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FUSE#2

FUSE is a bi-annual publication that documents the projects at Dance Nucleus .

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SCOPE #3<br />

LA MARIPOSA BORRACHA -The process<br />

by Shanice Stanislaus<br />

What became fun, simple games that would usually induce much laughter would<br />

be flipped to explore an emotional scenario/a situation in an illness setting. The<br />

lightness we had with ‘Le Jeu’ allowed us to safely tap into unpacking the emotional<br />

complexities with discussing and researching illness as a journey allowing us<br />

always the opportunity to return to the laughter that begins the games.<br />

Exploring with the local community<br />

After researching on our own in a group of 4 with individuals who<br />

experience illness and individuals who are caregivers, we decided to<br />

take the investigation to local communities who may better add to<br />

our curiosities.<br />

We worked with the Singapore Association of Mental Health (Youth<br />

Reach) and Caregivers Alliance using Le Jeu as a tool to explore the<br />

journey of illness along, how that translates into the body and the<br />

dissonance of illness in their own lives. It was an amazing time<br />

getting to know these individuals, playing and dancing with them.<br />

Through the games, we uncovered how one can move with great<br />

pleasure despite a physical and mental illness or even the limitations<br />

of having to always stay home to be a caregiver, especially as for<br />

some of these individuals it was their first time dancing.<br />

In terms of exploring the journey of illness the stages of the Kubler Ross model was<br />

often brought up. The Kübler-Ross’ model was based off her work with terminally<br />

ill patients and has received much criticism in the years since. Mainly, because<br />

people studying her model mistakenly believed this is the specific order in which<br />

people grieve and that all people go through all stages. Kübler-Ross now notes that<br />

these stages are not linear and some people may not experience any of them. Yet<br />

and still, others might only undergo two stages rather than all five, one stage, three<br />

stages, etc.<br />

Denial, Anger, Bargaining, Depression and Acceptance were the common<br />

emotional states that were brought up by almost all the participants through the<br />

games played. However, they would also bring up various other emotional states in<br />

their journey of illness that were never explored by Kubler Ross and also rarely<br />

acknowledged in many academic and formal conversations of illness in institutions.<br />

These states of Playfulness, Encouragement, False Hope, Emotional Disconnect<br />

(numbness) and the Celebration. It was only through these games we managed to<br />

uncover the emotional significance of these stages that were nuances to be added<br />

to the current Kubler Ross stages.<br />

These new discoveries added to the work helping us reframe this journey of illness<br />

we would present exploring the dissonances between the phases or the<br />

development of the phases in a real-life scenario when one has to deal with illness<br />

in their own personal lives.<br />

Photo credit: Shanice Stanislaus<br />

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