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NOVEMBER 2007 E-Magazine - Pravasi Today

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insists on honesty and that the family<br />

reintegrate badki.<br />

Like laaga chunri me daag,<br />

Paakezah, Aaina, Umrao jaan, Julie,<br />

Chameli, Chandni baar are the<br />

product of virtual domination of male<br />

directors who have repeatedly tried to<br />

represent the oldest trade of this<br />

country' prostitution' . They all have<br />

tried their level best to portray the<br />

dreaded life and the unmasked vulgar<br />

face behind the glamour. Moreover it<br />

is just an obvious formula for winning<br />

national awards like umrao jaan,<br />

Chandni baar and Mausam.<br />

Pradeep sarkar seems to have lost<br />

track from direction to activism. His<br />

cinema antics here has just tried to<br />

glorify use of Hindu symbols like<br />

Hanuman chaleesa, banars ghaats and<br />

gangajal. And mind blowing<br />

promotion campaign coupled with<br />

kyunki saas bhi kabhi bahu thi was<br />

more than enough to promote the<br />

stifled and suffocated thought of<br />

women empowerment to Indian<br />

household (Pradeep Sarkar's<br />

advertising background helps him<br />

here in the right product placement).<br />

Along with K series soaps this film<br />

will do wonders in reinforcing the<br />

moral dogma of a woman. Selling the<br />

concept of puritans to Indian families<br />

who are bothered every night at 10.00<br />

turns into another story of a woman<br />

finding ultimate happiness only in<br />

meeting an ideal man. It is uncanny<br />

how a salute to womanhood ends in<br />

men being the goal of their lives. Not<br />

to mention that men are shown as a<br />

breed who crave sex. So desperate are<br />

they that they pay huge sums to have<br />

sex with the most remorseful,<br />

uninterested women.<br />

The only two things which I<br />

could discover as common in Pradeep<br />

Sarkar's Parineeta and Laaga chunri<br />

"You risk flogging a dead horse in saying that<br />

feudalism is stupid and wrong. But you also feel<br />

for the characters in those films. They're<br />

pathetic, like dinosaurs who don't realize<br />

why they're being wiped out. There's a<br />

quality of pathos in that which interests<br />

me” said Satyajit Ray while justifying<br />

the crisis and pathos depiction<br />

in his cinema.<br />

pm in front of their TV sets to see<br />

Tulsi's struggle to justify the taints on<br />

her 'daaman' proving her purity for<br />

last seven years. Daily! The question<br />

is that how long will we sell the Indian<br />

ness? What could have been a<br />

celebration of the spirit of a woman,<br />

LIFESTYLE<br />

me daag: One, both the films start<br />

with strongly accented colloquial<br />

songs and the second, both the films<br />

end with a premature ejaculation of<br />

conflicts.<br />

After watching the much<br />

anticipated Pradeep Sarkar movie on<br />

a lazy Sunday afternoon, these were<br />

the true feeling which came from me<br />

while coming out of the theatre:<br />

Laaga Sunday me daaag!. ■<br />

(Mallika is a Media<br />

Professional and a freelance writer)<br />

November <strong>2007</strong> ✦ <strong>Pravasi</strong> <strong>Today</strong><br />

63

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