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Craft ACT Artist-in-residence 2014: Bogs and Fens

Sally Blake, Annee Miron and Satoshi Fujinama

Sally Blake, Annee Miron and Satoshi Fujinama

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<strong>Bogs</strong> <strong>and</strong> <strong>Fens</strong>: a rtist-<strong>in</strong>-<strong>residence</strong><br />

Public program<br />

Forum<br />

<strong>Bogs</strong> <strong>and</strong> <strong>Fens</strong>: the <strong>in</strong>terplay<br />

between craft, science <strong>and</strong> the<br />

environment<br />

In <strong>2014</strong>, the <strong>Bogs</strong> <strong>and</strong> <strong>Fens</strong>: the<br />

<strong>in</strong>terplay between craft, science <strong>and</strong> the<br />

environment forum united three diverse<br />

but <strong>in</strong>terweav<strong>in</strong>g sectors <strong>and</strong> with it,<br />

a wealth of knowledge <strong>and</strong> vary<strong>in</strong>g<br />

perspectives. Held at the Australian<br />

National Botanic Gardens, it brought<br />

together members of the community,<br />

artists <strong>and</strong> leaders <strong>in</strong> the fields of craft,<br />

design, environment <strong>and</strong> conservation.<br />

Keynote speaker, Professor Geoffrey<br />

Hope, focused on bogs <strong>and</strong> fens as<br />

archives of environmental change.<br />

He discussed the longevity of bogs<br />

which have been around for more than<br />

10,000 years <strong>and</strong> the record<strong>in</strong>g of<br />

changes <strong>in</strong> vegetation <strong>and</strong> fire regime<br />

that reflect chang<strong>in</strong>g climates <strong>and</strong> even<br />

human use. Look<strong>in</strong>g at records from<br />

subalp<strong>in</strong>e moss bogs <strong>and</strong> the montane<br />

sedge fens around the <strong>ACT</strong>, the audience<br />

discovered how these communities reveal<br />

major growth over 3000 years ago.<br />

The three artists-<strong>in</strong>-<strong>residence</strong> spoke<br />

about their work <strong>in</strong> the context of their<br />

research <strong>and</strong> residency experiences whilst<br />

allow<strong>in</strong>g the audience to <strong>in</strong>teract with<br />

works-<strong>in</strong>-progress. Program partners<br />

gave <strong>in</strong>sights <strong>in</strong>to their organisations’<br />

<strong>in</strong>dividual <strong>in</strong>volvement <strong>in</strong> <strong>and</strong> commitment<br />

to the program.<br />

<strong>ACT</strong> Park Ranger, Dave Whitfield,<br />

contributed his experiences manag<strong>in</strong>g<br />

the restoration of sub-alp<strong>in</strong>e Sphagnum<br />

peat bogs follow<strong>in</strong>g the 2003 bushfires.<br />

It was def<strong>in</strong>ed that of these communities<br />

affected with<strong>in</strong> Namadgi National<br />

Park, between 55 to 100% of the<br />

surface burnt on all bogs. Follow<strong>in</strong>g an<br />

on‐ground assessment it was decided<br />

that a restoration program should be<br />

commenced at selected bogs to aid their<br />

recovery. Whitfield highlighted the unique<br />

<strong>and</strong> valued ecological nature of the bog<br />

communities, convey<strong>in</strong>g their importance<br />

as part of our water catchment regime.<br />

The audience was enlightened by the<br />

presentation of Seed Conservation<br />

Biologist, Lydia Guja, where she discussed<br />

her specialised work at the Botanic<br />

Gardens. Guja monitors the strategic<br />

direction <strong>and</strong> scientific goals of the<br />

National Seed Bank <strong>and</strong> the exp<strong>and</strong><strong>in</strong>g<br />

exist<strong>in</strong>g seed bank<strong>in</strong>g <strong>and</strong> research<br />

activities. Most pert<strong>in</strong>ently, however, Guja’s<br />

work is currently focused on the ecological<br />

drivers of seed germ<strong>in</strong>ation <strong>in</strong> species of<br />

endangered Alp<strong>in</strong>e Sphagnum bog <strong>and</strong><br />

fens. In this talk, the biologist exposed<br />

some of the <strong>in</strong>ner processes surround<strong>in</strong>g<br />

the conservation biology <strong>and</strong> germ<strong>in</strong>ation<br />

ecology of these communities.<br />

Left: Sally Blake’s prelim<strong>in</strong>ary work made dur<strong>in</strong>g the residency period (detail), Gudgenby Ready-Cut Cottage,<br />

Namadgi National Park. Photography: Art Atelier Photography.<br />

PAGE 23

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