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THE GAME CHANGER<br />
How do you define femininity?<br />
I grew up admiring movie stars of the 1940s and 1950s.<br />
To me, that was always the epitome of feminine, and<br />
it made a mark on me from a very young age. I guess I<br />
have always associated that exaggerated femininity with<br />
the definition of feminine; the way a woman enhances<br />
herself with the tools in the beauty box, so to speak. I’ve<br />
always thought of glamour as feminine. That’s what I<br />
love for the outwardly feminine. On the other hand, I<br />
have a different closed door feminine as well, where I<br />
can remove those layers and get to the essence of what<br />
we are trying to exaggerate with the hair and makeup<br />
and the high heels and all the things we do to be hyper<br />
feminine in public.<br />
Your birth name is Heather Sweet and you're a<br />
natural blonde. Why the change to brunette and<br />
the name change to Dita Von Teese?<br />
I started becoming Dita when I was about 19 years old, so<br />
I wasn’t really thinking it through. I didn’t think about<br />
long term, and I certainly never expected to become<br />
famous for being a burlesque dancer and pinup model.<br />
It started as a hobby that I was doing, and in my little<br />
mind I thought by the time I was 30 I would be finished.<br />
And at the time, I was looking to Gypsy Rose Lee and<br />
Lili St. Cyr, and these [burlesque] stars from the past.<br />
These were choices I made when I was younger, and yes,<br />
I always liked the idea of that big Hollywood makeover.<br />
Rita Hayworth’s name was not Rita Hayworth, and Rita<br />
Hayworth had black hair and a widow’s peak that got<br />
removed with electrolysis. There was that big Hollywood<br />
machine, and I was always fascinated with the idea of<br />
these raw beauties becoming transformed into Birds<br />
of Paradise.<br />
In watching you perform, you truly look like you've<br />
stepped out of a time machine from the 1940s and<br />
1950s. Are you comfortable living in this time period?<br />
I’m not living in another time. A lot of my clothes are<br />
modern, and I think about a lot of the modern things<br />
I do, such as updating my apps. I love so many things<br />
about modern technology. Although, I do have a huge<br />
collection of vintage clothing. There was a time in my<br />
“I was always fascinated<br />
with the idea of these<br />
raw beauties becoming<br />
transformed into<br />
Birds of Paradise.”<br />
life when I only wore vintage lingerie, I only drove my<br />
vintage car, I only wore clothes from the 1940s, but<br />
I’ve kind of evolved from that. The burlesque shows we<br />
produce are much different than a show you would have<br />
seen in the 1940s. We’re trying to capture the essence<br />
of those times, but the whole point is to evolve into<br />
something much different than it ever was; to evolve the<br />
history of burlesque. I never want anyone to think that<br />
I’m living in the past. You can look at the past and get<br />
inspiration from it, but it can end up being dusty and<br />
irrelevant if you don’t find ways to make it something<br />
that no one’s ever seen before.<br />
I do love to sit down with some of my favorite<br />
glamour girls of the past. I’m quite good friends with<br />
Mamie Van Doren who was a big 1950s bombshell and is<br />
still around to tell her stories. And I’m friends with <strong>Jul</strong>ie<br />
Newmar who, of course, was a great dancer and actress. I<br />
love to ask them about the past, and I love getting advice<br />
from them about the times we are living in and how to<br />
navigate being a glamour girl in modern times.<br />
Would you ever consider sacrificing your brand and<br />
hourglass figure to become pregnant?<br />
There are a few choices that I have made, like making a<br />
conscious decision not to have children, because I think<br />
it may be a good moment in time for some people to step<br />
away from that idea of feeling that it’s required. I think<br />
it’s a conscientious choice for modern times, because of<br />
over population. Throughout my life I always felt like I<br />
was going to quit [burlesque] and have a child, because<br />
I always thought I wanted them. More recently I have<br />
given thought to the unsustainable population growth<br />
and global climate change. Do I think it’s fascinating<br />
when women tell me that the most important and<br />
wonderful job they’ll ever do is raising a child? Yes. Then<br />
I think, “ Oh wow, that’s interesting. I guess I won’t know<br />
what that’s like.” This is such a personal thing to ask a<br />
woman about, because what if I couldn’t have children?<br />
That’s not the case, but it’s such a personal topic.<br />
107 JULY/AUGUST <strong>2018</strong> | TM