You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
LIFESTYLE<br />
Laaga Chunari mein Daag<br />
“Y<br />
ou risk flogging a dead horse<br />
in saying that feudalism is<br />
stupid and wrong. But you also feel<br />
for the characters in those films.<br />
They're pathetic, like dinosaurs<br />
who don't realize why they're being<br />
wiped out. There's a quality of<br />
pathos in that which interests me”<br />
said Satyajit Ray once while<br />
justifying the crisis and pathos<br />
depiction in his cinema.<br />
Similarly, Pradeep Sarkar has<br />
outshined in depicting the plight of<br />
the Vyaas family but fails to express<br />
the conflicts and the duality of<br />
emotions. They look very juvenile<br />
and predictable.<br />
Infidelity to immorality is what<br />
defines deviance of director's camera<br />
from Parineeta to Laaga chunri me<br />
daaag. His fascination of women<br />
protagonist trying to ' move out of the<br />
62<br />
<strong>Pravasi</strong> <strong>Today</strong> ✦ November <strong>2007</strong><br />
❒ Mallika<br />
sytem ' gives a strong sniff of Satyajit<br />
ray's Charulata where she struggled<br />
to resolve the problem of infidelity.<br />
Charulata probably felt sympathetic<br />
and was attempting to patch up the<br />
situation. The husband realized too<br />
late that he himself was responsible<br />
for what had happened. Similiarly in<br />
laaga chunri me daag she gets her due<br />
acceptance and credit for her<br />
sacrifices with no complexities and<br />
no climaxes.<br />
From a progressive cinema like<br />
Chak de India to a regressive cinema<br />
like laaga chunri daag, what a<br />
compensating journey for Yash Raj<br />
Films.<br />
The film follows the fortunes of<br />
Badki (Rani Mukherjee) and Chutki<br />
(Konkona Sen Sharma), sisters from a<br />
genteel Benares family with money<br />
problems and predatory relatives.<br />
When Badki leaves to find work in<br />
Bombay (as everyone in the film still<br />
calls the sin city currently known as<br />
Mumbai), “Laaga” really takes off.<br />
There, Badki with no diploma and no<br />
skills becomes Natasha: a highpriced<br />
prostitute. The movie isn't coy<br />
about this. “I've fallen from grace,”<br />
she says. “I can never come back.”<br />
Chutki's story is lighter. M.B.A. in<br />
hand, she joins her sister in the city,<br />
where she gets a job in advertising.<br />
Her first task is to sell Lux soap to the<br />
modern Indian woman. And who is<br />
that creature? As her boss (and future<br />
husband) discovers, Chutki herself<br />
bright, spunky, self-assured fits the<br />
bill.<br />
Fallen women are a Bollywood<br />
staple. But Chutki won't allow her<br />
sister to be shunned. Instead of<br />
keeping the stain a dark secret, Chutki