THE YELLOW RIVER - Seán McSweeney & Gerard Smyth

The Yellow River is a tributary of the Blackwater (Kells), which joins the Boyne at Navan, County Meath that unites the personal histories of poet Gerard Smyth and artist Sean McSweeney. Gerard Smyth spent many summers in Meath staying with his grandmother and an aunt, whilst originally Sen McSweeney’s family lived in Clongill until the untimely death of his father. Over two years Gerard Smyth revisited Meath in further inquiry with Belinda Quirke, Director of Solstice, in the development of a new suite of poems, recollecting and revisiting significant sites of occurrence in the poet’s and county’s history. Sean McSweeney created new work from trips to his original home place and the county. McSweeney here responds lyrically to particular sites of Smyth’s poetry, whilst also depicting in watercolour, ink, tempera and drawing, the particular hues of The Royal County. The Yellow River is a tributary of the Blackwater (Kells), which joins the Boyne at Navan, County Meath that unites the personal histories of poet Gerard Smyth and artist Sean McSweeney. Gerard Smyth spent many summers in Meath staying with his grandmother and an aunt, whilst originally Sen McSweeney’s family lived in Clongill until the untimely death of his father. Over two years Gerard Smyth revisited Meath in further inquiry with Belinda Quirke, Director of Solstice, in the development of a new suite of poems, recollecting and revisiting significant sites of occurrence in the poet’s and county’s history. Sean McSweeney created new work from trips to his original home place and the county. McSweeney here responds lyrically to particular sites of Smyth’s poetry, whilst also depicting in watercolour, ink, tempera and drawing, the particular hues of The Royal County.

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ONLY ROCK ‘N’ ROLLGuitar riffs like sexual thrillswhen the band played Jumpin’ Jack Flash –and Jagger did his Shiva dance,sounding a little possessed.The crowds who wanted it never to endsat in the sun and under darkening clouds.Biblical numbers, someone said –like worshippers in a big temple.The drummer’s beat and the stomping feetcould all be heard far beyond the riverbend and the road that turnsto the ancient ruins of Monasterboice.For the last of the day they were Lordsof the Night, still rollingand tumbling the dice, making hearts race,the castle walls shake,guitars and percussion taking the long wayto the fadeout of encores,before everyone scattered,became fellow-travellers on the roadsthrough Dunsany, Dunshaughlin, Dunboyne.58

THE OLDCASTLE DANCEfor Shay KeoghIn 1971 at the Oldcastle danceit was Bubblegum and slow set ballads –we held our breathsand waited for the secret signswhen the DJ put on The Jackson Five.There was a glitterball for glitz,its hundred mirrors showingthe new beginners learning the ritualsof the dance pavilion.The girls of summer still had nameschosen from the list of saints –they were lissom, sinuousand in their night disguises they looked unlikethe truer versions of themselves –dreamers staring into the distance,convent girls in modest dress.The air was thick with their perfumes.In another age they might have beenthe temptress in the opera,Botticelli’s museor the Queen of Shebawhen she stood before Solomon.59

ONLY ROCK ‘N’ ROLL

Guitar riffs like sexual thrills

when the band played Jumpin’ Jack Flash –

and Jagger did his Shiva dance,

sounding a little possessed.

The crowds who wanted it never to end

sat in the sun and under darkening clouds.

Biblical numbers, someone said –

like worshippers in a big temple.

The drummer’s beat and the stomping feet

could all be heard far beyond the river

bend and the road that turns

to the ancient ruins of Monasterboice.

For the last of the day they were Lords

of the Night, still rolling

and tumbling the dice, making hearts race,

the castle walls shake,

guitars and percussion taking the long way

to the fadeout of encores,

before everyone scattered,

became fellow-travellers on the roads

through Dunsany, Dunshaughlin, Dunboyne.

58

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