.
Beach House playing at Pitchfork
Music Festival in Paris.
2015
Pitchfork, paving the way for similar recep-
Despite their summery name, Beach House
creates music that is shadowy, hazy, and
auringlyhypnotic.BeachHouseisone
of the most musicay dense and textured
bands of the century. Using experimental
riffs on the guitar, keyboard, and drums,
the band produces musical contours that
can convey and evoke emotion better than
any words ever could. The dark, unsettling,
yet somehow dreamy sounds can make
you feel ethereal, or as if you’ve completely
ascended the earthly plane into some
kind of space-like dream sequence.
“One thing Victoria and I can agree on
is that our music is its own world. And,
I think that’s very much what the ‘Beach
House’ feel is: going off to a different
world,” says Scay.
The band’s rst release, the self-titled
Beach House album in 2006, received
acclaim from indie reviewing powerhouse
tion for future releases including Devotion
in 2008, Teen Dream in 2010, Bloom in 2012,
Depression Cherry in 2015, and 7 in 2018.
With each release, the band pushes the
envelope more and more, exploring even
less tangible themes and further obscuring
their meaning. Songs from Beach House,
such as “Master of None,” speak directly to
the feelings associated with specic, though
relatable, events — or, rather, as directly as
Beach House can be. Between wailing synth
and punchy lo- drum patterns, Victoria
chants, “You always go to the parties / To
pluck the feathers off a the birds / On
your knees / I would not beg you please,”
signaling the emotions of indelity of
young lust, or — to speak to something even
more painful — the indelity of a budding,
unrequited love. The idea is reinforced by
a music video showing vignettes of young
adults at a party.
Conversely, on the band’s most mature
release, 7, Legrand’s voice is help captive
by creeping synth, hypnotic chimes, and a
singular looming drum pattern on the
track “Black Car,” cooing, “We want to go
inside the cold / It’s like a tomb, but it’s
something to hold / And in the time before
it ends / When the stiness bends/I skipped
a rock and it fe to the boom.” Even
more perplexing is the accompany music
video, which merely shows close up shots
of a driverless black car. Despite the mystery,
the song transcends concrete experience
into raw thought and sentiment of that which
is a dark, dim void speckled with hints of
linguistic light.
Though there is a clear emphasis on the
texture and density of the sound and music
itself, clearly one of the most intriguing
things about Beach House is their lyrics.
Victoria’s haunting yet hypnotic voice
keeps you enthraed, whilethepoeticbut
punchy lyrics absolutely wreck your brain.
Somehow, the band can articulate seemingly
inexplicable deep human emotion, oen
using single words enshrouded by dreamy
synth or fragments of ctional events
pieced together like some kind of sick montage.
For example, on the track “Space
Song,” Victoria echos, “Fa back into place.”
The lyric has little context, but somehow it
o f f
t o
a d i f
f e
Beach House Collectors’ Guide 08
r e n
has so much meaning and feeling. And when
coupled with wavy, beachy synth, you begin
to feel yourself suspended in space, driing
from a place you don’t belong back to where
you came from. As the lyric repeats, you can
visualize the times you overstepped, the
times you took chances and experienced rejection,
the times you thought you weren’t
good enough to be somewhere or be in the
company of someone. A these experiences,
thoughts, and feeling are encapsulated by
this single line. Despite the feelings and
emotions this might evoke, one can nay
take some comfort in realizing they are
not alone in this human experience.
t
w
o r l d
Victoria playing live
on Letterman.
2012
Shots of Victoria from various
international tours.
2012-2018
Despite such haunting, dreamy, and even mysterious lyrics and
imagery, the members of Beach House have been described as
nothing but curious and warm. They joke about their indie fame,
poking fun at the idea of a come down. In fact, Victoria has
admitted that she in no way tries to seem so distant. Rather, the
words and sounds of the band are an attempt to quantify and
articulate intangible feelings and emotions — a catharsis of sorts.
