Hiding Art, Hiding Codes and the Comic Strategies of Total Disappearing / Yiannis Melanitis

References- Books
1. The adult LEDA MELANITIS butterfly was exhibited at MACRO Museum of Contemporary Art, Rome, 2018
2. Presented at the Interdisciplinary Conference TABOO - TRANSGRESSION - TRANSCENDENCE in Art & Science, 26-28 May 2017, Ionian
University, Corfu Greece, [“http://avarts.ionio.gr/ttt/2017/en/” ]
3.http://www.postinterface.com/nfocus/316-transgenic-art-leda-melanitis-butterfly-mario-savini-s-interview-with-yiannis-melanitis
4. https://www.arshake.com/en/transgenic-art-mario-savinis-interview-to-yiannis-melanitis/
5. (see wikipedia https://en.wikipedia.org/wiki/The_Art_of_Fugue )
6. Douglas R. Hofstadter, 1999. Gödel, Escher, Bach: An Eternal Golden Braid. Basic Books, page 201
7. Henry George Liddell and Scott, R. (1983). A Lexicon abridged from Liddell and Scott’s Greek -English lexicon. Oxford: Clarendon Press.
8. For this mirroring technique see. Bakker, Egbert J. (2002) “Polyphemos,” Colby Quarterly: Vol. 38: Iss. 2, Article 4.
9. Church, Margaret (1983). Structure and theme : Don Quixote to James Joyce. Columbus: Ohio. page 135. See also: Attridge, Derek. (2004).
James Joyce’s Ulysses : a casebook. Oxford Oxford University Press. 7. Henry George Liddell and Scott, R. (1983). A Lexicon abridged from Liddell
and Scott’s Greek -English lexicon. Oxford: Clarendon Press.
10. Pound, E. (1993). The cantos of Ezra Pound. New York: New Directions Pub. Corp., ©, Printing.
11. Shawlot, William, Morinosato Wakamiya, Kin Ming Kwan, Artur Kania, Thomas M. Jessell and Richard R. Behringer. “Lim1 is required in
both primitive streak-derived tissues and visceral endoderm for head formation in the mouse.” Development 126 22 (1999): 4925-32 ./ https://
www.ncbi.nlm.nih.gov/pubmed/10529411
12. Spadoni, C. (1984). Bertrand Russell on Aesthetics. Russell: the Journal of Bertrand Russell Studies, 4(1).
13.Antiphon, Testimonia, Part 2: Doctrine (D)LCL 532: 26-27/ https://www.loebclassics.com/view/antiphon-doctrine/2016/pb_LCL532.27.xml
14. Νῦν δέ γ’ ἐπειδὴ μιμητικὴ περιείληφεν αὐτὸν τέχνη, δῆλον ὡς αὐτὴν τὴν ποιητικὴν δίχα διαιρετέον πρώτην.
265.b.1/ ἡ γάρ που μίμησις ποίησίς τίς ἐστιν, εἰδώλων μέντοι, φαμέν, ἀλλ’ οὐκ αὐτῶν ἑκάστων· ἦ γάρ; Plato Phil., Sophista (0059: 007)
“Platonis opera, vol. 1”, Ed. Burnet, J. Oxford: Clarendon Press, 1900, Repr. 1967.] Stephanus page 265, section b, line 115.
15. see : Mimicry, Camouflage and Perceptual Exploitation: the Evolution of Deception in Nature, Biosemiotics (2019) 12:7–24 https://doi.
org/10.1007/s12304-018-9339-6.
16. Huxley. J (1957) New Wine in New Bottles. Chatto & Windus, London.» Απόσπασμα από: Donald L. J. Quicke. «Mimicry, crypsis, masquerade
and other adaptive resemblances.» Apple Books.
17. Longinus, About Height, The Pseudo-Longinus On the Sublime, The Pseudo-Longinus.
18.Vaillant, George. (2011). Involuntary coping mechanisms: A psychodynamic perspective. Dialogues in clinical neuroscience. 13. 366-70 and
Vaillant, G.E. (1995). Adaptation to life. Cambridge, Mass.: Harvard University Press.
19. On mimesis in general see: Lyons, J. and Nichols, S. (1982). Mimesis. Hanover, N. H. ; London: University press of New England.
20. Most characteristic example is Arcimboldo’s collaboration with performers of comedia dell arte at the Habsbourg courts (around 1562).
Kaufmann also states that “his paintings have carnivalesque sources”, deriving from places where peasants hide their identities in the carnival. Thomas
Dacosta Kaufmann, Arcimboldo : visual jokes, natural history, and still-life painting. University Of Chicago Press, 2009, page 67.
21. https://www.npr.org/sections/krulwich/2012/08/01/157718428/are-butterflies-two-different-animals-in-one-the-death-and-resurrection-theory?t=1583518975379
22. Font, E. (2018). Mimicry, Camouflage and Perceptual Exploitation: the Evolution of Deception in Nature. Biosemiotics, 12(1), 7–24. doi:
10.1007/s12304-018-9339-6
23. .For a connection of Hypnerotomachia to painting, see also: Zuffi, Stefano. “Titian: Sacred and Profane Love: Art Mysteries.” Amazon, 24 Ore
Cultura s r l, 2013 .
24. Stavros Vasdekis Greek etymological lexicon, (https://www.e-papadakis.gr/files/Vasdekis-etimologiko.pdf )..