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24 STYLE | art<br />

SOUL DANCE<br />

Heather Brown was a busy business owner. But bubbling beneath was<br />

her artist’s soul waiting to be released. She talks to Shelley Robinson about her<br />

latest exhibition and finding her ‘soul dance’.<br />

For hours on end, Heather Brown will work. Frenetically<br />

stroking layers of paint in sweeping motions across her<br />

canvas. Clad in her slippers and pyjamas, she had only intended<br />

to pop across the driveway to her studio for a moment. But<br />

when she reemerges from the place she goes to create, she<br />

realises the day has slipped away.<br />

Heather laughs and shakes her head at herself. When we<br />

meet, she is wearing an apron splattered with paint and classical<br />

music plays softly in the background. Her Christchurch studio<br />

is filled with early afternoon light, bouncing off the resin on her<br />

artwork. Paintings are propped on walls, tables and easels and<br />

wait, like expectant children, to be packed into the car. At the<br />

time of publishing, they will be on display at the SCAPE Public<br />

Art exhibition, In the Stillness.<br />

Heather has led life at a swift pace. With her husband Neville,<br />

she owns FreshChoice City Market and Barrington, working<br />

together while juggling family life. All the while, however,<br />

bubbling beneath the surface has been a stream of creative<br />

energy waiting patiently to be released.<br />

It was when the Browns were building a new home<br />

in 2003 that inspiration struck. The white walls suddenly<br />

beckoned to Heather, asking to be completed with works<br />

of art that were of her own hand. So, she bought some<br />

canvases and headed to her garage to respond.<br />

“It [the garage] was a place where I got my joy, where<br />

time became expanded, irrelevant,” she says. “It was restful<br />

to my mind, but at the same time energising because I was<br />

only thinking of one thing, instead of the life I would lead<br />

outside of the garage.”<br />

She still had the business to run, so the garage was<br />

abandoned once the artwork were complete.<br />

A chance meeting with renowned New Zealand artist<br />

Max Gimblett saw her take up an invitation to spend time<br />

with him in New York in 2012. Then, on a trip to France,<br />

she had an opportunity to paint one-on-one with a French<br />

American painter, Véronique Porter, in a small town called<br />

Vence.<br />

“We painted all day in her atelier [studio] and she would<br />

invite her other artist friends to join us. They would come<br />

and paint and then disappear and then someone else<br />

would come and join us,” she says.<br />

In 2015, Heather went to Tuscany, Italy and this time<br />

sought out a painting class. In an old watermill building in a<br />

village of Posara, she joined 10 other artists to study with<br />

Sandra Iafrate.<br />

With her creative fire thoroughly stoked, Heather<br />

returned to New Zealand and she knew it was time to get<br />

“cracking”. She purchased a building at 125 Aikmans Road,<br />

Merivale, to use as a working studio and gallery, which she<br />

would later call Studio 125 Gallery. While she waited for<br />

the then occupier’s lease to run out, she found a space<br />

three doors down to serve as her temporary studio.<br />

“I would go there and paint all day, every day. I couldn’t<br />

get the paint on the canvas quick enough,” she smiles.<br />

When Heather was working on opening FreshChoice<br />

City Market, she offered use of the building to SCAPE<br />

Public Art. Heather is showing her series Psalm 46:10 there<br />

alongside other artists for the In the Stillness exhibition. She<br />

donates a portion of her sales to SCAPE.<br />

Heather has a wonderful way of talking; gesticulating with<br />

her elegant artist’s hands. But this shifts into another gear<br />

when she talks about her series.<br />

She rises from her chair and moves across the studio to<br />

where her painting Shepherd’s Delight rests on an easel. The

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