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Andrew Litten 'Concerning the Fragile'

Fully illustrate online publication to coincide with the solo exhibition 'Concerning the Fragile' by Andrew Litten at Anima Mundi, St. Ives

Fully illustrate online publication to coincide with the solo exhibition 'Concerning the Fragile' by Andrew Litten at Anima Mundi, St. Ives

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<strong>Andrew</strong> <strong>Litten</strong><br />

Concerning <strong>the</strong> Fragile


“All you have to do is write one true sentence.<br />

Write <strong>the</strong> truest sentence that you know.”<br />

Ernest Hemingway


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‘Concerning The Fragile’ is a solo exhibition of large scale<br />

figurative paintings, bronze sculpture and mixed media<br />

works on paper by British artist <strong>Andrew</strong> <strong>Litten</strong>.<br />

The exhibition reflects <strong>the</strong> fragility of life with a succinct<br />

and inescapable relevance to <strong>the</strong> recent world crisis,<br />

unguardedly exploring complex states of our contemporary<br />

condition through a multifaceted body of work. As <strong>Litten</strong><br />

states “The work itself is intended to be unguarded, full<br />

of raw nerves and emotionally varied. I look to create art<br />

that speaks of <strong>the</strong> love, anger, loss, personal growth and <strong>the</strong><br />

private confusions we all experience in our lives. Where<br />

our vulnerability is made apparent, <strong>the</strong>re is <strong>the</strong>n a<br />

potential to relate to o<strong>the</strong>rs. I want this exhibition to nurture<br />

a life affirming sense of our shared humanity and encourage<br />

wider readings of compassion. Empathy is powerful.” The<br />

profundity of this endeavour is all <strong>the</strong> more notable as it has<br />

been completed and assembled following <strong>the</strong> tragic passing<br />

of his wife Emma last year, which both overshadows and<br />

prescribes a subtext for this exhibition.<br />

<strong>Litten</strong> speaks of his hopes and objectives for <strong>the</strong> show: “Our<br />

shared need to connect, to engage with o<strong>the</strong>rs, to share<br />

emotion and express protective feeling towards o<strong>the</strong>rs who<br />

are vulnerable is such an essential and fundamental part of<br />

our basic nature. We want to feel moved, yet in a world that<br />

has become increasingly dominated by social media hits,<br />

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disturbing pointless image overload and divisive<br />

identity posturing; <strong>the</strong> truly sensitive nuanced reflections<br />

can become rarer and sidelined. Through <strong>the</strong>se works I seek<br />

to create stories of au<strong>the</strong>nticity and to explore <strong>the</strong> part of<br />

us that wants to care - to compress a sense of endurance of<br />

human spirit.”<br />

The work itself expresses firm commitment to <strong>the</strong><br />

power of hand manipulated media, carrying a prolonged<br />

focus of energy and intensity to <strong>the</strong> viewer. For <strong>Litten</strong>,<br />

reassessment, manipulation and exploration of <strong>the</strong><br />

unfamiliar are intrinsic to finding artistic articulacy.<br />

Traditional portraiture becomes a format for <strong>the</strong><br />

representation of dependence (‘Alcohol Now’ and ‘Drugs<br />

Combination 1,2,3’), breakdown (‘Emma - With Noise’), faith<br />

(‘Blessed’ & ‘Praying’), passing (‘Head of a Dying Man’) and<br />

responsibility (‘Fa<strong>the</strong>r and Child’). Larger scale allegorical<br />

compositions (‘Seated Man With Animals’ & ‘Discredited’)<br />

ambitiously tackle wider anxieties of <strong>the</strong> uncomfortable<br />

animal instincts within us that are often thinly veiled<br />

by civility.<br />

‘Concerning <strong>the</strong> Fragile’ is imbued with <strong>the</strong> raw aim of<br />

defining issues of contemporary social conditioning and<br />

private confusion within a wider context that is<br />

nei<strong>the</strong>r judgemental or sensationalist but humanistic<br />

in essence.<br />

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Whispering<br />

bronze (edition of 5), 46 x 21 x 20 cm<br />

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Seated Man with Animals<br />

oil on canvas, 180 x 200 cm each<br />

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Seated Man with Animals Study<br />

mixed media on paper, 79 x 59 cm<br />

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Seated Man with Animals Study<br />

