World - Bucknell University

World - Bucknell University World - Bucknell University

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This issue’s book review presses readers into a dialogue that crisscrosses cultures and themes to form a vision for a world transformed by September 11. 16 BUCKNELL WORLD • September 2006 Books for a Post- September 11 World CLAUDIA EBELING Two seminal Bucknell authors, F. David Martin, professor emeritus of philosophy, and Philip Roth ’54, unflinchingly address the problem of death in books that are as eloquent and profound as they are readable. “Looking directly at death,” Martin says, in Facing Death: Theme and Variations (Bucknell University Press), “may be much more difficult than looking directly at the sun.” Once he debated death without a shiver. Things have changed. “Now that I am old, the sometime is anytime and soon and quite believable. Even in the most joyful moments, the dread of death permeates.” For a scholar who spent his career eclipsing his own views in order to explicate others’, this is revealing stuff. “Dying is the most personal event in our lives; no one can accomplish it for us. Although we can witness our dying, we cannot witness our death.” But Martin embraces the gifts death bequeaths. He visits everyone from Plato to Louis Armstrong for inspiration. In the gravity of mortality, he locates irony, warmth, joy, reconciliation, and humor. Roth articulates the theme through fiction in Everyman (Houghton Mifflin). That his protagonist dies during surgery is the beginning and the end of the story. As the mourners disperse after a respectful graveside service, Roth observes, “That was the end. No special point had been made. Did they say what they had to say? No, they didn’t, and of course they did.” He then turns to the man’s life to see what that means. Therein crouches the suspense. This ordinary man was a son, brother, threetime husband, father, ad guy, attempted studio artist, Jersey native, Manhattan local, and post–September 11 retirement colony refugee. He connects and disconnects with mortality, beginning with a few mystifying encounters that escalate to concrete losses of friends and family in late age. Through the busy crowd of choices he has made for better or worse, the question rises, will he engage death on his terms? What are those terms anyway? Dateline: Middle East Will order ever come to the Middle East? Alumni reporting from the front have surprising answers. Matthew Bogdanos ’80 was enjoying a high-profile career in the Manhattan District Attorney’s office when the planes hit the World Trade Center. After leading his family out of their nearby, ash-ridden apartment, the Marine Reservist knew what he had to do. He signed up for Afghanistan, where he earned a Bronze Star and ended up in Iraq as Baghdad fell. When news surfaced

of the devastation of the national museum that had held some of the oldest treasures from the cradle of civilization, the classics major and criminal investigator in him kicked in. He convinced his superiors to let him lead the effort to recover this world heritage. As he recounts in Thieves of Baghdad (Bloomsbury), the looting was just the latest of the museum’s woes. The institution had no effective inventory system, fakes regularly passed through the collection, and Saddam Hussein routinely used the treasures as his own. Then came working with the Iraqis: “It’s a hard lesson that just because an armed force shares your hatred of a particular tyrant, it does not follow that they necessarily welcome your presence in their country.” The story is, by turns, a memoir, detective thriller, archeological study, crime history, war correspondence, and sociological study. The Pentagon terminated the mission in November 2003. He had only begun, but Bogdanos was hard-pressed to complain. He had made progress, enjoyed almost unlimited authority, and forged friendships with unforgettable people. While he has returned to New York, he remains committed to chasing stolen antiquities. The face of Middle Eastern violence is undeniably male. Traditional cultures on both sides of the divide dictate that women not stray beyond the home. Janet Powers ’61 asserts that it is the women, however, who have the potential to promote political peace. Her new book, Blossoms on the Olive Tree (Praeger), discloses that, in fact, Arab and Israeli women have reached out to one another for several decades, through a network of organizations such as the Jerusalem Center for Women and Bat Shalom. Powers, professor emerita of interdisciplinary studies and women’s studies at Gettysburg College, visited homes in the war-torn region from 2002 to 2005, researching women’s daily lives and the bridges they were building. She found that “although Palestinian women confront daily harassment and Israeli women suffer from a more general paranoia, neither is free from depression or anxiety.” Yet they persist. On Oct. 31, 2000, the United Nations Security Council passed Resolution 1325, validating the importance of women in preventing conflicts and building accord. Last year, a coalition of representatives from 22 Palestinian and Israeli organizations delivered a letter to Secretary of State Condoleeza Rice, calling for enforcement of Resolution 1325. They wrote, “We believe our involvement would hasten the advent of peace.” Observation and Opinion In his winning new collection of essays, Mentioned in Dispatches (Odysseus Books), Matthew Stevenson ’77 considers a mix of subjects. To his experience on the book tour circuit for his first book, Letters of Transit, he adds snapshots of family and friends, eulogies, and a penetrating critique of American foreign policy as he witnessed it in the Balkans. The reflections are enriched by his perspective as a long-time American expatriate, son, father, banker, editor, baseball buff, and reader of everything. It is easy to like Stevenson. While facts and literary allusions fall effortlessly from his pen, his writing is without pretension. It is fluent with humor and wonder. Alumni will find familiar campus “names in the tongue-in-cheek” ’96 Election Guide. That a genre inaugurated in the 16th century grows more popular with each generation is evident in the new anthology, Twentysomething Essays by Twentysomething Writers (Random House). The editors solicited contributions online, and 1,000 essays jammed the email inbox on the deadline day alone. In the final 20 selected to define their generation is “My Little Comma,” by Elrena Evans ’00. She writes about becoming a mother in the midst of completing doctoral studies. When Modern Was Modern My Love Affair with Modern Art (Arcade Publishing), by Katharine Kuh, is a book that almost was not. Kuh (1904–94), a legendary gallery owner, curator, and art critic, had nearly finished her memoir when she died. September 2006 • BUCKNELL WORLD 17

