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KALTBLUT-HONK! 03 The Divas

issue #03. Published 15.05.2011 by Marcel Schlutt & Nina Kharytonova. Art, Fashion, Music and Photography. Artists: Natalia Avelon, Kazaky, Lola Depru, Christian Branscheidt and many more All Copyrights @ The Artists! Berlin 2012 www.kaltblut-magazine.com

issue #03. Published 15.05.2011 by Marcel Schlutt & Nina Kharytonova. Art, Fashion, Music and Photography. Artists: Natalia Avelon, Kazaky, Lola Depru, Christian Branscheidt and many more All Copyrights @ The Artists! Berlin 2012 www.kaltblut-magazine.com

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– who is extremely demanding when it comes to her

(or his) personal privileges. Or, like on of Senator

John McCain’s advisers put it (complaining to CNN

about Sarah Palin going off-script): divas are people

who we blame to “[…] trust only unto themselves, as

they see themselves as the beginning and end of all

wisdom”. But, based on this analysis, what is someone’s

intention when they call you a diva anyway?

The above-mentioned examples show that the concept

of “diva” somehow seems to be related to cultural

values such as conformity, respectively non-conformity.

One could argue that the more brought into

line the members of a society are, the flashier anyone

who stands out of that conformity will appear compared

to them. On the other hand, the more brought

into line a culture is, the less probable it might be for

anyone to step out of line. In that regard, the Western

world has ever since its early days developed a rather

well-balanced concept between both the individual’s

urge to express itself as well as an ever-present group

pressure that a society’s members are subject to, even

if only on an unconscious level.

The fact that the majority of language users have

chosen to attribute eccentricity or even more negative

connotations towards people that are called

divas leads to the interesting question, why it isn’t,

say, people with an exceptional amount of sympathy

that we refer to as divas instead? As we have seen

above, there is plenty of classical divas still alive

who don’t live up to the reputation of being difficult

characters at all. On the contrary: it seems most of

the (very rare) true genius-like talent in fact enjoy

their lives a lot, and they seem to be far from being

socially difficult people.

How is it then that we still insist on the cliché of a

diva being that arrogant person, who totally thinks

of herself/himself to be a cut above everyone else?

My theory would be that the majority of users of

many languages within the Western world simply

have decided that being a divine talent necessarily

implies being “too much” of an eccentric person

arrogant over ones own perception of reality and

relevance for the continued existence of the cosmos.

I honestly believe that being confronted with

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