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OPEN 2

The OPEN series was born from the desire to create a forum for applauding and interrogating strong creative design within the Out of Home (OOH) industry. Illustrating how OOH is part of our cityscape, our commute, our weekend and our shopping and holiday experiences, OOH is ‘the original tweet’ and it cannot be switched off, ignored or fast forwarded. Big, bold, cheeky, simple, clever and controversial, OOH is the ultimate creative stage, allowing brands to be unique, contextually relevant and targeted while reaching mass audiences.

The OPEN series was born from the desire to create a forum for applauding and interrogating strong creative design within the Out of Home (OOH) industry. Illustrating how OOH is part of our cityscape, our commute, our weekend and our shopping and holiday experiences, OOH is ‘the original tweet’ and it cannot be switched off, ignored or fast forwarded. Big, bold, cheeky, simple, clever and controversial, OOH is the ultimate creative stage, allowing brands to be unique, contextually relevant and targeted while reaching mass audiences.

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Published by the Outdoor Media Association<br />

Suite 504, 80 William Street<br />

East Sydney NSW 2011 Australia<br />

ABN: 59 004 233 489<br />

www.oma.org.au<br />

The Outdoor Media Association (OMA) is the<br />

peak national industry body that represents most<br />

of Australia’s Out-of-Home (OOH) media display<br />

companies and production facilities as well<br />

as some media display asset owners.<br />

The OMA operates nationally and prior to<br />

July 2005 traded as the Outdoor Advertising<br />

Association of Australia (OAAA). It was first<br />

incorporated in 1939.<br />

OMA Members advertise third-party products<br />

across all categories in the OOH sector including:<br />

on buses, trams, taxis, pedestrian bridges,<br />

billboards and free-standing advertisement<br />

panels; on street furniture (eg bus/tram shelters,<br />

public toilets, bicycle stations, telephone booths<br />

and kiosks) and in bus stations, railway stations,<br />

shopping centres, university and airport precincts.<br />

© 2014 Outdoor Media Association Inc.<br />

This book is subject to copyright. Apart from<br />

any fair dealing for purposes permitted in the<br />

Copyright Act 1968, no part of this publication<br />

may be reproduced or communicated by any<br />

process without written permission.<br />

DISCLAIMER<br />

Every effort has been made to ensure that the information<br />

contained in this book is accurate at the time of printing.<br />

However, to the full extent permitted by law, this book<br />

is supplied ‘as is’ without express or implied warranty.<br />

The OMA welcomes suggestions for improvement but<br />

cannot accept responsibility for any errors or omissions<br />

and makes no representations about the content or the<br />

suitability of the information for any purpose.<br />

Except as required by law, the OMA will not be liable for<br />

any damages whatsoever (whether direct, indirect, special,<br />

consequential or otherwise) arising out of the use of, or in<br />

connection with or reliance on, the information contained<br />

in this book.<br />

<strong>OPEN</strong> 2<br />

ISBN: 978–0–9874105–2–8<br />

Outdoor Media Association<br />

Editorial Overview: Julie Jensen<br />

and Charmaine Moldrich<br />

Project Manager: Ti-Ahna Firth<br />

Project Assistance: Xiao Houghton and<br />

Kate Windon<br />

Image Research: Ti-Ahna Firth<br />

Design: Thursday Design<br />

Copy Editor/Contributor: David Hely<br />

Indexer: Katherine Webster<br />

Pre-Press: Spitting Image Sydney<br />

Printer: Imago Group Australia and Hong Kong<br />

Project Sub-Committee: Matthew Byrne ROVA<br />

Media, Max Eburne JCDecaux, Nick Errey oOh!<br />

Media, Richard Herring APN Outdoor, Julie<br />

Jensen and Charmaine Moldrich Outdoor Media<br />

Association, Jane King Adshel, Charles Parry-<br />

Okeden Executive Channel.<br />

Image Contributors: Cannes Lions International<br />

Festival of Creativity, CLIO Awards, CBS<br />

Outdoor UK, Clear Channel Outdoor, OBIE<br />

Awards, Outdoor Media Association Members,<br />

Outdoor Media Association Ireland, Outdoor<br />

Media Centre UK, The Andy Awards, local and<br />

international advertising agencies and clients.<br />

COVER IMAGES<br />

Campaign: Sunlight ‘Clingy animals’<br />

by Lowe Thailand. Chief Creative Officer:<br />

Eric Yeo. Creative Director: Ruchi Sharma<br />

and Ricardo Turcios. Art Director: Katrina<br />

Encanto. Copywriter: EJ Galang, Sarah Ko<br />

and Gabi Espaldon.<br />

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