FUSE#2
FUSE is a bi-annual publication that documents the projects at Dance Nucleus . FUSE is a bi-annual publication that documents the projects at Dance Nucleus .
Table of Contents 1 3 85 117 Foreword Element #2 “BAHASA KOREOGRAFI” 7 Overview of Bahasa Koreografi by Alfian Sa’at 15 (Practice of) Silat Duduk: Investigating the Malay(ness) within Bahasa Koreografi by Helly Minarti 31 A Records of My Experiences by Ayu Permata Sari 43 Body Archive by Fauzi Amirudin 53 The Lenggang as Entry into Cross-Gender Performance Research and Practice by Soultari Amin Fari 69 What is the point of me? by Norhaizad Adam SCOPE #3 87 About ‘Unison’ by Ming Poon 93 La Mariposa Borracha -The process by Shanice Stanislaus 103 There Is Speficifisfety – The Work As Scribed Text. by Lee Munwai 109 Notes on There is Speficifisfety by Lee Ren Xin About Dance Nucleus
Foreword Developments at Dance Nucleus continues apace in the second half of this year. As we gradually establish our operational SOPs*, we turn our attention towards fostering artistic exchanges with partners and artists from the region. Pat Toh’s The Map has been a great example of what we are trying to build at Dance Nucleus. The Indonesian Dance Festival included her as one of their showcased artists this year. In August, Pat attended a 3-week residency in Jakarta, and gave a presentation at the festival in November. After their ELEMENT residency at Dance Nucleus, during which they worked with Mandeep Raikhy as guest mentor, Mandeep invited Chloe Chotrani and Bernice Lee to continue their creative development at the Ignite Dance Festival in New Delhi in October, organised by the Gati Dance Forum. Lee Mun Wai and Lee Ren Xin reworked their collaborative creation at Dance Nucleus and Rimbun Dahan in Kuala Lumpur. This working phase was followed by work-in-progress presentations at SCOPE#3 and at Five Arts Centre in Kuala Lumpur. Fauzi Amiridin and Ayu Permata Sari, from Kuala Lumpur and Yogyakarta respectively joined us for ELEMENT#2 and SCOPE#3 in September, during which they met local artists, Alfian Sa’at, Norhaizad Adam and Amin Farid. In December, we also hosted Angela Goh and Luke George from Australia at SCOPE#4. At the time of writing, we are awaiting the approval of next year’s budget for Dance Nucleus. We certainly hope to be able to do more with and for the artists in Singapore and the region. To more artists talking, sharing, exchanging, experimenting with one another! *SOP = Standard Operational Procedures. A phrase often used in the Singaporean military that is also popular in Singaporean parlance. By SOP here, I am referring to all the administrative procedures our new team at Dance Nucleus has had to set up rapidly over 2018. Daniel Kok Independent Artist, diskodanny.com Artistic Director, Dance Nucleus 1 2
- Page 1: FUSE # 2 Produced by Dance Nucleus
- Page 5 and 6: As BAHASA KOREOGRAFI was conducted
- Page 7 and 8: Element#2 BAHASA KOREOGRAFI OVERvie
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- Page 19 and 20: Element#2 BAHASA KOREOGRAFI Proses
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- Page 23 and 24: Element#2 BAHASA KOREOGRAFI The Pro
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- Page 29 and 30: Element#2 BAHASA KOREOGRAFI Lenggan
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- Page 43 and 44: Element# 2 BAHASA KOREOGRAFI Table
- Page 45 and 46: SCOPE is Dance Nucleus’ open plat
- Page 47 and 48: SCOPE#3 About ‘Unison’ by Ming
- Page 49 and 50: SCOPE #3 LA MARIPOSA BORRACHA - the
- Page 51 and 52: SCOPE #3 LA MARIPOSA BORRACHA -The
Table of<br />
Contents<br />
1<br />
3<br />
85<br />
117<br />
Foreword<br />
Element #2 “BAHASA KOREOGRAFI”<br />
7 Overview of Bahasa Koreografi by Alfian Sa’at<br />
15<br />
(Practice of) Silat Duduk: Investigating the<br />
Malay(ness) within Bahasa Koreografi by Helly Minarti<br />
31 A Records of My Experiences by Ayu Permata Sari<br />
43 Body Archive by Fauzi Amirudin<br />
53 The Lenggang as Entry into Cross-Gender<br />
Performance Research and Practice<br />
by Soultari Amin Fari<br />
69 What is the point of me? by Norhaizad Adam<br />
SCOPE #3<br />
87 About ‘Unison’ by Ming Poon<br />
93 La Mariposa Borracha -The process<br />
by Shanice Stanislaus<br />
103 There Is Speficifisfety – The Work As Scribed Text.<br />
by Lee Munwai<br />
109 Notes on There is Speficifisfety by Lee Ren Xin<br />
About Dance Nucleus
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