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NOVEMBER 2007 E-Magazine - Pravasi Today

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LIFESTYLE<br />

Laaga Chunari mein Daag<br />

“Y<br />

ou risk flogging a dead horse<br />

in saying that feudalism is<br />

stupid and wrong. But you also feel<br />

for the characters in those films.<br />

They're pathetic, like dinosaurs<br />

who don't realize why they're being<br />

wiped out. There's a quality of<br />

pathos in that which interests me”<br />

said Satyajit Ray once while<br />

justifying the crisis and pathos<br />

depiction in his cinema.<br />

Similarly, Pradeep Sarkar has<br />

outshined in depicting the plight of<br />

the Vyaas family but fails to express<br />

the conflicts and the duality of<br />

emotions. They look very juvenile<br />

and predictable.<br />

Infidelity to immorality is what<br />

defines deviance of director's camera<br />

from Parineeta to Laaga chunri me<br />

daaag. His fascination of women<br />

protagonist trying to ' move out of the<br />

62<br />

<strong>Pravasi</strong> <strong>Today</strong> ✦ November <strong>2007</strong><br />

❒ Mallika<br />

sytem ' gives a strong sniff of Satyajit<br />

ray's Charulata where she struggled<br />

to resolve the problem of infidelity.<br />

Charulata probably felt sympathetic<br />

and was attempting to patch up the<br />

situation. The husband realized too<br />

late that he himself was responsible<br />

for what had happened. Similiarly in<br />

laaga chunri me daag she gets her due<br />

acceptance and credit for her<br />

sacrifices with no complexities and<br />

no climaxes.<br />

From a progressive cinema like<br />

Chak de India to a regressive cinema<br />

like laaga chunri daag, what a<br />

compensating journey for Yash Raj<br />

Films.<br />

The film follows the fortunes of<br />

Badki (Rani Mukherjee) and Chutki<br />

(Konkona Sen Sharma), sisters from a<br />

genteel Benares family with money<br />

problems and predatory relatives.<br />

When Badki leaves to find work in<br />

Bombay (as everyone in the film still<br />

calls the sin city currently known as<br />

Mumbai), “Laaga” really takes off.<br />

There, Badki with no diploma and no<br />

skills becomes Natasha: a highpriced<br />

prostitute. The movie isn't coy<br />

about this. “I've fallen from grace,”<br />

she says. “I can never come back.”<br />

Chutki's story is lighter. M.B.A. in<br />

hand, she joins her sister in the city,<br />

where she gets a job in advertising.<br />

Her first task is to sell Lux soap to the<br />

modern Indian woman. And who is<br />

that creature? As her boss (and future<br />

husband) discovers, Chutki herself<br />

bright, spunky, self-assured fits the<br />

bill.<br />

Fallen women are a Bollywood<br />

staple. But Chutki won't allow her<br />

sister to be shunned. Instead of<br />

keeping the stain a dark secret, Chutki

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