Though this reach sometimes comes across as a jumble of
uninteigiblewordcoages,theysomehowmakeperfectsense
when presented with the whole that is Beach House. Perhaps
Legrand herself put it best when she stated, “It’s a lot easier just
j
u
to feel it.”
s
t
f
e e l
i
t
Beach House playing
live at Coachella.
2014
Beach House Collectors’ Guide 10
h e a
r t
a c h
e
Songs on Heartache prompt feelings of
desperation, loneliness, rejection, and
loss. As you listen through each recording,
you wipeekintovignettesofthestages
of a failed romantic relationship — from
the high point of the relationship in
“Somewhere Tonight,” to the point when
things start to sour on “Other People,”
to later bitterness with “Astronaut.” The
variations between slow and aggressive
tempos, partnered with scattered synth
and piano melodies, create the same
neuroticism felt within these events. Join
the record as you, too, romanticize the
nostalgia of a past failed relationship.
This song depicts one moving through flings,
but is left feeling empty. The title relates to
“jack of all trades, master of none” referring
to many lays but lack of a companion.
You always go to the parties
To pluck the feathers off a the birds
On your knees
I would not beg you please
I want your picture but not your words
You know they’d want it but there’s no rst
On your own
You cannot ca it your home
Beach House Collectors’ Guide 14
We always rub our hands too much
We know the reasons but such and such
Master of None Beach House 3:19
On your own
You winotcatchyourownbone
We run our ngers together
You know it’s easy
The devil’s plan
On your own
You cannot ca me your own
Jack of a trades
Master of none
Cry a the time
‘Cause I’m not having fun
You always want to be forgiven
The devil does what you ask of him
On your knees
You cannot
You are not for free
Space Song Depression Cherry 5:20
It was late at night
You held on tight
From an empty seat
A ash of light
It witakeawhile
To make you smile
Somewhere in these eyes
I’m on your side
You wide-eyed girls
You get it right
Fabackintoplace
Tender is the night
For a broken heart
Who widryyoureyes
When it fas apart?
What makes this fragile world go round?
Were you ever lost?
Was she ever found?
Somewhere in these eyes
The song is about isolation
from a lover. She
seems rather somber due
to the fact that her
former lover had never
returned the same
dedication to their
broken relationship.
Fabackintoplace
Out in the heartland I looked in your eyes
Asked are you ready —
Ready for this life?
Did you see it coming?
It happened so fast
PPP Depression Cherry 6:09
Timing was perfect
Water on glass
Like tracing gureseightsoniceinskatessowe
And if this ice should break
It would be my mistake
Between the cities and between the thrills
There’s something inside you
That doesn’t sleep we
It won’t last forever
Or maybe it wi
The white clothes they gave you
You wear them so we
Someone once told me
In love that you must
Place a you’re given
In innite trust
Yet I’m tracing gureeightsoniceinskates
Oh we
And if this ice should break it would be
My mistake
PPP stands for “Piss
Poor Planning”, a term
widely used in the 60’s
and 70’s. The couple in
the song are getting
married, and one of them
is having doubts about
whether or not they were
ready for the plunge.
Walk in the Park Teen Dream 5:23
You go for a walk in the park
Cause you don’t need anything
The hand that you sometimes hold
Doesn’t do anything
The face that you see in the door
Isn’t standing there anymore
In a matter of time
It wislipfrommymind
In and out of my life
You would slip from my mind
In a matter of time
The face that you saw in the door
Isn’t looking at you anymore
The name that you ca in its place
Isn’t waiting for your embrace
The world that you love to behold
Cannot hold you anymore
In a matter of time
It wislipfrommymind
In and out of my life
You would slip from my mind
In a matter of time
More you want more
You te me
More
Only time can run me
This song is about losing someone that you
were in love with and how you move on. The
walk in the park represents a meaningless
activity because you might feel empty and
without purpose after the loss.
