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Ultimate Jet #72

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DESIGN I 34<br />

O<br />

livier Dassault, owner of the trijet, symbolizes and promotes<br />

this ingenious France. The man, in turn political, entrepreneur,<br />

pilot and appreciably artist is not in his first cooperation with<br />

Didier Wolff. Indeed, Marcel Dassault’s favorite grandson had already<br />

asked Happy Design Studio to produce the livery for his former<br />

Falcon 10 in 2011. Almost ten years after this first experience, Olivier<br />

Dassault wished that the Strasbourg designer draws the livery of his<br />

new business jet, a livery outside the norms, probably summarizing a<br />

more personal part of his multifaceted life.<br />

At the crossroads<br />

It is in this context that Didier Wolff drew the first sketches of<br />

this resolutely «Frenchy» design. Working with a man like Olivier<br />

Dassault undoubtedly remains an experience apart, and the values<br />

he vigorously defends must have found their place as naturally as<br />

possible on this giant canvas. For his first draft, Didier Wolff «insisted<br />

to put blue, white and red references on this plane» by explaining that<br />

this project was «literally at the crossroads of business aviation and<br />

military aviation, but also a bearer of Olivier’s values» before adding:<br />

«The finalized design reflects fully the ideal vision I had of this project».<br />

The paint scheme borrows the variations of gray used on the Rafales<br />

or the Mirages. Some typographical notes and clues evoke the name<br />

Dassault historically linked to the military universe, the tricolor bands<br />

obviously referring to the French Republic and the mandate of the<br />

elected official. «Like a work, the paint scheme imposes a sense of<br />

reading from the front of the plane, clearer, towards the rear, in other<br />

words from business aviation to military aviation, the two universes<br />

being thus linked by a deliberately smooth transition», underlines Didier<br />

Wolff.<br />

« To face »<br />

This decoration carries in itself a number of symbols, «I worked<br />

on it just as if I worked on the French Republic Falcon, as their<br />

characteristics are close». It is the culmination of long hours of<br />

reflection and the fruit of a compilation of half a dozen projects<br />

submitted to the owner. «Even if Olivier did not give me any particular<br />

instructions, he validated a very intuitively designed project in which he<br />

simply recognized himself. Although he hesitated between two other<br />

more neo-retro proposals, the Thermidor livery imposed itself naturally<br />

«notes the designer before adding:» Once again, be attentive to the clues<br />

sown by my clients remains the common thread in the creation of my<br />

works. It’s a fairly long process, driven by curiosity and informationseeking.<br />

Without this approach, customizing the livery is meaningless.»<br />

Didier Wolff took up the idea of rings surrounding the air intake of<br />

the engine nacelles. «This is an option that I love and that has been in<br />

my drawers for years because it gives a lot of personality to an aircraft.<br />

Like rings encircling the front of the engines, these rings are perfect for<br />

hosting a name, a mention.» insists Didier Wolff who inscribes «To<br />

face», the motto of the French Air Force Academy from which Olivier<br />

Dassault comes.<br />

Like the engine nacelles, each detail comes together logically like<br />

the elements of a giant puzzle: «The original livery was slightly more<br />

contrasted. So, I chose to lighten the colors so that the inscriptions<br />

are visible without imposing.» Only the three-color bands extracted<br />

from the color spectrum were produced with the exact colors of the<br />

French flag, including a reference of perfectly pure white, unique in<br />

the color charts available in aeronautics. «The other important aspect<br />

for me was the lateral perception of blue, white and red. When we see the<br />

plane in profile, the three-color stripes seem perfectly balanced in terms<br />

of their dimensions, as if each was the replica of the other.» emphasizes<br />

the designer.

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