Tropicana Jul-Aug 2018 #119 Hot Stuff
THE HOME into the museum and states that the art works are “ political with every fibre of their being, with every brush stroke.” One of these works is to be seen in a carefully lit room, depicting 197 red bricks, hung at eye level and suspended from the ceiling with a distance of 30 to 50 centimetres. Those who walk between the bricks will notice that the path becomes narrower and narrower as you go. It is South African Kendell Geers’ reminder of the anti-Apartheid fight, when activists threw bricks from motorway bridges onto cars of the representatives of the regime. Another artist, whose work will be displayed here, joins us for the tour. 34-year-old Nandipha Mntambo from Swaziland says that “ the institution will give Africa’s art scene a huge boost.” Still, she does not spare criticism: “ Not every art work is related to the continent and its cultural heritage,” Mntambo says, adding a dose of skepticism about Coetzee’s laboriously highlighted connections of the art to society. FREEING ART WORKS FROM THE AFRICAN CLICHÉS The brilliantly designed building itself may provide the art works with the chance to free themselves from the African clichés heaped upon them over the last few years. The museum budget of 33 million euros was provided by the Victoria & Alfred Waterfront, an unprecedented investment in the African contemporary cultural scene. But unlike in any major European museum, you will find that a luxury hotel has been allocated the space in the upper stories of the building. Nonetheless, the atrium remains the heart and absolute masterpiece of the museum. Its exciting architecture is meant to eliminate the paralysing effect of contemporary art and fulfill Zeitz’s wish that people from all strata of society will feel at ease here. But that is not going to be an easy task to achieve. Daily admission is 180 rand for adults and free of charge for all persons under 18 years of age. While this is admittedly cheaper than tickets to comparable museums in Europe, it is well beyond the daily income of most South Africans. So, visitors with a passport from an African nation will be granted free entry on Wednesday mornings between 10am and 1pm and there are countless other fre entry days listed on the website, zeitmocaa.museum. TM | JULY/AUGUST 2018 44
THE HOME “The atrium remains the heart and absolute masterpiece of the museum. Its exciting architecture is meant to eliminate the paralysing effect of contemporary art and fulfill Zeitz’s wish that people from all strata of society will feel at ease here.” 45 JULY/AUGUST 2018 | TM
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THE HOME<br />
into the museum and states that the art<br />
works are “ political with every fibre of their<br />
being, with every brush stroke.”<br />
One of these works is to be seen in<br />
a carefully lit room, depicting 197 red<br />
bricks, hung at eye level and suspended<br />
from the ceiling with a distance of 30 to 50<br />
centimetres. Those who walk between the<br />
bricks will notice that the path becomes<br />
narrower and narrower as you go. It is<br />
South African Kendell Geers’ reminder of<br />
the anti-Apartheid fight, when activists<br />
threw bricks from motorway bridges onto<br />
cars of the representatives of the regime.<br />
Another artist, whose work will be<br />
displayed here, joins us for the tour.<br />
34-year-old Nandipha Mntambo from<br />
Swaziland says that “ the institution will<br />
give Africa’s art scene a huge boost.”<br />
Still, she does not spare criticism:<br />
“ Not every art work is related to the<br />
continent and its cultural heritage,”<br />
Mntambo says, adding a dose of skepticism<br />
about Coetzee’s laboriously highlighted<br />
connections of the art to society.<br />
FREEING ART WORKS FROM THE AFRICAN CLICHÉS<br />
The brilliantly designed building itself may<br />
provide the art works with the chance to<br />
free themselves from the African clichés<br />
heaped upon them over the last few years.<br />
The museum budget of 33 million euros<br />
was provided by the Victoria & Alfred<br />
Waterfront, an unprecedented investment<br />
in the African contemporary cultural scene.<br />
But unlike in any major European museum,<br />
you will find that a luxury hotel has been<br />
allocated the space in the upper stories of<br />
the building.<br />
Nonetheless, the atrium remains<br />
the heart and absolute masterpiece of<br />
the museum. Its exciting architecture is<br />
meant to eliminate the paralysing effect of<br />
contemporary art and fulfill Zeitz’s wish<br />
that people from all strata of society will<br />
feel at ease here. But that is not going to be<br />
an easy task to achieve.<br />
Daily admission is 180 rand for adults<br />
and free of charge for all persons under<br />
18 years of age. While this is admittedly<br />
cheaper than tickets to comparable<br />
museums in Europe, it is well beyond the<br />
daily income of most South Africans.<br />
So, visitors with a passport from an<br />
African nation will be granted free entry<br />
on Wednesday mornings between<br />
10am and 1pm and there are countless<br />
other fre entry days listed on the website,<br />
zeitmocaa.museum.<br />
TM | JULY/AUGUST <strong>2018</strong><br />
44