Hiding Art, Hiding Codes and the Comic Strategies of Total Disappearing / Yiannis Melanitis
Yiannis Melanitis
Chapters:
Hiding Art, Hiding Codes and the Comic Strategies of Total Disappearing/
The artist, hidden inside the work of art/
Hiding human code inside an insect/ Artists’ Name as a Camouflage Tool/ Mimesis turns comical/The performance If You Cannot Be An Owl, Masquerade Like A Butterfly on the Isola di San Michele
Yiannis Melanitis
Chapters:
Hiding Art, Hiding Codes and the Comic Strategies of Total Disappearing/
The artist, hidden inside the work of art/
Hiding human code inside an insect/ Artists’ Name as a Camouflage Tool/ Mimesis turns comical/The performance If You Cannot Be An Owl, Masquerade Like A Butterfly on the Isola di San Michele
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05.05.2020
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Image stills from the authors’ performanceIf You Cannot Be An Owl,Masquerade Like A Butterfly,Isola di San Michele, Cimitero, Venezia/images © Y. Melanitis 2019
- Page 1 and 2: YIANNIS MELANITISI f You Can n ot B
- Page 3: An example of hidden coding is the
- Page 6: Images 13-16 : Transgenic Leda Mela
- Page 9 and 10: By developmental terms, genes contr
- Page 11 and 12: [The artist hidden inside artistic
- Page 13 and 14: image 18: The birth of Athena: Athe
- Page 15 and 16: image 23, © Donald L. J. Quicke.
- Page 17 and 18: Image10. Portrait of Nano Morgante
- Page 20: If You Cannot Be An Owl,Masquerade
- Page 23 and 24: If You Cannot Be An Owl, Masquerade
- Page 25 and 26: YIANNIS MELANITISthree acts of rapi
- Page 30 and 31: The artits lab as an event of rando
- Page 33: References- Books1. The adult LEDA
- Page 36 and 37: Artist talkAbstractYiannis Melaniti
- Page 38: Transcendence in Art & Science 2020
Image stills from the authors’ performance
If You Cannot Be An Owl,Masquerade Like A Butterfly,
Isola di San Michele, Cimitero, Venezia/
images © Y. Melanitis 2019
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