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14 STYLE | feature<br />

Self-taught, Debra prides herself on pushing her craft beyond its limits. Photo Acorn photography<br />

“It’s just not going to happen with Covid-19,” she<br />

reluctantly concedes.<br />

But with whiplash-like quickness, she is cheerful once<br />

again. You get the sense there is not much that can keep<br />

the Port Chalmers jeweller down, not even the February<br />

22, 2011 earthquake, which tried its best to decimate<br />

her business.<br />

She was in her Lichfield Street gallery, by Poplar Lane,<br />

when she got a phone call from a neighbour that her<br />

two mastiff-cross dogs were barking up a storm in the<br />

neighbourhood. And now noise control was sitting outside<br />

her home.<br />

“So I went home, put the dogs on the couch and put the<br />

TV on and told them [the dogs] I had to go back to work,”<br />

she says. “Then the bloody earthquake hit. I was really<br />

lucky, the dogs must’ve known.”<br />

The back of her building had fallen off and, like many<br />

businesses, it was about six months before she was given<br />

10 minutes in her studio to fill a wheelie bin and get out.<br />

Debra never returned to the building after that.<br />

It was the middle of wedding ring season and Debra<br />

had to get back to work. Her husband and builder, Dean<br />

Brewster, divided their bedroom, creating a workroom for<br />

Debra to continue her craft while the city slowly put itself<br />

back together.<br />

A couple of years later, Debra and Dean moved to<br />

Port Chalmers, charmed by its eclectic artistic vibe. She<br />

now manufactures from her Dunedin home and Dean<br />

has joined her in the workroom after hanging up his tools.<br />

Their constant companion is rescue dog Maia.<br />

“I’d say you are a wee bit needy, aren’t you,” Debra<br />

murmurs to Maia, as she pats her, reassuring the pooch<br />

that they will go for a walk soon.<br />

“All she wants is cuddles, hugs and love. Even if I have a<br />

fire going on in the other room, she still has to be in the<br />

studio,” she says.<br />

Debra became a jeweller quite by accident. She has<br />

always been a bit of magpie, she says, the child in the ballet<br />

class who had to have the dress with the most sparkles. At<br />

12, she was at flea markets with her polymer clay jewellery,<br />

making enough to visit her aunt in Australia. At 19, as<br />

many people did in the 1980s, she packed her bags and<br />

left Dunedin for Australia, where she worked in publishing.<br />

When the industry started appreciating a more digital<br />

presence, she had to upskill, which is how, surprisingly, she<br />

stumbled upon crafting jewellery.<br />

“I was supposed to do a computer course that had been<br />

cancelled in Sydney and they said, ‘Do you want to do this<br />

jewellery course or do you want your money back?’ ”<br />

She opted for the course. Though if you say the<br />

word “training” to Debra, she’ll have a chuckle and a bit<br />

of a snort. For this self-taught jeweller, there was no<br />

“classical training”.<br />

“I have no manufacturing experience and I have no art<br />

school background either. It was just a hobby and it wasn’t<br />

until I moved back to New Zealand pregnant, 31 years<br />

old and living with my parents that I took it up seriously,”<br />

she says.<br />

The tagline on her website is: ‘Extraordinary jewellery for<br />

uncommon people.’<br />

“I did wonder if that sounded a bit pretentious,” says<br />

Debra in that way she has of thinking out loud.<br />

“But it means that it is OK not to be completely<br />

normal. I’ve learned over the years, that you can’t please<br />

everybody. The world would be a boring place if people<br />

liked the same things, so that is kind of what my jewellery<br />

is about.”<br />

She has developed her own techniques, always<br />

challenging the “right way” of doing things.<br />

“I would ask, ‘Why can’t we do it this way?’ Often the<br />

answer was because ‘that’s not the way it is done’. To<br />

me, that is not an answer, that’s just a brush-off. Well, why<br />

isn’t it done that way? What happens if it is done this way?”<br />

Debra is not afraid of failing with her experiments either,<br />

because they have led to her “quite different techniques”<br />

and bespoke pieces.<br />

Rattling sounds ramp up in the background. It is time<br />

for Debra to head off to her gallery in George Street. It is<br />

already shaping up to be a busy day for the jeweller, but<br />

she wouldn’t have it any other way.

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