This issue’s book review presses readers into a dialogue that<br />

crisscrosses cultures and themes to form a vision for a world<br />

transformed by September 11.<br />

16 BUCKNELL WORLD • September 2006<br />

Books for a Post-<br />

September 11 <strong>World</strong><br />

CLAUDIA EBELING<br />

Two seminal <strong>Bucknell</strong> authors, F. David Martin,<br />

professor emeritus of philosophy, and Philip Roth ’54, unflinchingly<br />

address the problem of death in books that are as eloquent<br />

and profound as they are readable. “Looking directly at death,”<br />

Martin says, in Facing Death: Theme and Variations (<strong>Bucknell</strong><br />

<strong>University</strong> Press), “may be much more<br />

difficult than looking directly at the sun.”<br />

Once he debated death without a shiver.<br />

Things have changed. “Now that I am<br />

old, the sometime is anytime and soon<br />

and quite believable. Even in the most<br />

joyful moments, the dread of death<br />

permeates.”<br />

For a scholar who spent his career<br />

eclipsing his own views in order to explicate<br />

others’, this is revealing<br />

stuff. “Dying is the<br />

most personal event in our<br />

lives; no one can accomplish<br />

it for us. Although we<br />

can witness our dying, we<br />

cannot witness our death.”<br />

But Martin embraces the<br />

gifts death bequeaths. He visits<br />

everyone from Plato<br />

to Louis Armstrong for inspiration.<br />

In the gravity of<br />

mortality, he locates irony,<br />

warmth, joy, reconciliation,<br />

and humor.<br />

Roth articulates the theme<br />

through fiction in Everyman<br />

(Houghton Mifflin). That his<br />

protagonist dies during surgery is the beginning and the<br />

end of the story. As the mourners disperse after a<br />

respectful graveside service, Roth observes, “That was<br />

the end. No special point had been made. Did they say<br />

what they had to say? No, they didn’t, and of course<br />

they did.” He then turns to the man’s life to see what<br />

that means. Therein crouches the suspense.<br />

This ordinary man was a son, brother, threetime<br />

husband, father, ad guy, attempted studio artist,<br />

Jersey native, Manhattan local, and post–September 11<br />

retirement colony refugee. He connects and disconnects<br />

with mortality, beginning with a few mystifying<br />

encounters that escalate to concrete losses of friends<br />

and family in late age. Through the busy crowd of<br />

choices he has made for better or worse, the question<br />

rises, will he engage death on his terms? What are those<br />

terms anyway?<br />

Dateline: Middle East Will order ever come<br />

to the Middle East? Alumni reporting from the front<br />

have surprising answers.<br />

Matthew Bogdanos ’80 was enjoying a high-profile<br />

career in the Manhattan District Attorney’s office when<br />

the planes hit the <strong>World</strong> Trade Center. After leading his<br />

family out of their nearby, ash-ridden apartment, the<br />

Marine Reservist knew what he had to do. He signed up<br />

for Afghanistan, where he earned a Bronze Star and<br />

ended up in Iraq as Baghdad fell. When news surfaced

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