mixed media on paper, 79 x 59 cm<br />

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The Condition<br />

oil on canvas, 151 x 120 cm<br />

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Animals<br />

oil on canvas, 130 x 61 cm<br />

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Orange Table<br />

mixed media on paper, 70 x 55 cm<br />

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Gender Scramble<br />

mixed media on paper, 70 x 100 cm<br />

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Liminal Stage<br />

oil on canvas, 130 x 200 cm<br />

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Drugs Combination 1<br />

oil on canvas, 100 x 80 cm<br />

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Drugs Combination 2<br />

oil on canvas, 120 x 80 cm<br />

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Drugs Combination 3<br />

oil on canvas, 180 x 130 cm<br />

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Her Desire for Order<br />

mixed media on paper, 100 x 70 cm<br />

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Tired<br />

mixed media on paper, 100 x 70 cm<br />

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Alcohol Now<br />

oil on canvas, 151 x 120 cm<br />

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Discredited<br />

oil on canvas, 180 x 140 cm<br />

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Thinking of Flight<br />

mixed media on paper, 70 x 80 cm<br />

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Thinking of Flight<br />

mixed media on paper, 100 x 70 cm<br />

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The Clouds<br />

oil on canvas, 170 x 210 cm<br />

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Being Nowhere<br />

mixed media on paper, 100 x 70 cm<br />

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Rain<br />

mixed media on paper, 100 x 70 cm<br />

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Nail Biting<br />

mixed media on paper, 81 x 57 cm<br />

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Emma (With Noise)<br />

mixed media on paper, 78 x 64 cm<br />

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Remnants<br />

oil on canvas, 200 x 170 cm<br />

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Praying<br />

bronze (edition of 5), 45 x 24 x 12 cm<br />

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Head of a Dying Man<br />

oil on canvas, 90 x 90 cm<br />

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God Spot<br />

mixed media on paper, 100 x 70 cm<br />

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Blessed<br />

mixed media on paper, 100 x 70 cm<br />

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Blessed<br />

mixed media on paper, 203 x 130 cm<br />

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The Territory<br />

oil on canvas, 110 x 100 cm<br />

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Street Pose<br />

mixed media on paper, 203 x 130 cm<br />

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Street Shrine<br />

mixed media on paper, 140 x 170 cm<br />

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Regenerate<br />

oil on canvas<br />

220 x 170 cm / 220 x 120 cm / 220 x 170 cm<br />

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Fa<strong>the</strong>r and Child<br />

bronze (edition of 5), 58 x 20 x 13 cm<br />

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<strong>Andrew</strong> <strong>Litten</strong> is a British artist, born in Aylesbury,<br />

Buckinghamshire in 1970. He currently works from his studio in<br />

Fowey, Cornwall in <strong>the</strong> UK.<br />

His dynamic and gestural figurative paintings express<br />

a strong interest in <strong>the</strong> universal complexity of everyday<br />

existence. Dealing with humanistic <strong>the</strong>mes such as love,<br />

sensuality, fear, anger, loss, nostalgia, mundanity, personal growth<br />

and perceived identity normality or disturbance. Paintings are<br />

created with an unguarded, empa<strong>the</strong>tic attitude, like so many<br />

expressionistic artists, a rawness of approach combined with<br />

an often viscous application of paint is also key to <strong>the</strong> extreme<br />

experience felt from <strong>the</strong> work. Gesture and nuance inspire<br />

extreme emotive reading, perhaps subversive, tender,passionate,<br />

ambivalent, malevolent or compassionate, our response becomes<br />

one of allure or repulsion.<br />

<strong>Litten</strong> is a self-taught artist. Early success came when his work<br />

was included in an exhibition titled ‘Nudes’ in New York City,<br />

(along with Jacob Epstein and Pierre-Auguste Renoir), where<br />

his work was highlighted and reviewed by <strong>the</strong> New York Times.<br />

Shortly after he had four consecutive solo exhibitions each<br />

of which included publications at Goldfish, Cornwall. O<strong>the</strong>r<br />

notable exhibitions included ‘Move’ at Vyner Street, London,<br />

during Frieze Art Week 2007, where his work ‘Dog Breeder’,<br />

created a twisted and emphatic statement. He was also included in<br />

‘No Soul For Sale’ at Tate Modern Turbine Hall, London in 2010.<br />

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In 2012 he held a major solo exhibition at Millennium in St<br />

Ives, Cornwall and that year was given a guest solo exhibition<br />

at L13 Light Industrial Workshop, London. He has also held<br />

large-scale solo exhibitions at Spike Island and Motorcade<br />

FlashParade in Bristol. Ordinary Bodies, Ordinary Bones<br />

was conceived with support from The Arts Council, UK and<br />

exhibited at Anima Mundi in 2018, his follow up solo<br />

exhibition ‘Concerning <strong>the</strong> Fragile’ at Anima Mundi in 2020.<br />

Works have been included in numerous international curated<br />

mixed exhibitions in Berlin, Dublin, Siena, Milwaukee and New<br />

York City and in Venice during <strong>the</strong> 54th Biennale. Most recently<br />

paintings have been exhibited in four major museums in China.<br />

<strong>Andrew</strong> <strong>Litten</strong> paintings feature in numerous international<br />

collections including <strong>the</strong> Milwaukee Art Museum Collection.<br />

‘Concerning <strong>the</strong> Fragile’ will be linked to <strong>the</strong> charity Mind<br />

Cornwall, fundraising and gaining feedback regarding how<br />

resources can be developed to offer fur<strong>the</strong>r support to help<br />

people in Cornwall.<br />

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Published by Anima Mundi to coincide with <strong>Andrew</strong> <strong>Litten</strong> ‘Concerning <strong>the</strong> Fragile’<br />

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or<br />

by any means electronic, mechanical, photocopying, recording or o<strong>the</strong>rwise without <strong>the</strong> prior permission of <strong>the</strong> publishers<br />

Anima Mundi . Street-an-Pol . St. Ives . Cornwall . +44 (0)1736 793121 . mail@animamundigallery.com . www.animamundigallery.com


www.animamundigallery.com

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