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NZPhotographer Issue 32, June 2020

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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of the sun and moon, depth of field charts, exposure<br />

tables, night augmented realities and so much<br />

more… It’s the ‘Photographers Bible’ in an app and<br />

for shooting the Milky Way is extremely helpful as it<br />

help with location, time frames of when the Milky<br />

Way will rise and when the core will be visible plus,<br />

with the Night Augmented Reality feature you can<br />

look at the screen of your phone and see the Milky<br />

Way at certain times of the day so you can plan your<br />

shot. I find it is worth its weight in gold but it does have<br />

many different parts to it and does take some getting<br />

used to so allow plenty of time to learn how it all works<br />

before heading out!<br />

SETTINGS<br />

So, now you’ve got your gear sorted, the question of<br />

“What settings do I use?” looms.<br />

As with all types of photography, settings are<br />

controlled by many different things. Sure there are<br />

some rules, but once you become familiar with the<br />

basics you’ll find yourself experimenting just as I did<br />

and developing your own taste.<br />

The easiest place to start is with something called<br />

the “500 rule”. There are a few things to take into<br />

consideration here.<br />

Is your camera a Full Frame body or Crop Sensor<br />

Body?<br />

What focal length lens are you using?<br />

With my own gear, I have a full frame Canon EOSR<br />

and a crop sensor Canon 80D (crop factor of 1.6) and<br />

as mentioned, a 20mm Sigma Art f1.4 lens.<br />

Using the 500 rule you take 500 and divide it by the<br />

focal length of the lens you are using. This gives you a<br />

base for your shutter speed to prevent star trailing in<br />

your images. This is something to experiment with as<br />

different cameras and lenses perform differently so<br />

start with the base setting and experiment from there.<br />

Here are the equations:<br />

Full frame: 500 divide by 20mm = 25 secs<br />

Crop Sensor (1.6 crop factor): 20mm x 1.6 (crop) =<br />

<strong>32</strong>… 500 divide by <strong>32</strong> = 15.6 so 15 sec<br />

Using these equations and just applying your camera<br />

and focal length will give you the basic setting for your<br />

shutter speed.<br />

For aperture, usually you will want your lens to be<br />

as wide open as possible. Again this is something to<br />

experiment with but I personally stop my lens down a<br />

little bit from f1.4 to f1.8-f2.8 depending on what I’m<br />

shooting. This also helps to get your stars as sharp as<br />

possible. A lens wide open will usually be a little soft<br />

so stopping down the lens helps with this and also<br />

helps with something called “Coma” which is quite<br />

noticeable at the outer edges of the frame.<br />

Next is ISO. Again, camera and lens combinations<br />

react differently so experiment to know what works<br />

best for you, your set up, and how you want your<br />

images to look. With my camera and lens combo<br />

I personally start at ISO 1600, using a f1.8 or f2.8<br />

aperture and a 25 sec shutter speed. I will then<br />

check the image in the viewfinder and make any<br />

adjustments I feel are needed at the time. Again there<br />

is no wrong or right here… Just try it and find what<br />

you’re happy with.<br />

SETTING FOCUS<br />

Another big question is “How do I focus so I end up<br />

with nice sharp stars and not bokeh balls?” There are<br />

a few different methods to cover this, here are the<br />

most popular.<br />

If your lens has the infinity symbol on it, use manual<br />

focus. Turn your focus ring to line up the infinity symbol<br />

with the mark on the lens and it should be pretty<br />

good. However, the infinity symbol is not always exact<br />

so sometimes you may end up with slightly blurry stars.<br />

If your lens has no markings, go out during the day<br />

and put some tape on your focus ring and lens body.<br />

Focus on something a decent distance away and<br />

mark the tape on the focus ring and lens body. This<br />

will focus your lens at infinity. Then, when you go out<br />

at night, switch your lens to Manual focus, line up the<br />

marks and you should have a nice sharp image.<br />

Lastly, the live view method which I use as I find it is<br />

the most accurate and have never had any issue with<br />

out of focus images at night. Once you’re all set up<br />

at location, switch your camera to live view mode,<br />

set your lens to manual focus, use the digital zoom on<br />

the live screen (I have 5x and 10x digital zoom) get a<br />

bright star in your viewfinder (you may have to crank<br />

up your ISO to 6400 for this) open your aperture right<br />

up and set you shutter speed to say 30secs (just to do<br />

this). Once you have the bright star in the viewfinder<br />

go to 10x digital zoom if possible, then using your focus<br />

ring, adjust focus until the star becomes as small as<br />

possible and boom… you now have perfect focus. Go<br />

back to your normal full screen view, set the settings<br />

you actually require as previously mentioned, hit that<br />

shutter button and see what you get. I’m sure it will be<br />

awesome!<br />

Please feel free to ask me any questions<br />

@tonyelkinsphotography and I will do my best to help.<br />

In the meantime, I wish you “Happy Hunting and Clear<br />

Skies”.<br />

albums.excio.io/profile/tony@aepnz<br />

<strong>June</strong> <strong>2020</strong> 21

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