Somewhere Tonight Thank Your Lucky Stars 4:14
Pink and blue were dancing
Empty oor
Shadows lancing
Somewhere in a baroom tonight
Red and blue combination
Old man finds elation
Somewhere in a baroom tonight
Love, see what I see tonight
Let us nd elation
Somewhere in a baroom tonight
Nowhere on an ordinary night
Pink and blue are representative of a girl
and a boy. They are dancing in a ballroom, but
images of anger and aggression emerge.
Beach House Collectors’ Guide 16
This is a look at the
mental state after a
breakup. It describes
the destruction of
looking at love in the
romantic, innocent,
pure way.
The rstthingthatIdo
Before I get into your house
I’m gonna tear off a the petals
From the rose that’s in your mouth
Beyond love
We reaywannaknow
We reay do agree
The last thing that she sees
Before they turn off a the lights
Was there a man up in the corner
Beyond Love Depression Cherry 4:25
You wanted to nd Elvis
And I didn’t understand
They take the simple things inside you
And put nightmares in your hands
Beyond love
With the spiders made of light
Beyond love
AIknow’swhatIsee
And I can’t live without this
Could you ever believe
This man comes to me
Heartbreak did this
He was made to believe
That he should live without it
Beyond love
I reaywannaknow
AIknow’swhatIsee
No change in this
Visions born in the dreams
Of a world le without it
The lyrics discuss the end of a relationship
due to the development of feelings towards
other people.
Other People Bloom 4:25
So you thought it would happen
Good love, goodbye
I know where no one can reach you
It’s your world — why would you fake it
These days go by as you turn around
Other people want to keep in touch
Something happens and it’s not enough
Never thought that it would mean so much
Other people want to keep in touch
Heaven won’t keep us together
Right place at the wrong time
It takes a kinds of weather
Distant new skies
Somewhere nothing can reach us
Was it ever quite enough?
Come over to my house
I’poursometeaforus
One sugar or two
Your hand is right in front of me
Your nger fragile
Holy on my side
This is about coming
home to a long time
lover, but worrying
that the other person
could have moved on.
Beach House Collectors’ Guide 18
Faster than an astronaut
Who’s coming home to what
He le long ago
I’ve made this brand new bed for you
Real Love Teen Dream 5:20
I met you somewhere
In a he beneath the stairs
There’s someone in that room
That frightens you
When they go boom
The color you say is black
Is the one you might lack
In the size of your eyes
Is there a righteous prize
There’s something wrong
With our hearts
When they beat pure
They stand apart
In the black room, the light
Watch the seabird fa
Real love
It nds you
Somewhere with your back to it
We know, we know
We belong
By the street and to the dawn
The song depicts the
feelings between two
people who are seemingly
drawn together, but
unable to stay together
long enough for it to
work out.
Astronaut Devotion 5:05
I trust the things we do
Holy or not
Open the gate, ’cause you’re already late
At the end of the lane
Is a glass of lemonade
Keep on the path
When you hear the laugh
In the white of her palm is your heart
I’bebraveforawhile
I won’t bring you down
Any more than you are
Please be my baby
Don’t mean maybe or not
Look out the window
There’s a bright yeow cat
m e l
a n
c h o
l
y
Melancholy surfaces feelings of existential dread,
indifference, sadness, and longing. Each song
witakeyouthroughadifferentrealm:experience
regret about the past and wasted time with
“Gila,” resurface emotional distance and longing
for understanding on “Myth,” and the act of
performative indifference in “Girl of the Year.”
As you let the waves of haunting guitar and
dark, secretive synth wash over you, you wi
come to peace with these feelings.
Driinginandout
You see the road you’re on
It came roingdownyourcheek
You say just what you mean
And in between
It’s never as it seems
Help me to name it
Beach House Collectors’ Guide 20
If you built yourself a myth
The song discusses the
course a person’s life
is taking. When we
finally reach a destination,
it often seems
to never be what we
thought it was.
Myth Bloom 4:19
You’d know just what to give
What comes aer this momentary bliss?
