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April & May 2019

April & May 2019 Color Issue

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wood about 15 minutes away and ride the<br />

rides on Hunt’s Pier back when it was safe<br />

to let your kids eat cotton candy by themselves.<br />

You liked your peace and quiet in The<br />

Point. You liked your peace and quiet when<br />

you were painting. My fiancé’s daughter is<br />

sleeping in bunk beds in the room that used<br />

to be your dark room. Did you know that?<br />

Did you know that those beds have meant<br />

more to our family than a thousand photos?<br />

Did you mean for that? Did you mean for<br />

any of it?<br />

Norman Rockwell did dishes in this<br />

kitchen. He came in ’62 when the hurricane<br />

ravaged Cape <strong>May</strong> but the jetties held The<br />

Point. Sort of. Okay, not at all. But I like<br />

the story better that way. He came to take<br />

pictures. He came a few times in our family’s<br />

history. You were friends, he and you.<br />

And he left things with you. He left you<br />

sketches. He left you sketches and that was<br />

your fortune, the sketches and the house at<br />

The Point. When you left this world, you<br />

had two sons, and my grandfather fought<br />

to make sure that this house, that you never<br />

meant to be a beach house, stayed in Eadline<br />

hands. I hope the Rockwell drawings<br />

Opposite page: Author Lauren Eadline’s<br />

great-grandfather Percy Eadline with<br />

legendary illustrator Norman Rockwell on<br />

the beach at Cape <strong>May</strong> in 1962. Rockwell is<br />

famous for his Saturday Evening Post covers,<br />

one of which was supposed to include a<br />

portrat from Cape <strong>May</strong>. Percy, a talented<br />

photographer who owned a little cottage<br />

at Cape <strong>May</strong> Point, was selected to shoot<br />

the photos that would inspire Rockwell’s<br />

drawing. Sadly, the Cape <strong>May</strong> drawing<br />

never made it to the cover of the Post,<br />

but Percy and the artist kept up a warm<br />

correspondence, as these letters show.<br />

exit zero 81 april-may<br />

are happy, wherever they ended up. I don’t<br />

regret my grandfather’s decision to sell<br />

them for the house: had that not happened,<br />

I wouldn’t be sitting here now. I wouldn’t be<br />

sitting here while an eight-year-old sleeps<br />

in your dark room, still taking in everything<br />

she’s seen today. I remember that feeling.<br />

I know you don’t know what you’ve given<br />

us. I know there’s no way for you to understand<br />

that your little place by Lake Lilly,<br />

with the view of the lighthouse and a bike<br />

ride from the beach, has brought our family<br />

together for five generations. That children<br />

have been here. Husbands and ex-husbands.<br />

Best friends, nieces and nephews.<br />

Babies and grown-ups. Grandparents and<br />

hopeful stepmothers. This house created<br />

traditions. This house created bonds. This<br />

house has made memories, held hearts and<br />

mended grief. This house is our home.<br />

This house has stood through so much.<br />

Through the rescuing of the Victorians in<br />

Cape <strong>May</strong> in the 1970s. Through the ’62<br />

Nor’easter and Hurricane Sandy. Through<br />

the development of The Point. Through<br />

fights over that leftover half acre. This little<br />

cottage... the one we laugh at for being the

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