Volume 25 Issue 6 - March 2020
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
FEATURED: Music & Health writer Vivien Fellegi explores music, blindness & the plasticity of perception; David Jaeger digs into Gustavo Gimeno's plans for new music in his upcoming first season as music director at TSO; pianist James Rhodes, here for an early March recital, speaks his mind in a Q&A with Paul Ennis; and Lydia Perovic talks music and more with rising Turkish-Canadian mezzo Beste Kalender. Also, among our columns, Peggy Baker Dance Projects headlines Wende Bartley's In with the New; Steve Wallace's Jazz Notes rushes in definitionally where many fear to tread; ... and more.
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sound in jazz has produced many of its greatest glories.<br />
I’ve left out the “which swings” part of my definition, which may<br />
be contentious to those who think swing has outlived its relevance or<br />
importance. Well, I beg to differ, but am running out of space here, so<br />
I will hope to return next month with Part Two of this, titled, naturally,<br />
Swinging Among the Branches.<br />
Footnote:<br />
This article was submitted well before deadline as I headed off on a<br />
Western tour in the middle of February, so I wasn’t able to complete<br />
my usual Quick Picks for <strong>March</strong>. (See my colleague Colin Story’s<br />
column Mainly Clubs, Mostly Jazz on page 65, for some of that.)<br />
However, there is one upcoming concert I wanted to mention, not<br />
entirely for reasons of self-promotion, but more as a shout-out to my<br />
sister, Tracey May, who has been staging jazz concerts the last few<br />
years at her church in Claremont. I’ve played about a half dozen of<br />
these, and they have all been a success, owing much to Tracey’s tireless<br />
organizing and promotion, for which I’ve nicknamed her “Norma<br />
Granz.” Another big plus is the venue itself, a comfy old church with<br />
good acoustics and an intimate atmosphere which inspires a listening<br />
audience. It’s become one of my favourite places to play. And, if I do<br />
say so myself, the Mike Murley Trio ain’t a bad band.<br />
The Mike Murley Trio<br />
Claremont United Church, 5052 Old Brock Road, Claremont<br />
Saturday, April 4 at 8pm. (doors open at 7:30pm)<br />
Tickets $<strong>25</strong> in advance, $30 at the door<br />
For tickets or information call Tracey May at 647-982-4649 or email<br />
jazzinclaremont@gmail.com<br />
Toronto bassist Steve Wallace writes a blog called “Steve<br />
Wallace jazz, baseball, life and other ephemera” which can<br />
be accessed at Wallace-bass.com. Aside from the topics<br />
mentioned, he sometimes writes about movies and food.<br />
LONG & McQUADE<br />
FREE CLINICS<br />
DURING MARCH<br />
A series of free career-enhancing clinics specifically<br />
tailored to the needs of musicians, songwriters, producers<br />
and home studio enthusiasts.<br />
At all Long & McQuade locations, including:<br />
9<strong>25</strong> Bloor St. W • (416) 588-7886 • toronto@long-mcquade.com<br />
Beat by Beat | Bandstand<br />
Tenth Anniversary<br />
NHB’s Expanded Horizons<br />
JACK MACQUARRIE<br />
Beware the Ides of <strong>March</strong>! Thus spoke the soothsayer as he,<br />
correctly, warned Julius Caesar of his impending doom. While<br />
“impending doom” is probably not the cause, we haven’t heard<br />
much of anything from our current band world about any activities<br />
planned for the month of <strong>March</strong> of this year, at least not in time to<br />
report on here. On the bright side, while waiting for information on<br />
coming band activities, I had time to check on the meaning of the<br />
Ides of <strong>March</strong>. While the term originally referred to the full moon,<br />
in ancient Rome it was the time for several religious observances<br />
and was also a deadline for settling debts. It is the word “deadline”,<br />
particularly, that caught my eye. In fairness to bands in our part of the<br />
world, it may be that the month of <strong>March</strong> may be one of preparation,<br />
but not performance. In a few cases, notices we receive, about<br />
concerts that have been in the works for months, arrive only a few<br />
days before the event. For us to mention an event we must receive any<br />
notice no later than the 15th of the month prior to the event. Be aware<br />
of the Ides of <strong>March</strong> (Sunday <strong>March</strong> 15) is therefore my message this<br />
month. Send me your April concert listings by then and I will be sure<br />
to make mention of them here.<br />
Behind the Scenes<br />
As many of you know full well, keeping a concert band going requires<br />
a few activities other than concert preparation and performances.<br />
These include library updating, financial matters and executive elections<br />
among others. As I think about such non-performance activities,<br />
a few stand out. Obviously a well-organized and well-catalogued<br />
library tops the list. There isn’t space here to detail the many possible<br />
formats, but with most bands having access to computers, a spreadsheet<br />
where searches may be easily done based on title, composer,<br />
library catalogue number, style etc. is easy to create and maintain!<br />
A few bands I know have a numbering system for all selections in<br />
their libraries, but others just stick to names. I’m a big proponent<br />
of a numbering system. When the conductor calls out a number to<br />
rehearse, everyone knows what to get. If the conductor should call for<br />
a selection such as Pop and Rock Legends: Elton John, and filing is<br />
alphabetical, one might look for Pop, Rock or Elton John. Numbering<br />
all of the charts would eliminate any confusion. Years ago I played<br />
with someone who filed any chart with a name starting with The<br />
under the letter T.<br />
Another activity, sadly lacking in many musical organizations,<br />
is some form of band archives including photos, programs, videos,<br />
movies etc. How many bands have reliable, accurate, safely stored<br />
archives along with their libraries? Disasters can happen, as they<br />
did many years ago when arsonists destroyed the building where<br />
the Newmarket Citizens Band rehearsed and stored their music.<br />
Fortunately, music which had been stored in steel cabinets was<br />
salvageable.<br />
One other, much more challenging, means of recording a band’s<br />
history and events could be to produce a movie of the band’s activities.<br />
In 1971 Canada’s National Film Board produced a film called<br />
Goodbye Sousa. Released in 1973, the film profiles “the Newmarket<br />
Citizens Band, one of Canada’s oldest marching bands.” This won<br />
the Canadian Film Award for best theatrical short film at the <strong>25</strong>th<br />
Canadian Film Awards. In the words of the band’s current executive,<br />
however: “It won awards but did not present a positive view about the<br />
band’s relevance in the community. That’s why we feel a response is<br />
long overdue ...by almost 50 years.” So, now, in <strong>2020</strong>, the Newmarket<br />
Citizens Band is on the verge of producing a new film of community<br />
band activities. Band members have already received release forms for<br />
40 | <strong>March</strong> <strong>2020</strong> thewholenote.com