The consequence of what you do to me
Help me to name it
Found yourself in a new direction
Arrows faingfromthesun
Canyon caing
Would they come to greet you
Let you know you’re not the only one
Can’t keep hangin’ on
To what is dead and gone
If you built yourself a myth
You’d know just what to give
Materialize or let the ashes y
Help me to name it
Gila Devotion 4:46
Man you got a lot of jokes to te
So you throw your baby’s pennies
Down the we
Give a little more than you like
Pick apart the past
You’re not going back
Gila…
Sure you’ve got a handle on the past
It’s why you keep your little
Lovers in your lap
You give a little more than you like
Pick apart the past
You’re not gonna last
Don’t you waste your time
Gila…
Hoping for the last ship to arrive
I been blessed with a kingdom, half mine
Gila-la-la…
Gila is a song about a lover who foolishly
thinks that they can recreate the past.
As a result this ends up damaging their
future, and the future of their children.
Zebra Teen Dream 4:49
You know you’re gold
You don’t got to worry none
Oasis child born and so wild
Don’t I know you better than the rest?
Adeceptionfromyou
Your love is stag
In the white sand
Wilderness for miles
Eyes so mild and wise
Don’t I know you better than the rest?
Adeceptionfromyou
Anyway you run
You run before us
Black and white horse
Arching among us
Your love is stag
In the white sand
Oasis child born into a man
Don’t I know you better than the rest?
Adeceptionfromyou
A dark and dim song that describes the
familiarity of holding onto something
toxic.
This describes a person who seems melancholy,
untouchable, and altogether alien, but posses
an elusive beauty within them.
Black Car 7 4:11
We want to go
Inside the cold
It’s like a tomb
But it’s something to hold
And in the time
Before it ends
When the stiness bends
I skipped a rock and it fe to the bottom
Each time I’m walking at night
And I can’t close my eyes
I skipped a rock and it fe
Each time
At night
I close my eyes
to the bottom
Drunk in LA 7 3:59
According to Victoria, this song is about “an
old starlet sitting in a bar in the dark by
herself; someone who maybe had an insane life
that no one will know about because there’s
no one to talk to but themselves now.”
Can’t help seeking corners
Of dark and dead end rooms
Where the drinks keep pouring down
And the candles keep me warm
Isolation tenders
Something fragile coming soon
Skinny angels making eyes at cameras
Perched in every room
I had a good run playing horses in my mind
Lemyheartoutsomewhererunning
Wanting strangers to be mine
Memory’s a sacred meat
That’s drying a the time
On a hiside I remember
I am loving losing life
Strawberries in springtime
Pretty happy accidents
My awareness that I’m lucky
Roing clouds over cement
Maybe there’s a screenplay
Or a bathroom I can hide
Down the haways of a high school
And the dances le behind
I would climb the Eiffel Tower
Write letters on the sky
How many turns it took to reach you
I had a good run playing horses in my mind
On a hiside I remember
I am loving losing life
Inspired by Edie Sedgwick, this song
describes the downfalls of stardom and
loneliness and melancholy it can instill.
Girl of the Year 7 3:51
You slide out on sunset
Head west on bedrest
On your own
Get dressed to undress
Depressed to impress
A night long
Turn on the TV
They awannaseemecomeundone
Pick athepetalsoffathedaisies
One by one
The feelings here
The pattern caught in a faing tear
And in the waves
One goes and the other one knows
Baby’s gone
A night long
Beach House Collectors’ Guide 22
Tokyo Witch Beach House 3:42
In a dark wintry Tokyo
In the mahjong parlor he waits
Severed past running through his hands
Glory comes to the one who waits
In the haways they’re lying there
In the red blossom of the days
In your arms there is nothing le
Who you are is run away
My whole life is a mystery that I can’t break
Our aims is a Calvary of our mistakes
I would love to heal you now
In a dark wintry Tokyo
In the mahjong parlors they wait
Severed past weaving through their hands
Glory comes to the ones that wait
In the art of the arm
Red blossom of the days
AIwantedtoseeisthatIambetter
AIwanttobelieveisthatIambetter
Round and round
AIwantyoutoseeisthatIambetter
Round and round
Tokyo Witch compares life and relationships
between two characters while playing a game
of Mahjong, a game of bets.
