Craft ACT Artist-in-residence 2014: Bogs and Fens
Sally Blake, Annee Miron and Satoshi Fujinama
Sally Blake, Annee Miron and Satoshi Fujinama
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<strong>Bogs</strong> <strong>and</strong> <strong>Fens</strong>: a rtist-<strong>in</strong>-<strong>residence</strong><br />
Public program<br />
Forum<br />
<strong>Bogs</strong> <strong>and</strong> <strong>Fens</strong>: the <strong>in</strong>terplay<br />
between craft, science <strong>and</strong> the<br />
environment<br />
In <strong>2014</strong>, the <strong>Bogs</strong> <strong>and</strong> <strong>Fens</strong>: the<br />
<strong>in</strong>terplay between craft, science <strong>and</strong> the<br />
environment forum united three diverse<br />
but <strong>in</strong>terweav<strong>in</strong>g sectors <strong>and</strong> with it,<br />
a wealth of knowledge <strong>and</strong> vary<strong>in</strong>g<br />
perspectives. Held at the Australian<br />
National Botanic Gardens, it brought<br />
together members of the community,<br />
artists <strong>and</strong> leaders <strong>in</strong> the fields of craft,<br />
design, environment <strong>and</strong> conservation.<br />
Keynote speaker, Professor Geoffrey<br />
Hope, focused on bogs <strong>and</strong> fens as<br />
archives of environmental change.<br />
He discussed the longevity of bogs<br />
which have been around for more than<br />
10,000 years <strong>and</strong> the record<strong>in</strong>g of<br />
changes <strong>in</strong> vegetation <strong>and</strong> fire regime<br />
that reflect chang<strong>in</strong>g climates <strong>and</strong> even<br />
human use. Look<strong>in</strong>g at records from<br />
subalp<strong>in</strong>e moss bogs <strong>and</strong> the montane<br />
sedge fens around the <strong>ACT</strong>, the audience<br />
discovered how these communities reveal<br />
major growth over 3000 years ago.<br />
The three artists-<strong>in</strong>-<strong>residence</strong> spoke<br />
about their work <strong>in</strong> the context of their<br />
research <strong>and</strong> residency experiences whilst<br />
allow<strong>in</strong>g the audience to <strong>in</strong>teract with<br />
works-<strong>in</strong>-progress. Program partners<br />
gave <strong>in</strong>sights <strong>in</strong>to their organisations’<br />
<strong>in</strong>dividual <strong>in</strong>volvement <strong>in</strong> <strong>and</strong> commitment<br />
to the program.<br />
<strong>ACT</strong> Park Ranger, Dave Whitfield,<br />
contributed his experiences manag<strong>in</strong>g<br />
the restoration of sub-alp<strong>in</strong>e Sphagnum<br />
peat bogs follow<strong>in</strong>g the 2003 bushfires.<br />
It was def<strong>in</strong>ed that of these communities<br />
affected with<strong>in</strong> Namadgi National<br />
Park, between 55 to 100% of the<br />
surface burnt on all bogs. Follow<strong>in</strong>g an<br />
on‐ground assessment it was decided<br />
that a restoration program should be<br />
commenced at selected bogs to aid their<br />
recovery. Whitfield highlighted the unique<br />
<strong>and</strong> valued ecological nature of the bog<br />
communities, convey<strong>in</strong>g their importance<br />
as part of our water catchment regime.<br />
The audience was enlightened by the<br />
presentation of Seed Conservation<br />
Biologist, Lydia Guja, where she discussed<br />
her specialised work at the Botanic<br />
Gardens. Guja monitors the strategic<br />
direction <strong>and</strong> scientific goals of the<br />
National Seed Bank <strong>and</strong> the exp<strong>and</strong><strong>in</strong>g<br />
exist<strong>in</strong>g seed bank<strong>in</strong>g <strong>and</strong> research<br />
activities. Most pert<strong>in</strong>ently, however, Guja’s<br />
work is currently focused on the ecological<br />
drivers of seed germ<strong>in</strong>ation <strong>in</strong> species of<br />
endangered Alp<strong>in</strong>e Sphagnum bog <strong>and</strong><br />
fens. In this talk, the biologist exposed<br />
some of the <strong>in</strong>ner processes surround<strong>in</strong>g<br />
the conservation biology <strong>and</strong> germ<strong>in</strong>ation<br />
ecology of these communities.<br />
Left: Sally Blake’s prelim<strong>in</strong>ary work made dur<strong>in</strong>g the residency period (detail), Gudgenby Ready-Cut Cottage,<br />
Namadgi National Park. Photography: Art Atelier Photography.<br />
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