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14 STYLE | feature<br />
Self-taught, Debra prides herself on pushing her craft beyond its limits. Photo Acorn photography<br />
“It’s just not going to happen with Covid-19,” she<br />
reluctantly concedes.<br />
But with whiplash-like quickness, she is cheerful once<br />
again. You get the sense there is not much that can keep<br />
the Port Chalmers jeweller down, not even the February<br />
22, 2011 earthquake, which tried its best to decimate<br />
her business.<br />
She was in her Lichfield Street gallery, by Poplar Lane,<br />
when she got a phone call from a neighbour that her<br />
two mastiff-cross dogs were barking up a storm in the<br />
neighbourhood. And now noise control was sitting outside<br />
her home.<br />
“So I went home, put the dogs on the couch and put the<br />
TV on and told them [the dogs] I had to go back to work,”<br />
she says. “Then the bloody earthquake hit. I was really<br />
lucky, the dogs must’ve known.”<br />
The back of her building had fallen off and, like many<br />
businesses, it was about six months before she was given<br />
10 minutes in her studio to fill a wheelie bin and get out.<br />
Debra never returned to the building after that.<br />
It was the middle of wedding ring season and Debra<br />
had to get back to work. Her husband and builder, Dean<br />
Brewster, divided their bedroom, creating a workroom for<br />
Debra to continue her craft while the city slowly put itself<br />
back together.<br />
A couple of years later, Debra and Dean moved to<br />
Port Chalmers, charmed by its eclectic artistic vibe. She<br />
now manufactures from her Dunedin home and Dean<br />
has joined her in the workroom after hanging up his tools.<br />
Their constant companion is rescue dog Maia.<br />
“I’d say you are a wee bit needy, aren’t you,” Debra<br />
murmurs to Maia, as she pats her, reassuring the pooch<br />
that they will go for a walk soon.<br />
“All she wants is cuddles, hugs and love. Even if I have a<br />
fire going on in the other room, she still has to be in the<br />
studio,” she says.<br />
Debra became a jeweller quite by accident. She has<br />
always been a bit of magpie, she says, the child in the ballet<br />
class who had to have the dress with the most sparkles. At<br />
12, she was at flea markets with her polymer clay jewellery,<br />
making enough to visit her aunt in Australia. At 19, as<br />
many people did in the 1980s, she packed her bags and<br />
left Dunedin for Australia, where she worked in publishing.<br />
When the industry started appreciating a more digital<br />
presence, she had to upskill, which is how, surprisingly, she<br />
stumbled upon crafting jewellery.<br />
“I was supposed to do a computer course that had been<br />
cancelled in Sydney and they said, ‘Do you want to do this<br />
jewellery course or do you want your money back?’ ”<br />
She opted for the course. Though if you say the<br />
word “training” to Debra, she’ll have a chuckle and a bit<br />
of a snort. For this self-taught jeweller, there was no<br />
“classical training”.<br />
“I have no manufacturing experience and I have no art<br />
school background either. It was just a hobby and it wasn’t<br />
until I moved back to New Zealand pregnant, 31 years<br />
old and living with my parents that I took it up seriously,”<br />
she says.<br />
The tagline on her website is: ‘Extraordinary jewellery for<br />
uncommon people.’<br />
“I did wonder if that sounded a bit pretentious,” says<br />
Debra in that way she has of thinking out loud.<br />
“But it means that it is OK not to be completely<br />
normal. I’ve learned over the years, that you can’t please<br />
everybody. The world would be a boring place if people<br />
liked the same things, so that is kind of what my jewellery<br />
is about.”<br />
She has developed her own techniques, always<br />
challenging the “right way” of doing things.<br />
“I would ask, ‘Why can’t we do it this way?’ Often the<br />
answer was because ‘that’s not the way it is done’. To<br />
me, that is not an answer, that’s just a brush-off. Well, why<br />
isn’t it done that way? What happens if it is done this way?”<br />
Debra is not afraid of failing with her experiments either,<br />
because they have led to her “quite different techniques”<br />
and bespoke pieces.<br />
Rattling sounds ramp up in the background. It is time<br />
for Debra to head off to her gallery in George Street. It is<br />
already shaping up to be a busy day for the jeweller, but<br />
she wouldn’t have it any other way.