10:37 Depression Cherry 3:49
Chances are like night
You’ disappear
Caught in the atmosphere
Where you go she casts no shadow
Stiyouknowshe’snear
Here she comes
A parts of everything
Stars in the motherhand
With the dark thunder above you
Come to us soaring
Chances are
10:37
House made of the dawn
Disappears
According to the band,
this song is an homage
to toy soldier drum
beats and a subject
that casts no shadow.
The song discusses a
longing for something
or someone, painting
the scene in dreamy,
majestic images.
Bluebird Depression Cherry 3:55
Beach House Collectors’ Guide 24
Light that comes upon the ceiling
My mouth
These arms hold a feeling
Even I can’t control my nature
If they should come up much before you
I would not ever try to capture you
Bluebird
Where you gonna go now
Lead me to the gaows
Where out the corner of my eye
There’s something
That’s puing me back
From nothing
Scenes change before they are over
p r
o
m i
s
e
Promise provides a more hopeful outlet, dealing
with emotions pertaining to desires and
anticipations. This record presents only the
chirpiest synth, powerful drum beats, and
hypnotic melody patterns you can dance along
with. From metaphysical empowerment
discussed on “Lemon Glow,” to the reward of
the emotional closeness that comes with act
of caring for another on “Take Care,” to the start
of new beginnings evoked with “Sparks,”
these tracks wihelpservetouplianylistener.
Lazuli Bloom 5:02
This song is a mood piece about Lapis
Lazuli, a rare semi-precious stone.
It evokes the beauty and wonder of
the stone.
In the blue of this life
Where it ends in the night
When you couldn’t see
You would come for me
Wonder eyes, motion high
And we don’t dare slip on by
Make us suffer like no other
Is nothing like lapis lazuli?
Let it go back to me
Like no other you can’t be replaced
Is nothing like lapis lazuli?
Let it go back to me
Like no other you can’t be replaced
Like no other you can’t be replaced
Wildflower Depression Cherry 3:39
No better color
Looked everywhere
Driving home every night
Shadows stay by your side
You built a city a in your head
Triangle of ever light
It turns you on every night
Need a companion
A hidden prayer
You know you’re not losing your mind
What’s leyoumakesomethingofit
The sky and what’s le above it
The way you want nothing of it
No better color
Look everywhere
Wildower
Depicted in this piece
is the thought of
being unintentional
and organic. The
song considers what it
means to exist free
from overthinking and
redefines freedom.
Beach House Collectors’ Guide 26
Read my fortune too
You see through me
This song is about
general mystery and
the empowerment of
one’s mind. The mind
has much to be seen.
Go and explore it.
Lemon Glow 7 4:05
Temewhatyousee
Cross it like a t
It’s athesametome
This game I play — I do it everyday
Then promise i’ be ne
Bear it every time
When you turn the lights down low
Lemon color honey glow
See this state I’m in
Is crawling in my skin
Fevers took me back
And turned me inside out
It’s what you do
This pus me through
To the other end where it begins
Stiit’scomingback
I come alive
You stay a night
You feel it coming right through you
The color of your mind
You feel it coming right through you
It’s on the other side
It doesn’t have to be this way
The color of your mind
It’s what you do
This pus me through
I come alive
Candy-colored misery
The color of your mind
Dive 7 4:25
Te her something
Tehernothing
Teherthatyou’rewaiting
And I know you like it
So you try to hide it
I was looking out the window
Athepeoplewaiting
Te her something
Tehernothing
Teherthatyou’refading
And I know you like it
So you try to hide it
And you know I like it
So I dive to nd it
In eyes, lost in confusion
Golden hearts, le a iusion
Is it my imagination?
