28.02.2020 Views

FUSE#2

FUSE is a bi-annual publication that documents the projects at Dance Nucleus .

FUSE is a bi-annual publication that documents the projects at Dance Nucleus .

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Element# 2<br />

BAHASA KOREOGRAFI<br />

what is the point of me?<br />

by Norhaizad Adam<br />

Visual Keywords recorded from Silat Duduk<br />

with facilitators and artists at the ELEMENT#2:<br />

Bahasa Koreografi Residency:<br />

● Social dramaturgy, process of socialization<br />

● The socialist body<br />

● Transit and transmission<br />

● Transnational Malay, critics of modern nationalism<br />

● Concept of home<br />

● How do I own this contemporary body?<br />

● Bumiputra rights<br />

● Text, Extratext, Paratext and Metatext<br />

● Performativity of the ironic<br />

● Democratic and Majority will<br />

● Minority rights is important too<br />

● Singapore Malay Pop culture<br />

● Negotiation of Malay social dance or social gathering<br />

● Noise of the Asiatic soundscape: management, coloniser, gatekeepers etc.<br />

● Tension between Majority and Minority<br />

● Choreography as critical practice<br />

● Diaspora has power, economy and money<br />

● Nationalism has affected what Malay is?<br />

● Translocal rather than Transnational<br />

● Responsibility of traditional artist is heavier than popular celebrities<br />

● Minority complex<br />

● Daniel: What’s the relationship of dance to you now?<br />

● Ming Poon: How far are you willing to go? Find your Instrumentalization<br />

● Orientalism<br />

● Normalisation<br />

● Minority identity<br />

● Malay body as sympathy body<br />

Article 152<br />

For the ELEMENT#2 residency at Dance Nucleus, I knew by<br />

instinct that Article 152 of the Singapore Constitution will be a<br />

necessary tool for the crafting of my discovery and ideation<br />

process. In my perspective, this article is intended to protect the<br />

rights of minority races within Singapore and puts forth ‘special<br />

position of the Malays’.<br />

I am curious to imagine in between the lines and maybe uncover<br />

a hidden clause that seeps through cracks in the wall. I wonder if<br />

loaded words such as ‘privileged’, ‘underprivileged’, ‘majority’<br />

and ‘minority’ can come out in an everyday Singaporean<br />

conversation and Singapore’s current social, economic and<br />

political context.<br />

From my standpoint, I question about the Malay diaspora in modern times.<br />

How nationalism and traditionalism during colonial ruling affects what being a Malay is?<br />

What does being a Malay in Singapore mean?<br />

What does being Malay in Malaysia mean?<br />

What does being a Malay in Indonesia mean?<br />

What are the concerns and negligence of Malay minorities in Singapore?<br />

I reimagined Article 152 by changing the scale of minority<br />

according to social, political and economic demographics in<br />

Singapore. Then, I realize that the concerns may directly affect<br />

me. However, there is an air of tension between majority and<br />

minority relevance as an Anak Melayu Singaporean artist. I map<br />

out my thoughts on the comparisons of different minority status.<br />

79 80

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!