Shadow, icker creation
In high over the ocean
Waves crash
Mechanical motion
Le a iusion
Says Victoria, “You can listen to Dive and
feel whatever you want—be that rebirth, where
you’re on the point of a change—it’s the
politics of nature, the predestined, inevitable
sign-waves of things.”
The way this song keeps going until it leaves
you or you leave it signals meanings about
the future. The song discusses promises to take
care of someone, even if they have to wait
until a future date.
Take Care Teen Dream 5:48
Stand beside it
We can’t hide the way you make us glow
It’s no good unless it grows
Feel this burning love of mine
Deep inside the ever spinning
Teme,doesitfeel
It’s no good unless it’s real
Hisides burning
Wild-eyed turning
Til we’re running from it
I’d take care of you
If you’d ask me to
In a year or two
You say swimming in the lake
We’comeacrossasnake
It is real and then it’s fake
Feel its heartbeat
Feel what you heat
Far so fast
It feels too late
I’d take care of you
That’s true
Alien Alien 4:03
City night
White on white in your eyes
Steals your gaze
Anything
Before it steals away
Paper dosonthewires
Set on re
Take each coal between us
Takes us a away
Sorry, sometimes I get carried
Up on the movie screen
Black beauty limousines for you
These dreams of chasing days
Fake owerstothegraveforyou
Helpless and glimmering
Dear some days, up a night with you
Sorry, sometimes
I get carried away
Sorry
I get carried away
This piece considers
the idea of leaving
everything behind and
being taken away—with
nothing to hold you back.
away
Beach House Collectors’ Guide 28
You and me
With our long hair on the gold wa
Aermidnightwecouldfeelita
I’d go anywhere you want to
You should see
There’s a place I want to take you
When the train comes I wi hold you
’Cause you blow my mind
"Levitation" transcends the worldly body
and suggests elevating one’s mind to a
far out dreamscape.
Levitation Depression Cherry 5:55
On the bridge
Levitating ’cause we want to
When the unknown wi surround you
There is no right time
The branches of the trees
They wi hang lower now
You wigrowtooquick
Then you wigetoverit
There’s a place I want to take you
When the unknown wi surround you
Were you high
When they knocked on the door
Looking for you
Take my hand
As our bodies li up s l o w ly
We drive around this town
Houses melting down
A vision turning green
Is awe’veeverseen
And then it’s dark again
A new development
Wishing that it meant
Something natural
Don’t we know it’s cruel
And it goes dark again
Just like a spark
Haucination comes
Think of everyone
That never shared before
No one around
And then it comes again
And then we’re vanishing
You go to school
You foowatherules
You live inside
Realize there’s something
In your eyes
You’re back again
From the spine rising
Through the mind
You give it up
It’s a gitakenfromthelips
You live again
This song is about denial and belief in the
positive. The narrator denies the obvious,
looking instead to hopeful alternatives.
The heart is a stone
And this is a stone that we throw
Put your hand on this stone
It’s the stone of a home you know
They say we wi go far but
They don’t know how far we’ go
With our legs on the edge
And our feet on the horizon
They say we can throw far but
Beach House Collectors’ Guide 30
From my mouth to yours
They don’t know how far we throw
And then it’s dark again
It can’t be gone
This song is dedicated
to the ever changing
nature of life. It suggests
the inevitable
fading and entering of
Sparks Depression Cherry 5:21
people and feelings
in a positive light.
Just like a spark
And then it vanishes
10 Mile Stereo Teen Dream 5:04
We’re sti right here
It took so long
Can’t say we heard it a
Limbs parael
We stood so long we fe
Tear a moment from the days
That carry us on forever
This push and pu is the force
Of a wave of time
In the heat of a night we would cry
You are not mine
Bright pyramids at night
That carry us on forever
Love’s like a pantheon
It carries us on forever